Notes on Contributors

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The Flannery O’ Connor Stamp

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From the Incarnational to the Grotesque in “Revelation,” “Parker’s Back,” and Dostoevsky’s Crime and Punishment by Saxton, Benjamin

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Desegregation and the Silent Character in O’Connor’s “Everything That Rises Must Converge” by Schroeder, Michael L.

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You Are a Very Ignorant Boy: Romano Guardini’s Theology of Dogma in “The Enduring Chill” by Cook, Robert

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Powers and Prophecy: An Interview with Valerie Sayers by Sayers, Valerie, Giemza, Bryan A.

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Creating Taulkinham: An Interview by Lawson, Chris, DeCamillis, Joe, Morris, Shannon

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To the Hard of Hearing You Shout: Flannery O’Connor and the Imagination of Deafness by Ciuba, Gary M.

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Jesus Hits like the Atom Bomb: Flannery O’Connor and the End-Time Scenario by Bacon, Jon Lance

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Cartoons: Better Living Through Chemistry by King, Josephine Keese

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Notes on Contributors

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FROM THE EDITOR

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Cartoons: Film Noir à la O’Connor by King, Josephine Keese

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Rashomon in Milledgeville: Flannery O’Connor and Pete Dexter on the Stembridge Murders by Robillard, Douglas

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Photographs of Old and Modern Milledgeville by Davidson, Bailey

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Route 441: Signs from Flannery O’Connor’s Milledgeville by Harris, Carole K.

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An Interview with Pete Dexter by Dexter, Pete, Robillard, Douglas

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An Untapped Legacy: Flannery O’Connor’s Ruby in “A Stroke of Good Fortune” and in the Manuscript of Wise Blood by Reiniche, Ruth

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A Source for E. A. T. in “A Good Man Is Hard to Find” by Gentry, Marshall Bruce, Wilson, Robert J.

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Blindness and the Beginning of Vision in “Good Country People” by Hubbard, Elizabeth

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