Loading…

On being contemporary: Shakespeare, inclusion and states of emergency

Starting from a reflection on the way inclusion may be impacted by today's concomitant pandemics, war, and other global emergencies, the article addresses the following questions: Is our approach to Shakespeare and inclusion, in staging of the plays and critical studies, affected by today'...

Full description

Saved in:
Bibliographic Details
Published in:Cahiers élisabéthains 2022-11, Vol.109 (1), p.98-109
Main Author: Cimitile, Anna Maria
Format: Article
Language:English
Online Access:Get full text
Tags: Add Tag
No Tags, Be the first to tag this record!
cited_by
cites
container_end_page 109
container_issue 1
container_start_page 98
container_title Cahiers élisabéthains
container_volume 109
creator Cimitile, Anna Maria
description Starting from a reflection on the way inclusion may be impacted by today's concomitant pandemics, war, and other global emergencies, the article addresses the following questions: Is our approach to Shakespeare and inclusion, in staging of the plays and critical studies, affected by today's co-existence of global ‘ailments’? Can Shakespeare address such a complex ‘state of emergency’ (Walter Benjamin)? What theoretical tools may resonate with Shakespeare today? How can Shakespeare be ‘our contemporary’? For possible answers, the article draws on Giorgio Agamben's idea of ‘contemporaneity’ and looks at present examples of engagements with Shakespeare (inclusive practices, film, and theatre stagings).
doi_str_mv 10.1177/01847678221133456
format article
fullrecord <record><control><sourceid>sage_cross</sourceid><recordid>TN_cdi_crossref_primary_10_1177_01847678221133456</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><sage_id>10.1177_01847678221133456</sage_id><sourcerecordid>10.1177_01847678221133456</sourcerecordid><originalsourceid>FETCH-LOGICAL-c166t-79fd9c88b45afdd69bfbd4c8eb156fa105fe9c46ce3633618c9aa7a19bad543c3</originalsourceid><addsrcrecordid>eNp9kLtOAzEURC0EEiHwAXT-ABZ84zcdisJDipQCqFd3vddhQ-KN7E2RvydR6JCoppg5o9EwdgviHsDaBwFOWWPdZAIgpdLmjI0mQqtKWdDnbHT0q2Pgkl2VshJCe-nEiM0WiTfUpSUPfRpos-0z5v0jf__Cbypbwkx3vEthvStdnzimlpcBByq8j5w2lJeUwv6aXURcF7r51TH7fJ59TF-r-eLlbfo0rwIYM1TWx9YH5xqlMbat8U1sWhUcNaBNRBA6kg_KBJJGSgMueESL4BtstZJBjhmcekPuS8kU623uNofBNYj6-EP954cDc39iCi6pXvW7nA4T_wF-AIrqXns</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype></control><display><type>article</type><title>On being contemporary: Shakespeare, inclusion and states of emergency</title><source>SAGE:Jisc Collections:SAGE Journals Read and Publish 2023-2024:2025 extension (reading list)</source><creator>Cimitile, Anna Maria</creator><creatorcontrib>Cimitile, Anna Maria</creatorcontrib><description>Starting from a reflection on the way inclusion may be impacted by today's concomitant pandemics, war, and other global emergencies, the article addresses the following questions: Is our approach to Shakespeare and inclusion, in staging of the plays and critical studies, affected by today's co-existence of global ‘ailments’? Can Shakespeare address such a complex ‘state of emergency’ (Walter Benjamin)? What theoretical tools may resonate with Shakespeare today? How can Shakespeare be ‘our contemporary’? For possible answers, the article draws on Giorgio Agamben's idea of ‘contemporaneity’ and looks at present examples of engagements with Shakespeare (inclusive practices, film, and theatre stagings).</description><identifier>ISSN: 0184-7678</identifier><identifier>EISSN: 2054-4715</identifier><identifier>DOI: 10.1177/01847678221133456</identifier><language>eng</language><publisher>London, England: SAGE Publications</publisher><ispartof>Cahiers élisabéthains, 2022-11, Vol.109 (1), p.98-109</ispartof><rights>The Author(s) 2022</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed><orcidid>0000-0001-6275-8202</orcidid></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>314,776,780,27901,27902</link.rule.ids></links><search><creatorcontrib>Cimitile, Anna Maria</creatorcontrib><title>On being contemporary: Shakespeare, inclusion and states of emergency</title><title>Cahiers élisabéthains</title><addtitle>Cahiers Élisabéthains: A Journal of English Renaissance Studies</addtitle><description>Starting from a reflection on the way inclusion may be impacted by today's concomitant pandemics, war, and other global emergencies, the article addresses the following questions: Is our approach to Shakespeare and inclusion, in staging of the plays and critical studies, affected by today's co-existence of global ‘ailments’? Can Shakespeare address such a complex ‘state of emergency’ (Walter Benjamin)? What theoretical tools may resonate with Shakespeare today? How can Shakespeare be ‘our contemporary’? For possible answers, the article draws on Giorgio Agamben's idea of ‘contemporaneity’ and looks at present examples of engagements with Shakespeare (inclusive practices, film, and theatre stagings).