"TITUS", BROADWAY, AND DISNEY'S MAGIC CAPITALISM; OR, THE WONDERFUL WORLD OF JULIE TAYMOR
Anderson argues that corporate or media allegory as a hermeneutic practice offers necessary context for understanding creative production and that, in the case of Julie Taymor's film Titus, it alters how we might view the film's representation of historical, cultural, and familial relation...
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| Published in: | College literature 2013-12, Vol.40 (1), p.66-95 |
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| Main Author: | |
| Format: | Article |
| Language: | English |
| Subjects: | |
| Online Access: | Get full text |
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