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Death comes alive; technology and the re-conception of death

Argues that the US culture's current focus on death is tied to the current technological environment that has blurred the boundaries between life & death, allowing concerns with death to freely enter the realm of the living. Drawing on popular cultural discourses, it is shown that technolog...

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Published in:Science as culture 1997-01, Vol.6 (3), p.444-466
Main Authors: Cerulo, Karen A., Ruane, Janet M.
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Language:English
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description Argues that the US culture's current focus on death is tied to the current technological environment that has blurred the boundaries between life & death, allowing concerns with death to freely enter the realm of the living. Drawing on popular cultural discourses, it is shown that technology has constructed a technological lifespace that represents a kind of bridge between life & death states & functions as a safety zone from which issues of death may be confronted. Further, technology is discussed as offering a new form of interaction, technosynchronicity, that seems to transport the dead to the empirical realm of the living. Thus, technology reconstructs death as a place to visit rather than as a final destination. It is concluded that, not only has technology increased the culture's attention to death, it also has increased attention to the relationship between the body & the self. 3 Illustrations, 69 References. D. M. Smith
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source Sociological Abstracts; Taylor and Francis Social Sciences and Humanities Collection
subjects Death
Death Attitudes
Popular Culture
Technological Change
Technology
United States of America
title Death comes alive; technology and the re-conception of death
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