Effective Dreaming in the Time of Zoom Theatre: Reflections on Directing The Lathe of Heaven by Wooden, Isaiah Matthew

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After the Long Silence: The Theater of Brazil's Post-Dictatorship Generation by Cláudia Tatinge Nascimento (review) by Silva Steuernagel, Marcos Davi

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The Bodies of Others: Drag Dances and Their Afterlives by Selby Wynn Schwartz (review) by Sansonetti, Annie

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Applied Theatre with Youth: Education, Engagement, Activism ed. by by Lisa S. Brenner, Chris Ceraso, and Evelyn Diaz Cruz, and: Applied Theatre: A Pedagogy of Utopia by Selina Busby (review) by Knipp, Cortney McEniry

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Highlights from ATHE 2020: Theory and Criticism Focus Group: Spare Parts by Mikhaiel, Yasmin Zacaria, Barfield, Heather, Schroering, Abigail

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Structuring Courses with Agile Research Studio: Supplemental Material by Hunter, E.B

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Unity over Unison: Creating AntigoneNOW in Lockdown by Kemp’s, Margaret Laurena, Rushe, Sinéad, Ellis, Roger, Posner, Dassia N

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Highlights from ATHE 2020: Playwrights and Creative Teams Focus Group: Is There an Aesthetics of Playwriting? Or Why Don't We Talk about How Beautiful Our Plays Are Anymore? by Carneiro, Ana Cândida, Willenbrink, Hank

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A Note from the Editor by Montez, Noe

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Total Dramaturgical Collapse in The Method Gun: American Theatre in Pandemic Time—a Conversation between Katie Pearl and Jaclyn I. Pryor by Pearl, Katie, Pryorti, Jaclyn I

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Dancing in Quarantine: Performance Training across the Digital Divide by Samur, Sebastian X

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Highlights from ATHE 2020: Performance Studies Focus Group: Beyond Miss Anne: Toward an Abolitionist Vision by Wright, Kristen

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Conjuring Kuwait Onstage: An Interview with Mohammed Al-Hemely by Jahanmir, Yasmine Marie, Hajiyah, Reno Hassan

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A Note from the Editor by Montez, Noe

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Theatre Backgrounds 1642–1900 by Hunter, E.B

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If I Am Your Diversity Hire, It Will Not Go Well by Kaz, Donna

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Playing Real: Mimesis, Media, and Mischief by Lindsay Brandon Hunter (review) by Hunter, E. B

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The Blended Audition: An Open Invitation to All Students by Kronenberg, Deborah, Ricardo, Libby

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'. . . imagine! . . . what position she was in! . . .': Revealing the Female Form in Samuel Beckett's Not I by Cammack, Zan

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A Note from the Editor by Noe Montez

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