Dee(a)r Spine: Dance, Dramaturgy, and the Repatriation of Indigenous Memory

This dialogue between artist and dramaturg documents the creation of Dee(a)r Spine, Sam Mitchell's adaptation of the Yaqui Deer Dance, performed on Kumeyaay territory at the University of California, San Diego. Weaving reflections on dance, dramaturgy, and methodology, this article posits that...

Full description

Saved in:
Bibliographic Details
Published in:Dance research journal 2016-04, Vol.48 (1), p.41-54
Main Authors: Mitchell, Sam, Burelle, Julie
Format: Article
Language:English
Citations: Items that this one cites
Items that cite this one
Online Access:Get full text
Tags: Add Tag
No Tags, Be the first to tag this record!
Description
Summary:This dialogue between artist and dramaturg documents the creation of Dee(a)r Spine, Sam Mitchell's adaptation of the Yaqui Deer Dance, performed on Kumeyaay territory at the University of California, San Diego. Weaving reflections on dance, dramaturgy, and methodology, this article posits that dancing offers a pathway to the repatriation of Indigenous memory and kinship, a way to honor the trajectories of those whose connections with their communities have been interrupted by settler-colonialism. Dancing as a repatriation methodology, we argue, carves a healing space of sensate self-representation that centers on Indigenous forms of knowing and leaves no one behind.
ISSN:0149-7677
1940-509X
DOI:10.1017/S0149767715000546