</description><issn>0184-7678</issn><issn>2054-4715</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2022</creationdate><recordtype>article</recordtype><recordid>eNp9kLtOAzEURC0EEiHwAXT-ABZ84zcdisJDipQCqFd3vddhQ-KN7E2RvydR6JCoppg5o9EwdgviHsDaBwFOWWPdZAIgpdLmjI0mQqtKWdDnbHT0q2Pgkl2VshJCe-nEiM0WiTfUpSUPfRpos-0z5v0jf__Cbypbwkx3vEthvStdnzimlpcBByq8j5w2lJeUwv6aXURcF7r51TH7fJ59TF-r-eLlbfo0rwIYM1TWx9YH5xqlMbat8U1sWhUcNaBNRBA6kg_KBJJGSgMueESL4BtstZJBjhmcekPuS8kU623uNofBNYj6-EP954cDc39iCi6pXvW7nA4T_wF-AIrqXns</recordid><startdate>202211</startdate><enddate>202211</enddate><creator>Cimitile, Anna Maria</creator><general>SAGE Publications</general><scope>AAYXX</scope><scope>CITATION</scope><orcidid>https://orcid.org/0000-0001-6275-8202</orcidid></search><sort><creationdate>202211</creationdate><title>On being contemporary: Shakespeare, inclusion and states of emergency</title><author>Cimitile, Anna Maria</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c166t-79fd9c88b45afdd69bfbd4c8eb156fa105fe9c46ce3633618c9aa7a19bad543c3</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2022</creationdate><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Cimitile, Anna Maria</creatorcontrib><collection>CrossRef</collection><jtitle>Cahiers élisabéthains</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Cimitile, Anna Maria</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>On being contemporary: Shakespeare, inclusion and states of emergency</atitle><jtitle>Cahiers élisabéthains</jtitle><addtitle>Cahiers Élisabéthains: A Journal of English Renaissance Studies</addtitle><date>2022-11</date><risdate>2022</risdate><volume>109</volume><issue>1</issue><spage>98</spage><epage>109</epage><pages>98-109</pages><issn>0184-7678</issn><eissn>2054-4715</eissn><abstract>Starting from a reflection on the way inclusion may be impacted by today's concomitant pandemics, war, and other global emergencies, the article addresses the following questions: Is our approach to Shakespeare and inclusion, in staging of the plays and critical studies, affected by today's co-existence of global ‘ailments’? Can Shakespeare address such a complex ‘state of emergency’ (Walter Benjamin)? What theoretical tools may resonate with Shakespeare today? How can Shakespeare be ‘our contemporary’? For possible answers, the article draws on Giorgio Agamben's idea of ‘contemporaneity’ and looks at present examples of engagements with Shakespeare (inclusive practices, film, and theatre stagings).</abstract><cop>London, England</cop><pub>SAGE Publications</pub><doi>10.1177/01847678221133456</doi><tpages>12</tpages><orcidid>https://orcid.org/0000-0001-6275-8202</orcidid></addata></record>
fulltext fulltext
identifier ISSN: 0184-7678
ispartof Cahiers élisabéthains, 2022-11, Vol.109 (1), p.98-109
issn 0184-7678
2054-4715
language eng
recordid cdi_crossref_primary_10_1177_01847678221133456
source SAGE:Jisc Collections:SAGE Journals Read and Publish 2023-2024:2025 extension (reading list)
title On being contemporary: Shakespeare, inclusion and states of emergency
url http://sfxeu10.hosted.exlibrisgroup.com/loughborough?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-02-01T08%3A05%3A39IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-sage_cross&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=On%20being%20contemporary:%20Shakespeare,%20inclusion%20and%20states%20of%20emergency&rft.jtitle=Cahiers%20%C3%A9lisab%C3%A9thains&rft.au=Cimitile,%20Anna%20Maria&rft.date=2022-11&rft.volume=109&rft.issue=1&rft.spage=98&rft.epage=109&rft.pages=98-109&rft.issn=0184-7678&rft.eissn=2054-4715&rft_id=info:doi/10.1177/01847678221133456&rft_dat=%3Csage_cross%3E10.1177_01847678221133456%3C/sage_cross%3E%3Cgrp_id%3Ecdi_FETCH-LOGICAL-c166t-79fd9c88b45afdd69bfbd4c8eb156fa105fe9c46ce3633618c9aa7a19bad543c3%3C/grp_id%3E%3Coa%3E%3C/oa%3E%3Curl%3E%3C/url%3E&rft_id=info:oai/&rft_id=info:pmid/&rft_sage_id=10.1177_01847678221133456&rfr_iscdi=true