Ornithorhyncus Platypus Extraordinariensis: Modernist Metafiction and the Assault on the Reader in Melville's The Confidence-Man and Twain's The Mysterious Stranger

Mark Twain's No. 44, The Mysterious Stranger (ca. 1905, 1908, 1909) has striking similarities to Herman Melville's The Confidence-Man (1857). These two books mark the evolution of American modernism to an early form of postmodernism—most notably in their similarly complex treatments of nov...

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Bibliographic Details
Published in:The Mark Twain annual 2018-11, Vol.16 (1), p.124-147
Main Author: Thompson, G. R.
Format: Article
Language:English
Subjects:
Fiction
Folktales
Irony
Literary modernism
Narrative modes
Narratives
Narrators
Novels
Reality
Romantic literature
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Summary:Mark Twain's No. 44, The Mysterious Stranger (ca. 1905, 1908, 1909) has striking similarities to Herman Melville's The Confidence-Man (1857). These two books mark the evolution of American modernism to an early form of postmodernism—most notably in their similarly complex treatments of novel and romance genres, the nature of identity, disrupted narrative techniques, metafictional elements, and speculation on the relation of fiction and reality. In both works, the presumption of a single unitary self is under assault, along with moral, religious, and existential concepts of selfhood. Melville's and Twain's criticisms of the concept of the single self not only recognize multiple selves in general, but also focus on author/reader mutual identities. Twain's book becomes an ironic indictment of any reader who reads it.
ISSN:1553-0981
1756-2597
DOI:10.5325/marktwaij.16.1.0124