Making 'Hope and History Rhyme': Gender and History in Josephine Herbst's Trexler Trilogy

In representing the past, Herbst continues the realist tradition, utilising the form of the classical historical novel, which, as Georg Lukács describes it, represents the historical past as the ‘concrete prehistory of the present’.2 In ‘reconstruct[ing]’ herself, however, Herbst also deploys avant-...

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Bibliographic Details
Published in:Critical survey (Oxford, England) England), 2007-01, Vol.19 (1), p.84-95
Main Author: Hubler, Angela
Format: Article
Language:English
Subjects:
Academic libraries
Authors, American
Capital investments
Criticism and interpretation
Executioners
Gender identity
Herbst, Josephine
History
Modernist art
Mothers
Pity
Poetry
Portrayals
Rhyme
Working class
Works
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Summary:In representing the past, Herbst continues the realist tradition, utilising the form of the classical historical novel, which, as Georg Lukács describes it, represents the historical past as the ‘concrete prehistory of the present’.2 In ‘reconstruct[ing]’ herself, however, Herbst also deploys avant-garde formal techniques that interrupt the linear narrative chronology with what she called ‘interpretive inserts’.3 Thus, the form of Herbst’s trilogy reveals relationships between history and subjectivity, and the public and the private, that challenge the typical modernist repudiation of the significance of history and the privileging of the private over the public.
ISSN:0011-1570
1752-2293
DOI:10.3167/cs.2007.190109