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PAYSAGE D'ÂME AND OBJECTIVE CORRELATIVE: TRADITION AND INNOVATION IN CERNUDA, ALBERTI, AND GARCÍA LORCA
This article offers a brief overview of English and French landscape poetry, and then a structural analysis of the features that characterize the paysage d'âme technique. The uncertain history of the coinage of the term is also explored, with special reference to Amiel and Verlaine, as is the a...
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| Published in: | The Modern language review 2015-01, Vol.110 (1), p.166-183 |
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| Format: | Article |
| Language: | English |
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| container_end_page | 183 |
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| container_start_page | 166 |
| container_title | The Modern language review |
| container_volume | 110 |
| creator | Anderson, Andrew A |
| description | This article offers a brief overview of English and French landscape poetry, and then a structural analysis of the features that characterize the
paysage d'âme
technique. The uncertain history of the coinage of the term is also explored, with special reference to Amiel and Verlaine, as is the adoption in Spanish literature of both the label (as
paisaje del alma
) and the technique. I go on to trace how, after the Symbolist period, it is gradually transformed into the objective correlative, and finally scrutinize several Spanish poems from the late 1920s where objective correlatives combine to create disjointed avant-garde landscapes. |
| doi_str_mv | 10.5699/modelangrevi.110.1.0166 |
| format | article |
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paysage d'âme
technique. The uncertain history of the coinage of the term is also explored, with special reference to Amiel and Verlaine, as is the adoption in Spanish literature of both the label (as
paisaje del alma
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paisaje del alma
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paysage d'âme
technique. The uncertain history of the coinage of the term is also explored, with special reference to Amiel and Verlaine, as is the adoption in Spanish literature of both the label (as
paisaje del alma
) and the technique. I go on to trace how, after the Symbolist period, it is gradually transformed into the objective correlative, and finally scrutinize several Spanish poems from the late 1920s where objective correlatives combine to create disjointed avant-garde landscapes.</abstract><pub>Modern Humanities Research Association</pub><doi>10.5699/modelangrevi.110.1.0166</doi><tpages>18</tpages></addata></record> |
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| ispartof | The Modern language review, 2015-01, Vol.110 (1), p.166-183 |
| issn | 0026-7937 2222-4319 |
| language | eng |
| recordid | cdi_gale_incontextcollege_GICCO_A401226699 |
| source | JSTOR |
| subjects | Avant-garde Avant-garde (Aesthetics) Communications media Criticism and interpretation Experimental poetry French symbolism Literary criticism Literary style Literature, Experimental Lyric poetry Objective correlatives Romantic poetry Spanish poetry Surrealist poetry Symbolism (Literary movement) Symbolist art Symbolist poetry |
| title | PAYSAGE D'ÂME AND OBJECTIVE CORRELATIVE: TRADITION AND INNOVATION IN CERNUDA, ALBERTI, AND GARCÍA LORCA |
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