Search Results - Landa, Carlos Rua

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  1. 1
    Identification and characterization of basic copper sulfates as mineral green pigments in Andean colonial mural paintings: Use of temperature‐controlled stage for the study of thermal induced antlerite degradation

    Identification and characterization of basic copper sulfates as mineral green pigments in Andean colonial mural paintings: Use of temperature‐controlled stage for the study of ther... by Tomasini, Eugenia P., Costantini, Ilaria, Rúa Landa, Carlos, Guzmán, Fernando, Pereira, Magdalena, Castro, Kepa, Siracusano, Gabriela, Madariaga, Juan Manuel, Maier, Marta S.

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  2. 2
    Atacamite as a natural pigment in a South American colonial polychrome sculpture from the late XVI century

    Atacamite as a natural pigment in a South American colonial polychrome sculpture from the late XVI century by Tomasini, Eugenia P., Landa, Carlos Rúa, Siracusano, Gabriela, Maier, Marta S.

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  3. 3
    Methodologies for the Characterization and Identification of Natural Atacamite as a Pigment in Andean Colonial Painting

    Methodologies for the Characterization and Identification of Natural Atacamite as a Pigment in Andean Colonial Painting by De Haro, Andrea, Córdova, Milagros, Rua Landa, Carlos, Huck-Iriart, Cristián, Siracusano, Gabriela, Maier, Marta S., Tomasini, Eugenia

    Published in Heritage
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  4. 4
    A multi-analytical investigation of the materials and painting technique of a wall painting from the church of Copacabana de Andamarca (Bolivia)

    A multi-analytical investigation of the materials and painting technique of a wall painting from the church of Copacabana de Andamarca (Bolivia) by Tomasini, Eugenia, Rodríguez, Diana Castellanos, Gómez, Blanca A., de Faria, Dalva L.A., Landa, Carlos Rúa, Siracusano, Gabriela, Maier, Marta S.

    Published in Microchemical journal
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  5. 5
    Virtuous colours for Mary. Identification of lapis lazuli, smalt and cochineal in the Andean colonial image of Our Lady of Copacabana (Bolivia)

    Virtuous colours for Mary. Identification of lapis lazuli, smalt and cochineal in the Andean colonial image of Our Lady of Copacabana (Bolivia) by Tomasini, Eugenia P., Marte, Fernando, Careaga, Valeria P., Landa, Carlos Rúa, Siracusano, Gabriela, Maier, Marta S.

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  6. 6
    Characterization of pigments and binders in a mural painting from the Andean church of San Andrés de Pachama (northernmost of Chile)

    Characterization of pigments and binders in a mural painting from the Andean church of San Andrés de Pachama (northernmost of Chile) by Tomasini, Eugenia P., Cárcamo, José, Castellanos Rodríguez, Diana M., Careaga, Valeria, Gutiérrez, Sebastián, Rúa Landa, Carlos, Sepúlveda, Marcela, Guzman, Fernando, Pereira, Magdalena, Siracusano, Gabriela, Maier, Marta S.

    Published in Heritage science
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  7. 7
    Identification of pigments and binders of a 17th century mural painting (Bolivia). New report on pigments associated with Andean minerals

    Identification of pigments and binders of a 17th century mural painting (Bolivia). New report on pigments associated with Andean minerals by Tomasini, Eugenia, Costantini, Ilaria, Careaga, Valeria, Landa, Carlos Rua, Castro, Kepa, Madariaga, Juan Manuel, Maier, Marta, Siracusano, Gabriela

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  8. 8
    Virtuous colours for Mary. Identification of lapis lazuli, smalt and cochineal in the Andean colonial image of Our Lady of Copacabana (Bolivia)

    Virtuous colours for Mary. Identification of lapis lazuli, smalt and cochineal in the Andean colonial image of Our Lady of Copacabana (Bolivia) by Tomasini, Eugenia P., Marte, Fernando, Careaga, Valeria P., Landa, Carlos Rúa, Siracusano, Gabriela, Maier, Marta S.

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