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Irrelevant sound interference on phonological and tonal working memory in musicians and nonmusicians
Background Working memory refers to the cognitive system responsible for the temporary storage and maintenance of information, but it remains controversial whether overlapping processes underlie the temporary retention of verbal and musical information such as words and tones. Methods Participants w...
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Published in: | Psicologia, reflexão e crítica reflexão e crítica, 2019-01, Vol.32 (1), p.2-2, Article 2 |
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description | Background
Working memory refers to the cognitive system responsible for the temporary storage and maintenance of information, but it remains controversial whether overlapping processes underlie the temporary retention of verbal and musical information such as words and tones.
Methods
Participants with little or no musical training (
n
= 22) and professional musicians (
n
= 21) were administered four memory tasks. Two tasks (tone sequence recognition and pseudoword sequence recall) aimed at comparing groups’ performance for tonal or phonological material separately. Other two memory tasks investigated pseudoword and tone recognition under three conditions during the retention interval (silence, irrelevant words, or irrelevant tones).
Results
Musicians were better than nonmusicians in tone sequence recognition but not in pseudoword sequence recall. There were no interference effects of irrelevant tones or words on pseudoword recognition, and only irrelevant tones significantly interfered with tone recognition.
Conclusions
Our results offer further support that tone recognition is specifically impaired by irrelevant tones, but irrelevant words did not disrupt pseudoword or tone recognition. Although these results do not reflect a double-dissociation pattern between phonological and tonal working memory, they provide evidence that temporary retention of tonal information is subject to specific tonal interference, indicating that working memory for tones involves specific processes. |
doi_str_mv | 10.1186/s41155-018-0114-z |
format | article |
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Working memory refers to the cognitive system responsible for the temporary storage and maintenance of information, but it remains controversial whether overlapping processes underlie the temporary retention of verbal and musical information such as words and tones.
Methods
Participants with little or no musical training (
n
= 22) and professional musicians (
n
= 21) were administered four memory tasks. Two tasks (tone sequence recognition and pseudoword sequence recall) aimed at comparing groups’ performance for tonal or phonological material separately. Other two memory tasks investigated pseudoword and tone recognition under three conditions during the retention interval (silence, irrelevant words, or irrelevant tones).
Results
Musicians were better than nonmusicians in tone sequence recognition but not in pseudoword sequence recall. There were no interference effects of irrelevant tones or words on pseudoword recognition, and only irrelevant tones significantly interfered with tone recognition.
Conclusions
Our results offer further support that tone recognition is specifically impaired by irrelevant tones, but irrelevant words did not disrupt pseudoword or tone recognition. Although these results do not reflect a double-dissociation pattern between phonological and tonal working memory, they provide evidence that temporary retention of tonal information is subject to specific tonal interference, indicating that working memory for tones involves specific processes.