BILOGÍA FÍLMICA MACHADIANA: LA SOMBRA DE CAÍN SOBRE LA ¡HERMOSA TIERRA DE ESPAÑA

Just after the eightieth anniversary of death of Antonio Machado, we turn our attention to two films whose speeches gravitate a deep immersion in his work and his personality. Directed by Arturo RuizCastillo between the summer of 1952 and the spring of 1953, La laguna negra emerges as transposition...

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Bibliographic Details
Published in:Signa (Madrid, Spain) Spain), 2021-01 (30), p.473-499
Main Authors: Gómez Beceiro, Fernando, Alonso Ramos, Natalia, Castro de Paz, José Luis
Format: Article
Language:Spanish
Subjects:
Alegoría
Allegory
Arturo Ruiz
Asesinato
Cainismo
Castillo
cine
Cine español
Cine español posbélico
Cine y literatura
Cinema and literature
Dos caminos
Escritores
Exile
Exilio
Fratricide
Guerra Civil Española
Key Words: Antonio Machado
La laguna negra
literatura
Literatura española
Machado, Antonio (1875-1939)
Motion picture directors & producers
Murder
Palabras clave: Antonio Machado
Poets
Posguerra
Post
Post-war
Spanish cinema
Spanish Civil War
Spanish literature
war Spanish Cinema
Writers
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Summary:Just after the eightieth anniversary of death of Antonio Machado, we turn our attention to two films whose speeches gravitate a deep immersion in his work and his personality. Directed by Arturo RuizCastillo between the summer of 1952 and the spring of 1953, La laguna negra emerges as transposition of a romance of the Sevillian poet, while the post-war account Dos caminos seem to be nourished by a dense allegorical invocation of Machadian thought. Scarcely known and barely considered by historiography film, both films make up an unmistakable biology with an unusual semantic density that needs to be vindicated urgently.
ISSN:1133-3634
2254-9307
DOI:10.5944/SIGNA.VOL30.2021.26474