Not all roads lead to London: insularity, disconnection and the challenge to ‘regional’ creative industries policy by Allan Watson

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Place: Towards a Geophilosophy of Photography [Book review]   by Allan Watson

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Cultural ‘levelling up’ through the music corporation? The case of EMI North by Allan Watson

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Supporting regional music production clusters in the post-pandemic era: placing business support at the heart of local cultural policy by Allan Watson

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Global music city: knowledge and geographical proximity in London's recorded music industry by Allan Watson

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Sociological perspectives on the economic geography of projects: The case of project-based working in the creative industries by Allan Watson

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The world according to iTunes: mapping urban networks of music production by Allan Watson

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‘Running a studio's a silly business’: work and employment in the contemporary recording studio sector by Allan Watson

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Sound practice: a relational economic geography of music production in and beyond the recording studio by Allan Watson

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Negotiating platformisation: MusicTech, intellectual property rights and third wave platform reintermediation in the music industry by Allan Watson, Andrew Leyshon

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The rise of the platform music industries by Andrew Leyshon, Allan Watson

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Global media cities in transnational media networks by Michael Hoyler, Allan Watson

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Creating the right ‘vibe’: emotional labour and musical performance in the recording studio by Allan Watson, Jenna Ward

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Framing city networks through temporary projects: (trans)national film production beyond ‘Global Hollywood’ by Michael Hoyler, Allan Watson

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The screams all sound the same : the music of Of Monsters and Men and the Icelandic imaginary as geographical discourse by Fiona Tweed, Allan Watson

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"FX, drugs and rock 'n' roll": Engineering the emotional space of the recording studio by Jenna Ward, Allan Watson

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World city network research at a theoretical impasse: On the need to re-establish qualitative approaches to understanding agency in world city networks by Allan Watson, Jonathan V. Beaverstock

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‘Tuning out’ or ‘tuning in’? mobile music listening and intensified encounters with the city by Allan Watson, Dominiqua Drakeford-Allen

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Transnational freelancing: Ephemeral creative projects and mobility in the music recording industry by Allan Watson, Jonathan V. Beaverstock

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Transnational media corporations in global media cities: a geographical approach to understanding media power through corporate office networks by Allan Watson, Ben Derudder, Michael Hoyler

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Tech start-up capitalisation in an oligopolistic copyright industry: the case of the contemporary music industry by Allan Watson, Andrew Leyshon, George Windsor

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Staging atmosphere: collective emotional labour on the film set by Allan Watson, Jenna Ward, James Fair

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Global city makers: economic actors and practices in the world city network by Michael Hoyler, Christof Parnreiter, Allan Watson

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Agency and practice in the making of global cities: towards a renewed research agenda by Michael Hoyler, Christof Parnreiter, Allan Watson

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Spaces and networks of musical creativity in the city by Allan Watson, Michael Hoyler, Christoph Mager

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Does social media pay for music artists? Quantitative evidence on the co-evolution of social media, streaming and live music by Allan Watson, Joseph B Watson, Louise Tompkins-Tinari

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