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Racial Plagiarism and Fashion
This article attempts to chart a path out of the stultifying binary oppositions of “cultural appropriation” and “cultural appreciation” with regard to fashion and beauty forms and practices. “Racial plagiarism,” this essay argues, is a more precise analytic framework for understanding and critiquing...
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Published in: | QED (East Lansing, Mich.) Mich.), 2017-10, Vol.4 (3), p.67-80 |
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container_end_page | 80 |
container_issue | 3 |
container_start_page | 67 |
container_title | QED (East Lansing, Mich.) |
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creator | Pham, Minh-Ha T. |
description | This article attempts to chart a path out of the stultifying binary oppositions of “cultural appropriation” and “cultural appreciation” with regard to fashion and beauty forms and practices. “Racial plagiarism,” this essay argues, is a more precise analytic framework for understanding and critiquing the kinds of copying that happen in fashion and beauty contexts than either of the previous terms because it achieves a number of things: (1) it attends to the non-illegal but not unproblematic status of this kind of unauthorized copying; (2) it explicitly connects “racial plagiarism” with other forms of racial and economic exclusions that are also not illegal but not unproblematic; and (3) it demonstrates how non-legal constructions of authorship and copying produce racialized understandings of creativity and criminality. |
doi_str_mv | 10.14321/qed.4.3.0067 |
format | article |
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subjects | Essays |
title | Racial Plagiarism and Fashion |
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