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The affective life of heterosexuality: heteropessimism and postfeminism in Fleabag
In this article we engage with the cultural moment of "heteropessimism" through the specific case of Fleabag (2016, 2019), with the show acting as the lens through which we illuminate the psychic and affective life of heterosexuality's cultural production. Our queer reading of Fleabag...
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Published in: | Feminist media studies 2022-11, Vol.22 (8), p.1902-1917 |
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Main Authors: | , |
Format: | Article |
Language: | English |
Subjects: | |
Citations: | Items that this one cites Items that cite this one |
Online Access: | Get full text |
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Summary: | In this article we engage with the cultural moment of "heteropessimism" through the specific case of Fleabag (2016, 2019), with the show acting as the lens through which we illuminate the psychic and affective life of heterosexuality's cultural production. Our queer reading of Fleabag suggests that while the heteropessimist sensibility of the show critiques the neoliberal and gendered constraints of heterosexuality, it at the same time creates a renewed, if pessimistic, investment in heteronormativity and repudiates alternative feminist and queer attachments. Overall, our analysis of Fleabag's failed attempts to detach from heterosexual fantasies of the "good life" highlights the centrality of heteronormativity to contemporary imaginaries of feminism. As such, we suggest that heteropessimism might be best understood as the latest stage of postfeminism and argue that a critique of the cultural prominence and affective structure of heteropessimism is crucial for invigorating queer and feminist politics today. |
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ISSN: | 1468-0777 1471-5902 |
DOI: | 10.1080/14680777.2021.1922485 |