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Auditory Resonance: A Transdisciplinary Concept?
Focusing on the influential work of the German sociologist Hartmut Rosa, as well as on selected positions in sound studies, this essay explores some aspects of auditory resonance, an over-determined concept exemplified by music that no single conceptual framework can exhaustively explain. For this r...
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Published in: | Humanities (Basel) 2022-02, Vol.11 (1), p.6 |
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description | Focusing on the influential work of the German sociologist Hartmut Rosa, as well as on selected positions in sound studies, this essay explores some aspects of auditory resonance, an over-determined concept exemplified by music that no single conceptual framework can exhaustively explain. For this reason, transdisciplinary research is especially productive in exploring the wide range of auditory resonance if it does not adhere to a seemingly all-inclusive theoretical self-definition but starts from an actual, singular experience. This subjective, even personal response to auditory resonance opens up various intersecting, supplementary, and often competing paradigms of critical analysis that interrogate any hegemonic claims to perspectives and insights potentially implied in single-disciplinary methodologies. |
doi_str_mv | 10.3390/h11010006 |
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subjects | Acoustics Audiences auditory resonance COVID-19 Hartmut Rosa Interdisciplinary aspects Lang Lang Listening Musical composition Musical performances personal experience Personal experiences Sound sound studies transdisciplinarity |
title | Auditory Resonance: A Transdisciplinary Concept? |
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