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The world as an apple on the hand: the orb and its relationship with medieval cartography
This article focuses on the orb –an insignia of power that situates the world in the hands of the sovereign–, and the connection that it had in the Middle Ages with geography and cartography, both in form and symbolism. Due to the shortage of preserved examples, iconographic sources will be relied u...
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Published in: | Anales de historia del arte 2014-01, Vol.23, p.537-549 |
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Language: | eng ; por |
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container_end_page | 549 |
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container_start_page | 537 |
container_title | Anales de historia del arte |
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creator | Sandra Sáenz-López Pérez |
description | This article focuses on the orb –an insignia of power that situates the world in the hands of the sovereign–, and the connection that it had in the Middle Ages with geography and cartography, both in form and symbolism. Due to the shortage of preserved examples, iconographic sources will be relied upon, as it is within portraits of emperors, kings and also Christ as the Savior where the orb appears as a defining element of the medieval image of power. |
doi_str_mv | 10.5209/rev_ANHA.2013.v23.42853 |
format | article |
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identifier | ISSN: 0214-6452 |
ispartof | Anales de historia del arte, 2014-01, Vol.23, p.537-549 |
issn | 0214-6452 1988-2491 |
language | eng ; por |
recordid | cdi_doaj_primary_oai_doaj_org_article_5d6fa6621ab2473081f390925a711f04 |
source | Art, Design and Architecture Collection |
subjects | claudio ptolomeo cristo salvador edad media henricus martellus germanus mapa pomo regalia insignia |
title | The world as an apple on the hand: the orb and its relationship with medieval cartography |
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