Paloma Bianchi’s Choreographic Work Hacia as a Practice of Amerindian Perspectivism

This text analyzes Hacia (2019) as a critical choreographic device facing the problem of disenchantment of the world derived from the separation between nature and culture inherited from Modernity/coloniality. Hacia puts into practice two notions of Amerindian perspectivism: one that recognizes the...

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Bibliographic Details
Published in:Revista Brasileira de Estudos da Presença 2021, Vol.11 (2), p.1-20
Main Author: Diez, Diana Delgado-Ureña
Format: Article
Language:English
Subjects:
Amerindian Perspectivism
Artists
Audiences
Choreography
Corporeality
Cultural anthropology
Museums
Native peoples
Otherness
Performing arts
Relationship Modes
Social classes
Subjectivation Processes
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Summary:This text analyzes Hacia (2019) as a critical choreographic device facing the problem of disenchantment of the world derived from the separation between nature and culture inherited from Modernity/coloniality. Hacia puts into practice two notions of Amerindian perspectivism: one that recognizes the relational agency of all entities in the world; and another which raises knowledge as a process of subjectivation that implies bodily, sensory and imaginative dimensions. This analysis proposes a dialogue between the areas of anthropology and contemporary performing arts creation in Brazil.
ISSN:2237-2660
2237-2660
DOI:10.1590/2237-2660102528