New insights into the materials of fifteenth- and sixteenth-century Netherlandish paintings in the National Gallery, London by Spring, Marika

Get full text

ATR-FTIR imaging for the analysis of organic materials in paint cross sections: case studies on paint samples from the National Gallery, London by Spring, Marika, Ricci, Camilla, Peggie, David A, Kazarian, Sergei G

Get full text

Speckle noise reduction in optical coherence tomography of paint layers by Hughes, Michael, Spring, Marika, Podoleanu, Adrian

Get full text

Optimum spectral window for imaging of art with optical coherence tomography by Liang, Haida, Lange, Rebecca, Peric, Borislava, Spring, Marika

Get full text

Seeing in the dark: Challenges in the interpretation of x‐ray fluorescence element distribution maps associated with black paints by Higgitt, Catherine, Spring, Marika, Melchiorre Di Crescenzo, Marta, Howard, Helen

Get full text

Sir Charles Eastlake Encounters Jan van Eyck (1828-65): Contextualising his Research into Early Netherlandish Materials and Techniques by AVERY-QUASH, SUSANNA, SPRING, MARIKA

Get full text

Investigation of the Discoloration of Smalt Pigment in Historic Paintings by Micro-X-ray Absorption Spectroscopy at the Co K-Edge by Robinet, Laurianne, Spring, Marika, Pagès-Camagna, Sandrine, Vantelon, Delphine, Trcera, Nicolas

Get full text

A Note on an Occurrence of Egyptian Blue in Garofalo's "The Holy Family with Saints Elizabeth, Zacharias, John the Baptist (and Francis?)" by SPRING, MARIKA, BILLINGE, RACHEL, VERRI, GIOVANNI

Get full text

Vibrational spectroscopy correlated with elemental analysis for the investigation of smalt pigment and its alteration in paintings by Robinet, Laurianne, Spring, Marika, Pagès-Camagna, Sandrine

Get full text

The Conservation History of Titian’s Diana and Actaeon and Diana and Callisto by Ridge, Jacqueline, Spring, Marika

Get full text

Titian after 1540:Technique and Style in his Later Works by Dunkerton, Jill, Spring, Marika

Get full text

Colourless Powdered Glass as an Additive in Fifteenth-and Sixteenth-Century European Paintings by SPRING, MARIKA

Get full text

"An Astronomer" by Ferdinand Bol: Materials, Colour Change and Conservation by SPRING, MARIKA, VON ADERKAS, NELLY, RUKAVINA, FLAMINIA, PEGGIE, DAVID, Bol, Ferdinand

Get full text

Giovanni Bellini's Painting Technique by DUNKERTON, JILL, SPRING, MARIKA, BILLINGE, RACHEL, HIGGITT, CATHERINE, PEGGIE, DAVID, CAMPBELL, CAROLINE, MACARO, GABRIELLA, MORRISON, RACHEL, BELLUCCI, ROBERTO, BODIGUEL, JEAN-BAPTISTE, PASQUALI, CINZIA, NEW, BRITTA

Get full text

"A Knight of Saint John" by Rosso Fiorentino: a Restoration in Context by KEITH, LARRY, DI CRESCENZO, MARTA MELCHIORRE, DI CRESCRENZO, MARTA MELCHIORRE, SPRING, MARIKA, VON ADERKAS, NELLY

Get full text

Goya's Portraits in the National Gallery: their Technique, Materials and Development by SPRING, MARIKA, BILLINGE, RACHEL, TREVES, LETIZIA, VON ADERKAS, NELLY, HIGGITT, CATHERINE, VAN LOON, ANNELIES, DIK, JORIS

Get full text

Aelbert Cuyp's "Large Dort": Colour Change and Conservation by SPRING, MARIKA, KEITH, LARRY

Get full text

Altered Angels: Two Panels from the Immaculate Conception Altarpiece once in San Francesco Grande, Milan by BILLINGE, RACHEL, SYSON, LUKE, SPRING, MARIKA

Get full text

Titian's Painting Technique from 1540 by Penny, Nicholas, DUNKERTON, JILL, SPRING, MARIKA, BILLINGE, RACHEL, HOWARD, HELEN, MACARO, GABRIELLA, MORRISON, RACHEL, PEGGIE, DAVID, ROY, ASHOK, STEVENSON, LESLEY, VON ADERKAS, NELLY, RIDGE, JACQUELINE

Get full text

Titian's Painting Technique to c. 1540 by DUNKERTON, JILL, SPRING, MARIKA, BILLINGE, RACHEL, KALININA, KAMILLA, MORRISON, RACHEL, MACARO, GABRIELLA, PEGGIE, DAVID, ROY, ASHOK

Get full text