Exposing the Victim and Victimizing the Exposé: Persecution and Parody in O’Connor’s “The Partridge Festival” by Ciuba, Gary M.

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Seeing Potential in the Heathen: Flannery O’Connor’s Unfinished Novel by Warren, Colleen

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Our Lives as Archives: O’Connor File 204d by Hewitt, Avis

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The Singular Voice of Flannery O’Connor by Huddle, David

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A Dialogue Between Above and Below: Flannery O’Connor, Martin Buber, and “Revelation” after the Holocaust by Piggford, George

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Photographs from Andalusia by Owens, Jim

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Marcus Kenney’s Fallen Animals: A Southern Story Told Through Photography by Morris, Shannon, Kenney, Marcus

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Aligning the Psychological with the Theological: Doubling and Race in Flannery O’Connor’s Fiction by Fowler, Doreen

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Poetry by Henderson, Bruce

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A Tribute to Patricia Smith Yaeger by Whitt, Margaret Earley

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A Flannery O’Connor Christmas Card by Michaels, J. Ramsey

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Facing Parker’s Back: Mary Flannery O’Connor and Her Character Sarah Ruth Cates by Whitaker, Elaine

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Much Mischief Is Divinest Sense: My Flannery Visitation by Smith, R. T.

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Hulga’s Crown by Reese, Rita Mae, Franki, Julie

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FROM THE EDITOR

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Notes on Contributors

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No man with a good car needs to be justified: Preaching Rock and Roll Salvation from O’Connor’s Wise Blood to Ministry’s “Jesus Built My Hotrod” by Miller, Monica

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Introduction to Alice Walker’s “Convergence” by Warren, Nagueyalti

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S/Kin: Writing Across Relatives by Shloss, Carol Loeb

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Cartoons: Flannery O’Connor Community College and Technical Institute by King, Josephine Keese

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