Young Girl: A Tale of Two Artists at Work by VESALUOMA, ANNA

Wartime Impressions: French Prints of the First World War from the Eric Gustav Carlson Collection by SAGRAVES, ISABELLE

Fitz H. Lane’s Enduring Legacy along the New England Coastline by RODGERS, JOSEPHINE

The Hidden Story of a Gold Finial from Java, Indonesia by KLOKKE, MARIJKE J.

Choirion’s Striking Apollo by SEIGERMAN, EMILY PEARCE

The Collector as Archivist: Lydia Winston Malbin’s Extensions of the Artist by JACOBUS-PARKER, FRANCES

The “Trick” of Materiality and Form in Tony Feher’s Red Pair Waiting by EWING, MARGARET

The Repatriation of a Painting to Austria by BARTOLI, ANTONIA V.

Objects of Valor: Colonel Elmer Ephraim Ellsworth and Mythmaking in the Civil War by FOX, ELIZABETH

Doubling the Divine: A Strategy for Warding Off Evil at Dura-Europos by SELLATI, LILLIAN

Contextualizing “Zulu” Sculpture: Notes on a Ceremonial Axe and Staff from Southeast Africa by GREEN, JAMES

Specimania: Yale’s Numismatic Engravers’ Sample Sheets by HELLINGS, BENJAMIN D. R.

CREDITS

Marthe Donas’s Tactility by FIDUCCIA, JOANNA

The Société Anonyme Collection and the Finer Forces of the Conservation of Modern Paintings by SCHWARZ, CYNTHIA

Avant-Garde Collecting Strategies: The International Modern Art Collections of the Société Anonyme and the “a.r.” Group by SZELĄG, MARCIN

Advancing the Art of the Future: Katherine S. Dreier and the Guggenheim Collection by FONTANELLA, MEGAN

Marthe Donas: Between Der Sturm and the Société Anonyme by ANGER, JENNY

The Hungarian MA Circle in the Société Anonyme Collection: Sándor Bortnyik, László Moholy-Nagy, and László Péri by CASTELLANI, CARLOTTA

Stefi Kiesler’s Typo-Plastics as Fundamental Comments on De Stijl by SMET, HELKE