Horizonte de fragmentos»: Space and Identity in Bariloche of Andrés Neuman

The Hispano-American Narrative of the nineties inaugurates a new paradigm in which the notion of homeland is exceded as the space determining the identity and as the unique place for the writer to write from. The writers born from the sixties on, built up their fiction from global logic, negating th...

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Bibliographic Details
Published in:1616 2016-03, Vol.5, p.255-268
Main Author: Francisca SÁNCHEZ MARTÍNEZ
Format: Article
Language:Catalan
Subjects:
des(re)territorialización
espacio
globalización
literatura hispanoamericana
narrativa
Online Access:Get full text
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Summary:The Hispano-American Narrative of the nineties inaugurates a new paradigm in which the notion of homeland is exceded as the space determining the identity and as the unique place for the writer to write from. The writers born from the sixties on, built up their fiction from global logic, negating their belonging to the only cultural tradition. This essay analyses how Andrés Neuman, an Hispano-Argentinian writer, elaborates in his first novel Bariloche –as in his whole own narrative– a spatiality which is a reflection of the way contemporaneity dynamics affect individual identity.
ISSN:0210-7287
2445-2262