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The singer and the auditorium
The nature of the relations between the singer and the auditorium is discussed; in particular, the differences between the acoustic situation of the singer and that of other musicians are emphasized. It is concluded that early, high frequency reflections are needed by singers, and the reasons for th...
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Published in: | Journal of sound and vibration 1980-01, Vol.69 (1), p.139-142 |
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Main Author: | |
Format: | Article |
Language: | English |
Citations: | Items that this one cites Items that cite this one |
Online Access: | Get full text |
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Summary: | The nature of the relations between the singer and the auditorium is discussed; in particular, the differences between the acoustic situation of the singer and that of other musicians are emphasized. It is concluded that early, high frequency reflections are needed by singers, and the reasons for this conclusion are explained in some detail. |
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ISSN: | 0022-460X 1095-8568 |
DOI: | 10.1016/0022-460X(80)90440-X |