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Understanding an Epic Song of the Hmong in Laos From The Perspective of Oral Composition
This article looks at an epic song performed by Hmong in Laos from a perspective of oral composition by analyzing a wedding song Leuangtengdong. Through detailed musical and textual transcription, several compositional devices are identified and discussed. My study explores oral composition of the s...
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Published in: | Asian-European music research journal 2021-06, Vol.7, p.77-90 |
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Main Author: | |
Format: | Article |
Language: | English |
Online Access: | Get full text |
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Summary: | This article looks at an epic song performed by Hmong in Laos from a perspective of oral composition
by analyzing a wedding song Leuangtengdong. Through detailed musical and textual transcription,
several compositional devices are identified and discussed. My study explores oral composition of the
song focusing on its material and structure. I argue that music plays an important role in its oral
composition: material-wise, music functions both as formulaic music-text association/unity and by
careful music-text interactions; structure-wise, the song is organized in a multi-layered framework
realized by the hierarchical music-text formulas, with music-text ‘theme’ in critical structural positions. |
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ISSN: | 2701-2689 2625-378X |
DOI: | 10.30819/aemr.7-6 |