Ella Erskine, Elkin Mathews, and the "Long Aesthetic Century"

Scholars have used terms such as the "long nineteenth century" to convey the fact that the characteristics, principles, and artistic debates of the Victorian era did not suddenly vanish in 1900, but continued to inform British literature throughout the Edwardian era and into the start of t...

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Bibliographic Details
Published in:Women's writing : the Elizabethan to Victorian period 2024-04, Vol.31 (2), p.157-171
Main Author: Stetz, Margaret D.
Format: Article
Language:English
Subjects:
"George Egerton"
Aestheticism
Aesthetics
British publishing industry
Decadence
fairy tales
fantasy
Oscar Wilde
Walter Pater
women's writing
Online Access:Get full text
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Summary:Scholars have used terms such as the "long nineteenth century" to convey the fact that the characteristics, principles, and artistic debates of the Victorian era did not suddenly vanish in 1900, but continued to inform British literature throughout the Edwardian era and into the start of the First World War. From work written by women, in particular, during the first decade of the twentieth century, it is obvious that one of the most significant developments of late-Victorian literature - i.e. the Aesthetic Movement - continued to enjoy an active life. This chapter uses a 1909 volume of prose poems, Shadow-shapes by Ella Erskine, to make that point, while demonstrating the important role played by Elkin Mathews, her publisher, in keeping Aestheticism before the public.
ISSN:0969-9082
1747-5848
DOI:10.1080/09699082.2024.2325825