The synergistic influence of metal cations on the drying and viscosity of linseed oil assessed by means of model samples containing synthesised metal carboxylates by Kirkpatrick, S., Sanyova, J., Janssens, K., Van der Snickt, G.

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The role of smalt in complex pigment mixtures in Rembrandt’s Homer 1663: combining MA-XRF imaging, microanalysis, paint reconstructions and OCT by van Loon, A., Noble, P., de Man, D., Alfeld, M., Callewaert, T., Van der Snickt, G., Janssens, K., Dik, J.

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Macroscopic x-ray powder diffraction imaging reveals Vermeer's discriminating use of lead white pigments in Girl with a Pearl Earring by De Meyer, S, Vanmeert, F, Vertongen, R, Van Loon, A, Gonzalez, V, Delaney, J, Dooley, K, Dik, J, Van der Snickt, G, Vandivere, A, Janssens, K

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Jackson Pollock’s Number 1A, 1948: a non-invasive study using macro-x-ray fluorescence mapping (MA-XRF) and multivariate curve resolution-alternating least squares (MCR-ALS) analys... by Martins, A., Coddington, J., Van der Snickt, G., van Driel, B., McGlinchey, C., Dahlberg, D., Janssens, K., Dik, J.

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Enamels in stained glass windows: Preparation, chemical composition, microstructure and causes of deterioration by Schalm, O., Van der Linden, V., Frederickx, P., Luyten, S., Van der Snickt, G., Caen, J., Schryvers, D., Janssens, K., Cornelis, E., Van Dyck, D., Schreiner, M.

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Rembrandt's ‘Saul and David’ (c. 1652): Use of multiple types of smalt evidenced by means of non-destructive imaging by Janssens, K., Van Der Snickt, G., Alfeld, M., Noble, P., van Loon, A., Delaney, J., Conover, D., Zeibel, J., Dik, J.

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μ-XRF/μ-RS vs. SR μ-XRD for pigment identification in illuminated manuscripts by Van der Snickt, G., De Nolf, W., Vekemans, B., Janssens, K.

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Μ-XRF/μ-RS vs. SR μ-XRD for pigment identification in illuminated manuscripts: Science and Technology of Cultural Heritage Materials: Art Conservation and Restoration by VAN DER SNICKT, G, DE NOLF, W, VEKEMANS, B, JANSSENS, K

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Degradation studies of cultural heritage materials using µ-XANES and µ-XRD by Janssens, K., Monico, L., Radepont, M., De Nolf, W., Van der Snickt, G., Cotte, M.

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Separating two painting campaigns in Saul and David, attributed to Rembrandt, using macroscale reflectance and XRF imaging spectroscopies and microscale paint analysis by Dooley, Kathryn A., Gifford, E. Melanie, van Loon, Annelies, Noble, Petria, Zeibel, Jason G., Conover, Damon M., Alfeld, Matthias, Van der Snickt, Geert, Legrand, Stijn, Janssens, Koen, Dik, Joris, Delaney, John K.

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Material analyses of ‘Christ with singing and music-making Angels’, a late 15th-C panel painting attributed to Hans Memling and assistants: Part I. non-invasive in situ investigati... by Van der Snickt, Geert, Miliani, Costanza, Janssens, Koen, Brunetti, Brunetto G., Romani, Aldo, Rosi, Francesca, Walter, Philippe, Castaing, Jacques, De Nolf, Wout, Klaassen, Lizet, Labarque, Ineke, Wittermann, Regine

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