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Actual Image || Virtual Cut: Schizoanalysis and Montage
If a machine is something that cuts into a continuous flow, schizoanalysis can be read, quite literally, as an analysis of cuts. In cinematic registers, it is an analysis of montage. Looking closely at a number of modes and moments of montage in the work of Alfred Hitchcock, this paper shows how his...
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Published in: | Deleuze & Guattari Studies 2011-07, Vol.5 (2), p.177-208 |
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Main Author: | |
Format: | Article |
Language: | English |
Subjects: | |
Citations: | Items that this one cites |
Online Access: | Get full text |
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Summary: | If a machine is something that cuts into a continuous flow, schizoanalysis can be read, quite literally, as an analysis of cuts. In cinematic registers, it is an analysis of montage. Looking closely at a number of modes and moments of montage in the work of Alfred Hitchcock, this paper shows how his strategies of '‘reciprocally presupposing'’ actual image and virtual montage relate to a Deleuzian poetics and politics of the cinema. |
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ISSN: | 1750-2241 2398-9777 1755-1684 2398-9785 |
DOI: | 10.3366/dls.2011.0017 |