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Particularidades de la fotografía qajar del siglo XIX en Irán: entre un cierto orientalismo y unas manifestaciones autóctonas
Este artículo investiga los orígenes y el desarrollo de la fotografía qajar en Irán, desde sus primeras manifestaciones en 1842 hasta comienzos del siglo XX. Relaciona los agentes que intervinieron en su rápido progreso, con especial atención a la figura del sah Naser al-Din, quien impulsó la fotogr...
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| Published in: | Estudios de Asia y Africa 2024-05, Vol.59 (2 (184)), p.77-98 |
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| container_issue | 2 (184) |
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| container_title | Estudios de Asia y Africa |
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| creator | MUÑIZ, PABLO MARTÍNEZ |
| description | Este artículo investiga los orígenes y el desarrollo de la fotografía qajar en Irán, desde sus primeras manifestaciones en 1842 hasta comienzos del siglo XX. Relaciona los agentes que intervinieron en su rápido progreso, con especial atención a la figura del sah Naser al-Din, quien impulsó la fotografía y además se destacó en este arte. Se analizan las aportaciones de otros fotógrafos importantes en estos primeros años, sobre todo extranjeros, pero también representantes de la corte Qajar. Diversos factores posibilitaron un tipo de fotografía en Irán que se diferencia de la realizada en regiones vecinas de Oriente Próximo.
This article examines the origins and development of Qajar photography in Iran, from its emergence in 1842 to the early 20th century. It makes connections between the actors involved in its rapid development, focusing on the figure of Shah Naser al-Din, who promoted photography and was himself a prominent photographer. The text examines the contribution of important photographers in these early years, who were mainly foreigners but also representatives of the Qajar court. Various factors enabled a type of photography in Iran that was different from that in neighboring Middle Eastern regions. |
| doi_str_mv | 10.24201/eaa.v59i2.2950 |
| format | article |
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This article examines the origins and development of Qajar photography in Iran, from its emergence in 1842 to the early 20th century. It makes connections between the actors involved in its rapid development, focusing on the figure of Shah Naser al-Din, who promoted photography and was himself a prominent photographer. The text examines the contribution of important photographers in these early years, who were mainly foreigners but also representatives of the Qajar court. Various factors enabled a type of photography in Iran that was different from that in neighboring Middle Eastern regions.</description><identifier>ISSN: 0185-0164</identifier><identifier>ISSN: 2448-654X</identifier><identifier>EISSN: 2448-654X</identifier><identifier>DOI: 10.24201/eaa.v59i2.2950</identifier><language>spa</language><publisher>Mexico City: Colegio de Mexico</publisher><subject>19th century ; 20th century ; Anthropology ; Area Studies ; ARTÍCULO ; Courts ; Cultural Studies ; fotografía ; History ; International Relations ; Irán ; Naser al-Din ; Noncitizens ; Orientalism ; orientalismo ; Photographers ; Photography ; siglo XIX</subject><ispartof>Estudios de Asia y Africa, 2024-05, Vol.59 (2 (184)), p.77-98</ispartof><rights>D.R. © 2024. Estudios de Asia y África</rights><rights>COPYRIGHT 2024 El Colegio de Mexico, A.C.</rights><rights>2024. This work is published under https://ror.org/03qvyzg66 (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License.