</description><identifier>ISSN: 0102-7972</identifier><identifier>ISSN: 1678-7153</identifier><identifier>EISSN: 1678-7153</identifier><identifier>DOI: 10.1186/s41155-018-0114-z</identifier><identifier>PMID: 32026989</identifier><language>eng</language><publisher>Cham: Springer International Publishing</publisher><subject>Behavioral Science and Psychology ; Biological Psychology ; Developmental Psychology ; Health Psychology ; Learning transfer ; Memory ; Nonwords ; Phonological memory ; Phonology ; PHYSICS, MULTIDISCIPLINARY ; Professional musicians ; Psychological Methods/Evaluation ; Psychological process and experimental psychology ; Psychology ; Psychology Research ; Psychometrics ; Recall ; Recognition ; Retention ; Short term memory ; Tonal memory ; Tone ; Working memory</subject><ispartof>Psicologia, reflexão e crítica, 2019-01, Vol.32 (1), p.2-2, Article 2</ispartof><rights>The Author(s) 2019</rights><rights>COPYRIGHT 2019 Federal University of Rio Grande do Sul (JFRGS)</rights><rights>The Author(s) 2019. This work is published under https://creativecommons.org/licenses/by/4.0/ (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License.</rights><rights>This work is licensed under a Creative Commons Attribution 4.0 International License.</rights><lds50>peer_reviewed</lds50><oa>free_for_read</oa><woscitedreferencessubscribed>false</woscitedreferencessubscribed><citedby>FETCH-LOGICAL-c681t-4606b08c9c5cfcb6a1b9a0958d5917b45fcc58bf01a6328160725966d0681eb73</citedby><cites>FETCH-LOGICAL-c681t-4606b08c9c5cfcb6a1b9a0958d5917b45fcc58bf01a6328160725966d0681eb73</cites><orcidid>0000-0001-7080-538X</orcidid></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.proquest.com/docview/2670520962/fulltextPDF?pq-origsite=primo$$EPDF$$P50$$Gproquest$$Hfree_for_read</linktopdf><linktohtml>$$Uhttps://www.proquest.com/docview/2670520962?pq-origsite=primo$$EHTML$$P50$$Gproquest$$Hfree_for_read</linktohtml><link.rule.ids>230,314,727,780,784,885,12851,24150,25753,27924,27925,31269,37012,37013,44590,53791,53793,75126</link.rule.ids><backlink>$$Uhttps://www.ncbi.nlm.nih.gov/pubmed/32026989$$D View this record in MEDLINE/PubMed$$Hfree_for_read</backlink></links><search><creatorcontrib>Defilippi, Ana Clara Naufel</creatorcontrib><creatorcontrib>Garcia, Ricardo Basso</creatorcontrib><creatorcontrib>Galera, Cesar</creatorcontrib><title>Irrelevant sound interference on phonological and tonal working memory in musicians and nonmusicians</title><title>Psicologia, reflexão e crítica</title><addtitle>Psicol. Refl. Crít</addtitle><addtitle>Psicol Reflex Crit</addtitle><description>Background
Working memory refers to the cognitive system responsible for the temporary storage and maintenance of information, but it remains controversial whether overlapping processes underlie the temporary retention of verbal and musical information such as words and tones.
Methods
Participants with little or no musical training (
n
= 22) and professional musicians (
n
= 21) were administered four memory tasks. Two tasks (tone sequence recognition and pseudoword sequence recall) aimed at comparing groups’ performance for tonal or phonological material separately. Other two memory tasks investigated pseudoword and tone recognition under three conditions during the retention interval (silence, irrelevant words, or irrelevant tones).
Results
Musicians were better than nonmusicians in tone sequence recognition but not in pseudoword sequence recall. There were no interference effects of irrelevant tones or words on pseudoword recognition, and only irrelevant tones significantly interfered with tone recognition.
Conclusions
Our results offer further support that tone recognition is specifically impaired by irrelevant tones, but irrelevant words did not disrupt pseudoword or tone recognition. Although these results do not reflect a double-dissociation pattern between phonological and tonal working memory, they provide evidence that temporary retention of tonal information is subject to specific tonal interference, indicating that working memory for tones involves specific processes.</description><subject>Behavioral Science and Psychology</subject><subject>Biological Psychology</subject><subject>Developmental Psychology</subject><subject>Health Psychology</subject><subject>Learning transfer</subject><subject>Memory</subject><subject>Nonwords</subject><subject>Phonological memory</subject><subject>Phonology</subject><subject>PHYSICS, MULTIDISCIPLINARY</subject><subject>Professional musicians</subject><subject>Psychological Methods/Evaluation</subject><subject>Psychological process and experimental psychology</subject><subject>Psychology</subject><subject>Psychology Research</subject><subject>Psychometrics</subject><subject>Recall</subject><subject>Recognition</subject><subject>Retention</subject><subject>Short term