Scottish Folk Music Recordings in the Collections of the School of Scottish Studies, Edinburgh University by Collinson, Francis

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"Scottish Studies". Edinburgh, Oliver and Boyd, for the School of Scottish Studies, University of Edinburgh (Book Review) by Martin, Burns

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The Last of the Great Auks: Oral History and Ritual Killings at St Kilda by Andrew Fleming University of Wales, Lampeter

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The Traditional Sources of Four Burns Songs: ‘The Posie’, ‘Craigie-burn Wood’, ‘Ae Day a braw wooer’ and ‘A waukrife Minnie’ by Katherine Campbell University of Aberdeen, Emily Lyle University of Edinburgh

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Bàrdachd Baile – Ath-mheasadh by Howieson, Iain G

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Singing and the Dùsgaidhean: The Impact of Religious Awakenings on Musical Creativity in the Outer Hebrides by Frances Wilkins University of Aberdeen

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Digital Developments in Scottish Studies by William Lamb University of Edinburgh, Natasha Sumner Harvard University, Gordon Wells The University of the Highlands and Islands

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Volunteer Bands and Local Identity in Caithness at the Time of the Second Reform Act by Jane Pettegree University of St Andrews

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‘Tam o’ Shanter ’s Geansaidh Snàith: The Innovative Work Songs of Gaelic-Speaking Herring Gutters by Hyland, Meg

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The Ear of the Beholder: John Mackenzie of The Beauties by Black, Ronald

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Stewart Forson Sanderson by Mackay, Margaret A

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Fuinn air an inntinn: A Case Study in the Composition of Eighteenth-century Gaelic Song by Beard, Ellen L

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Taking Scotland Overseas: A study of Scottish exhibits and Scottish connections at the international exhibitions beyond British shores, with special reference to the Vienna International Exhibition/Weltausstellung, 1873 by Baird, Christina

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An Interpretation of ‘how the Wran come out of Ailssay’ (Gavin Douglas, The Palice of Honour, l. 1713) as a Version of the Cumulative Tale ‘Henny Penny’ by Lyle, Emily, Shaw, John

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Macbeth and ‘The Weird Sisters’ – on Fates and Witches by Bek-Pedersen, Karen

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Friendship, Faith and the Bard MacLean by Roberts, Alasdair

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Editorial by Shaw, John

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Contents

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Storytelling among Lowland Scots since 1800: An All-Female, Upper-Middle-Class Family Oral Tradition in the Context of Written Tale Collections by Lindahl, Carl

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Songs of the Hebrides and the Critics by Blankenhorn, V S

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