A heterotopic perception of ‘wall’ in psychological thriller films: a place, a labyrinth and a panoptic power

A wall is often viewed simply as a structure that divides and isolates different worlds, spaces, or places. However, an alternative perspective, known as the heterotopic point of view, suggests that a wall can be seen as a place. Such a place possesses panoptical characteristics and spatial experien...

Full description

Saved in:
Bibliographic Details
Published in:Cogent arts & humanities 2024-12, Vol.11 (1)
Main Authors: Abuhassan, Lama B., Dweiri, Mays M.
Format: Article
Language:English
Subjects:
Heterotopia
labyrinth
panoptic power
place
psychological thriller films
space
Citations: Items that this one cites
Online Access:Get full text
Tags: Add Tag
No Tags, Be the first to tag this record!
Description
Summary:A wall is often viewed simply as a structure that divides and isolates different worlds, spaces, or places. However, an alternative perspective, known as the heterotopic point of view, suggests that a wall can be seen as a place. Such a place possesses panoptical characteristics and spatial experiences that might be felt as a panoptic power and a labyrinth, rendering it suitable for the setting of many psychological thriller films. To illustrate this phenomenon, this article examines two examples from psychological thrillers and compares them with Foucault’s concept of Heterotopia. This is accomplished by breaking down his six principles of space parameters. By doing so, the article reveals the intricate and multifaceted nature of walls, as well as their potential to be portrayed in a myriad of ways in the cinematic arts.
ISSN:2331-1983
2331-1983
DOI:10.1080/23311983.2024.2303180