memory</subject><subject>Tonal memory</subject><subject>Tone</subject><subject>Working memory</subject><issn>0102-7972</issn><issn>1678-7153</issn><issn>1678-7153</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2019</creationdate><recordtype>article</recordtype><sourceid>7T9</sourceid><sourceid>PIMPY</sourceid><sourceid>DOA</sourceid><recordid>eNp1Uk1v1DAUjBCILoUfwAVF4sIl5dmJvy5IVcXHSpU4AGfLcV62XhJ7sZNW7a_H2112WSRkWbafZ8aepymK1wQuCJH8fWoIYawCIvMkTfXwpFgQLmQlCKufFgsgQCuhBD0rXqS0BqCiFvXz4qymQLmSalF0yxhxwFvjpzKF2Xel8xPGHiN6i2Xw5eYm-DCElbNmKE0GTMHn3V2IP51flSOOId5nVjnOyVlnfHpE-eAPhZfFs94MCV_t1_Pix6eP36--VNdfPy-vLq8ryyWZqoYDb0FaZZntbcsNaZUBxWTHFBFtw3prmWx7IIbXVBIOgjLFeQeZjq2oz4vlTrcLZq030Y0m3utgnH4shLjSJk7ODqgNGNMJjkYp2jS9Uh2yhqhGClm3PW-z1sVOK1mHQ9DrMMfsO-lv267qbVcpEAWQj4wAyYQPO8JmbkfsLPopmuHkF6c33t3oVbjVPFtQwLPAu71ADL9mTJMeXbI4DMZjmJOmNaPAmrpmGfr2H-jhe5QLyDjF6RG1Mtmx833I79qtqL5kSkgmGYij0RNUHh2OzgaPvcv1EwLZEWwMKUXsDx4J6G0u9S6XOudSb3OpHzLnzd_NOTD-BDED6L7d-cqvMB4d_V_1N1Sm63Q</recordid><startdate>20190118</startdate><enddate>20190118</enddate><creator>Defilippi, Ana Clara Naufel</creator><creator>Garcia, Ricardo Basso</creator><creator>Galera, Cesar</creator><general>Springer International Publishing</general><general>Federal University of Rio Grande do Sul (JFRGS)</general><general>Springer Nature B.V</general><general>Curso de Pós-Graduação em Psicologia da Universidade Federal do Rio Grande do Sul</general><general>SpringerOpen</general><scope>C6C</scope><scope>NPM</scope><scope>AAYXX</scope><scope>CITATION</scope><scope>INF</scope><scope>3V.</scope><scope>7T9</scope><scope>7XB</scope><scope>88G</scope><scope>8FI</scope><scope>8FJ</scope><scope>8FK</scope><scope>8G5</scope><scope>ABUWG</scope><scope>AFKRA</scope><scope>AZQEC</scope><scope>BENPR</scope><scope>CCPQU</scope><scope>DWQXO</scope><scope>FYUFA</scope><scope>GHDGH</scope><scope>GNUQQ</scope><scope>GUQSH</scope><scope>M2M</scope><scope>M2O</scope><scope>MBDVC</scope><scope>PIMPY</scope><scope>PQEST</scope><scope>PQQKQ</scope><scope>PQUKI</scope><scope>PRINS</scope><scope>PSYQQ</scope><scope>Q9U</scope><scope>7X8</scope><scope>5PM</scope><scope>GPN</scope><scope>DOA</scope><orcidid>https://orcid.org/0000-0001-7080-538X</orcidid></search><sort><creationdate>20190118</creationdate><title>Irrelevant sound interference on phonological and tonal working memory in musicians and nonmusicians</title><author>Defilippi, Ana Clara Naufel ; Garcia, Ricardo Basso ; Galera, Cesar</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c681t-4606b08c9c5cfcb6a1b9a0958d5917b45fcc58bf01a6328160725966d0681eb73</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2019</creationdate><topic>Behavioral Science and Psychology</topic><topic>Biological Psychology</topic><topic>Developmental Psychology</topic><topic>Health Psychology</topic><topic>Learning transfer</topic><topic>Memory</topic><topic>Nonwords</topic><topic>Phonological memory</topic><topic>Phonology</topic><topic>PHYSICS, MULTIDISCIPLINARY</topic><topic>Professional musicians</topic><topic>Psychological Methods/Evaluation</topic><topic>Psychological process and experimental psychology</topic><topic>Psychology</topic><topic>Psychology Research</topic><topic>Psychometrics</topic><topic>Recall</topic><topic>Recognition</topic><topic>Retention</topic><topic>Short term memory</topic><topic>Tonal memory</topic><topic>Tone</topic><topic>Working memory</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Defilippi, Ana Clara Naufel</creatorcontrib><creatorcontrib>Garcia, Ricardo Basso</creatorcontrib><creatorcontrib>Galera, Cesar</creatorcontrib><collection>Springer Nature OA Free Journals</collection><collection>PubMed</collection><collection>CrossRef</collection><collection>Gale OneFile: Informe Academico</collection><collection>ProQuest Central (Corporate)</collection><collection>Linguistics and Language Behavior Abstracts (LLBA)</collection><collection>ProQuest Central (purchase pre-March 2016)</collection><collection>Psychology Database (Alumni)</collection><collection>Hospital Premium Collection</collection><collection>Hospital Premium Collection (Alumni Edition)</collection><collection>ProQuest Central (Alumni) (purchase pre-March 2016)</collection><collection>Research Library (Alumni Edition)</collection><collection>ProQuest Central (Alumni)</collection><collection>ProQuest