Embodied Form in Grisey's Prologue: Variation, Opposition, Tension by Jakubowski, Joseph R.

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Vocal Pitch in Rap Flow by Komaniecki, Robert

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Editors' Note by Reenan, Sam, Wilson, Lauren

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Renaissance Ternary Suspensions in Theory and Practice by Morgan, Alexander

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EDITORS' NOTE by Reenan, Sam, Wilson, Lauren

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Open Access Meets Critical Disability Studies by Iverson, Jennifer

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Musical Texture and Formal Instability in Post-Millennial Popular Music: Two Case Studies by Adams, Kyle

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On Division of Intellectual Labor by Rao, Nancy Yunhwa

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Coloring the Future: Visualizing Music in the Digital Era by Lochhead, Judy

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Online Publication: Reflections on the Recent Past, Possibilities for the Near Future by Marvin, William M.

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THE HARMONIC THEORIES OF JEAN-ADAM SERRE by Pau, Andrew

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Analytic Context and Aesthetic Properties: Listening to Recordings of Beethoven's Largo appassionato from op. 2, no. 2 by Swinkin, Jeffrey

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EDITORS' NOTE by Kim, Catrina, Reenan, Sam

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Editors'Note by Kim, Catrina, Reenan, Sam

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The Harmonic Theories of Jean-Adam Serre by Pau, Andrew

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When and How are Modulations Diatonic? by Goldenberg, Yosef

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Proto-Harmony and the Problem of Tonal Centricity in Rachmaninoff's All-Night Vigil by Bakulina, Ellen

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Dynamics and Dissonance: The Implied Harmonic Theory of J.J. Quantz by Jones, Evan

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Author's Introduction to Corelli's Tonal and Rhythmic Models by Wintle, Christopher

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Mozart's Vintage Corelli: The Microstory of a Fonte-Romanesca by Byros, Vasili

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