</rights><rights>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</rights><lds50>peer_reviewed</lds50><oa>free_for_read</oa><woscitedreferencessubscribed>false</woscitedreferencessubscribed><cites>FETCH-LOGICAL-c293t-35f331c8ba52a5b1fd177505ab0e2e6d9fffc67b4e1cc25f6761cac14e312e123</cites><orcidid>0000-0002-1976-1120</orcidid></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.proquest.com/docview/3054442077/fulltextPDF?pq-origsite=primo$$EPDF$$P50$$Gproquest$$Hfree_for_read</linktopdf><linktohtml>$$Uhttps://www.proquest.com/docview/3054442077?pq-origsite=primo$$EHTML$$P50$$Gproquest$$Hfree_for_read</linktohtml><link.rule.ids>230,314,777,781,882,12828,21375,25734,27905,27906,33204,33592,36993,43714,44571,58219,58452,73970,74875</link.rule.ids></links><search><creatorcontrib>MUÑIZ, PABLO MARTÍNEZ</creatorcontrib><title>Particularidades de la fotografía qajar del siglo XIX en Irán: entre un cierto orientalismo y unas manifestaciones autóctonas</title><title>Estudios de Asia y Africa</title><addtitle>Estud. Asia Áfr</addtitle><description>Este artículo investiga los orígenes y el desarrollo de la fotografía qajar en Irán, desde sus primeras manifestaciones en 1842 hasta comienzos del siglo XX. Relaciona los agentes que intervinieron en su rápido progreso, con especial atención a la figura del sah Naser al-Din, quien impulsó la fotografía y además se destacó en este arte. Se analizan las aportaciones de otros fotógrafos importantes en estos primeros años, sobre todo extranjeros, pero también representantes de la corte Qajar. Diversos factores posibilitaron un tipo de fotografía en Irán que se diferencia de la realizada en regiones vecinas de Oriente Próximo.
This article examines the origins and development of Qajar photography in Iran, from its emergence in 1842 to the early 20th century. It makes connections between the actors involved in its rapid development, focusing on the figure of Shah Naser al-Din, who promoted photography and was himself a prominent photographer. The text examines the contribution of important photographers in these early years, who were mainly foreigners but also representatives of the Qajar court. 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Asia Áfr</addtitle><date>2024-05-01</date><risdate>2024</risdate><volume>59</volume><issue>2 (184)</issue><spage>77</spage><epage>98</epage><pages>77-98</pages><issn>0185-0164</issn><issn>2448-654X</issn><eissn>2448-654X</eissn><abstract>Este artículo investiga los orígenes y el desarrollo de la fotografía qajar en Irán, desde sus primeras manifestaciones en 1842 hasta comienzos del siglo XX. Relaciona los agentes que intervinieron en su rápido progreso, con especial atención a la figura del sah Naser al-Din, quien impulsó la fotografía y además se destacó en este arte. Se analizan las aportaciones de otros fotógrafos importantes en estos primeros años, sobre todo extranjeros, pero también representantes de la corte Qajar. Diversos factores posibilitaron un tipo de fotografía en Irán que se diferencia de la realizada en regiones vecinas de Oriente Próximo.
This article examines the origins and development of Qajar photography in Iran, from its emergence in 1842 to the early 20th century. It makes connections between the actors involved in its rapid development, focusing on the figure of Shah Naser al-Din, who promoted photography and was himself a prominent photographer. The text examines the contribution of important photographers in these early years, who were mainly foreigners but also representatives of the Qajar court. Various factors enabled a type of photography in Iran that was different from that in neighboring Middle Eastern regions.</abstract><cop>Mexico City</cop><pub>Colegio de Mexico</pub><doi>10.24201/eaa.v59i2.2950</doi><tpages>22</tpages><orcidid>https://orcid.org/0000-0002-1976-1120</orcidid><oa>free_for_read</oa></addata></record> |
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| ispartof | Estudios de Asia y Africa, 2024-05, Vol.59 (2 (184)), p.77-98 |
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| language | spa |
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| source | International Bibliography of the Social Sciences (IBSS); JSTOR Archival Journals and Primary Sources Collection【Remote access available】; Publicly Available Content Database; ProQuest - social science premium collection |
| subjects | 19th century 20th century Anthropology Area Studies ARTÍCULO Courts Cultural Studies fotografía History International Relations Irán Naser al-Din Noncitizens Orientalism orientalismo Photographers Photography siglo XIX |
| title | Particularidades de la fotografía qajar del siglo XIX en Irán: entre un cierto orientalismo y unas manifestaciones autóctonas |
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