Central</collection><collection>ProQuest Central Essentials</collection><collection>AUTh Library subscriptions: ProQuest Central</collection><collection>ProQuest One Community College</collection><collection>ProQuest Central Korea</collection><collection>Health Research Premium Collection</collection><collection>Health Research Premium Collection (Alumni)</collection><collection>ProQuest Central Student</collection><collection>Research Library Prep</collection><collection>ProQuest Psychology Journals</collection><collection>ProQuest research library</collection><collection>Research Library (Corporate)</collection><collection>Publicly Available Content Database (Proquest) (PQ_SDU_P3)</collection><collection>ProQuest One Academic Eastern Edition (DO NOT USE)</collection><collection>ProQuest One Academic</collection><collection>ProQuest One Academic UKI Edition</collection><collection>ProQuest Central China</collection><collection>ProQuest One Psychology</collection><collection>ProQuest Central Basic</collection><collection>MEDLINE - Academic</collection><collection>PubMed Central (Full Participant titles)</collection><collection>SciELO</collection><collection>DOAJ Directory of Open Access Journals</collection><jtitle>Psicologia, reflexão e crítica</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Defilippi, Ana Clara Naufel</au><au>Garcia, Ricardo Basso</au><au>Galera, Cesar</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Irrelevant sound interference on phonological and tonal working memory in musicians and nonmusicians</atitle><jtitle>Psicologia, reflexão e crítica</jtitle><stitle>Psicol. Refl. Crít</stitle><addtitle>Psicol Reflex Crit</addtitle><date>2019-01-18</date><risdate>2019</risdate><volume>32</volume><issue>1</issue><spage>2</spage><epage>2</epage><pages>2-2</pages><artnum>2</artnum><issn>0102-7972</issn><issn>1678-7153</issn><eissn>1678-7153</eissn><abstract>Background
Working memory refers to the cognitive system responsible for the temporary storage and maintenance of information, but it remains controversial whether overlapping processes underlie the temporary retention of verbal and musical information such as words and tones.
Methods
Participants with little or no musical training (
n
= 22) and professional musicians (
n
= 21) were administered four memory tasks. Two tasks (tone sequence recognition and pseudoword sequence recall) aimed at comparing groups’ performance for tonal or phonological material separately. Other two memory tasks investigated pseudoword and tone recognition under three conditions during the retention interval (silence, irrelevant words, or irrelevant tones).
Results
Musicians were better than nonmusicians in tone sequence recognition but not in pseudoword sequence recall. There were no interference effects of irrelevant tones or words on pseudoword recognition, and only irrelevant tones significantly interfered with tone recognition.
Conclusions
Our results offer further support that tone recognition is specifically impaired by irrelevant tones, but irrelevant words did not disrupt pseudoword or tone recognition. Although these results do not reflect a double-dissociation pattern between phonological and tonal working memory, they provide evidence that temporary retention of tonal information is subject to specific tonal interference, indicating that working memory for tones involves specific processes.</abstract><cop>Cham</cop><pub>Springer International Publishing</pub><pmid>32026989</pmid><doi>10.1186/s41155-018-0114-z</doi><tpages>1</tpages><orcidid>https://orcid.org/0000-0001-7080-538X</orcidid><oa>free_for_read</oa></addata></record> |
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subjects | Behavioral Science and Psychology Biological Psychology Developmental Psychology Health Psychology Learning transfer Memory Nonwords Phonological memory Phonology PHYSICS, MULTIDISCIPLINARY Professional musicians Psychological Methods/Evaluation Psychological process and experimental psychology Psychology Psychology Research Psychometrics Recall Recognition Retention Short term memory Tonal memory Tone Working memory |
title | Irrelevant sound interference on phonological and tonal working memory in musicians and nonmusicians |
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