THE PHYSICAL TRAINING OF THE ACTOR IN THE 20TH CENTURY DRAMA PEDAGOGY

In this paper we will focus on the aspects of the actor’s physical training and on the relations between the body and the soul, the body and the psyche which, in Stanislavski’s theory and practice, organically form one entity. We will also refer to the domain of Physical Education which includes phy...

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Bibliographic Details
Published in:Review of artistic education 2014 (7+08), p.164-168
Main Author: Lese, Ana-Cristina
Format: Article
Language:English
Subjects:
Acting
Actors
Anatomy
Creativity
Dance
Drama
Exercise
Physical Activities
Physical education
Physical fitness
Resilience (Psychology)
Soul
Theater
Theatre, Dance, Performing Arts
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Summary:In this paper we will focus on the aspects of the actor’s physical training and on the relations between the body and the soul, the body and the psyche which, in Stanislavski’s theory and practice, organically form one entity. We will also refer to the domain of Physical Education which includes physical training and is defined along two avenues: general physical training and motion; a parallel can thus be drawn between the methods and means used by K. S. Stanislavski and the methods currently used in Physical Education.
ISSN:2069-7554
2501-238X