Loading…

Stage and Folk Tradition in the Cultural History of the Kállai kettős (Couple Dance of Kálló)

Zoltán Kodály's Kállai kettős [Couple Dance of Kálló] was premiered by the Hungarian State Folk Ensemble in Budapest in 1951. However, it was not in Kodály's work that the folk songs arranged in it were first presented to the cultured public. In the inter-change of folk tradition and high...

Full description

Saved in:
Bibliographic Details
Published in:Studia musicologica 2014-09, Vol.55 (3/4), p.295-320
Main Author: Paksa, Katalin
Format: Article
Language:English
Subjects:
Online Access:Get full text
Tags: Add Tag
No Tags, Be the first to tag this record!
cited_by
cites
container_end_page 320
container_issue 3/4
container_start_page 295
container_title Studia musicologica
container_volume 55
creator Paksa, Katalin
description Zoltán Kodály's Kállai kettős [Couple Dance of Kálló] was premiered by the Hungarian State Folk Ensemble in Budapest in 1951. However, it was not in Kodály's work that the folk songs arranged in it were first presented to the cultured public. In the inter-change of folk tradition and high culture they have already cropped up in the past three hundred years, among others in stage productions. This paper examines the folkloristic sources of Kodály's work from a dual angle: how they were connected to the stage before Kodály's arrangement and how their variants were embedded in the folk tradition. Today Kállai kettős is living also a "double life": Kodály's work is part of the national canon, but it is also present in the traditional productions of the revivalists of Nagykálló.
doi_str_mv 10.1556/6.2014.55.3-4.3
format article
fullrecord <record><control><sourceid>gale_proqu</sourceid><recordid>TN_cdi_gale_infotracacademiconefile_A457602839</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><galeid>A457602839</galeid><jstor_id>24898055</jstor_id><sourcerecordid>A457602839</sourcerecordid><originalsourceid>FETCH-LOGICAL-c312t-173499c9d1f28db5aca8d4bca5ca47766f27e8038de1416018b22c23ff382fc83</originalsourceid><addsrcrecordid>eNp9kTtOAzEQhlcIJKJATYVkiQaKXfy2t4zCU0SiINSW47WDk806eL0Fx-AInIEjIO7FJkGUTDOj0ffPjP7JshMEC8QYv-QFhogWjBUkpwXZywZIyDLHFOP9bS1zjik9zI7bdgH7kJIIUQ4y_ZT03ALdVOAm1EswjbryyYcG-AakFwvGXZ26qGtw59sU4hsIbtt_-Pqoa-3B0qb0_d6C83Ho1rUFV7oxdgNtga_Pi6PswOm6tce_eZg931xPx3f55PH2fjya5IYgnHIkCC1LU1bIYVnNmDZaVnRmNDOaCsG5w8JKSGRlEUUcIjnD2GDiHJHYGUmG2dlu7jqG1862SS1CF5t-pUKiRJBwjNH_FO89ERKxnip21FzXVvnGhRT7g4yu7Mqb0Fjn-_6IMsEhlqTsBZc7gYmhbaN1ah39Ssc3haDafEhxtfmQYkwRRRXpFac7xWJj6x-OqSwlZIz8ALTgjHk</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>1763777815</pqid></control><display><type>article</type><title>Stage and Folk Tradition in the Cultural History of the Kállai kettős (Couple Dance of Kálló)</title><source>JSTOR Archival Journals and Primary Sources Collection</source><creator>Paksa, Katalin</creator><creatorcontrib>Paksa, Katalin</creatorcontrib><description>Zoltán Kodály's Kállai kettős [Couple Dance of Kálló] was premiered by the Hungarian State Folk Ensemble in Budapest in 1951. However, it was not in Kodály's work that the folk songs arranged in it were first presented to the cultured public. In the inter-change of folk tradition and high culture they have already cropped up in the past three hundred years, among others in stage productions. This paper examines the folkloristic sources of Kodály's work from a dual angle: how they were connected to the stage before Kodály's arrangement and how their variants were embedded in the folk tradition. Today Kállai kettős is living also a "double life": Kodály's work is part of the national canon, but it is also present in the traditional productions of the revivalists of Nagykálló.</description><identifier>ISSN: 1788-6244</identifier><identifier>EISSN: 1789-2422</identifier><identifier>DOI: 10.1556/6.2014.55.3-4.3</identifier><language>eng</language><publisher>Budapest: AKADÉMIAI KIADÓ</publisher><subject>Composers ; Criticism and interpretation ; Folk music ; Kodály, Zoltan ; Studies ; Works</subject><ispartof>Studia musicologica, 2014-09, Vol.55 (3/4), p.295-320</ispartof><rights>Akadémiai Kiadó 2014</rights><rights>COPYRIGHT 2014 Akademiai Kiado</rights><rights>Copyright Akadémiai Kiadó Zrt Sep-Dec 2014</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.jstor.org/stable/pdf/24898055$$EPDF$$P50$$Gjstor$$H</linktopdf><linktohtml>$$Uhttps://www.jstor.org/stable/24898055$$EHTML$$P50$$Gjstor$$H</linktohtml><link.rule.ids>314,780,784,27924,27925,58238,58471</link.rule.ids></links><search><creatorcontrib>Paksa, Katalin</creatorcontrib><title>Stage and Folk Tradition in the Cultural History of the Kállai kettős (Couple Dance of Kálló)</title><title>Studia musicologica</title><description>Zoltán Kodály's Kállai kettős [Couple Dance of Kálló] was premiered by the Hungarian State Folk Ensemble in Budapest in 1951. However, it was not in Kodály's work that the folk songs arranged in it were first presented to the cultured public. In the inter-change of folk tradition and high culture they have already cropped up in the past three hundred years, among others in stage productions. This paper examines the folkloristic sources of Kodály's work from a dual angle: how they were connected to the stage before Kodály's arrangement and how their variants were embedded in the folk tradition. Today Kállai kettős is living also a "double life": Kodály's work is part of the national canon, but it is also present in the traditional productions of the revivalists of Nagykálló.</description><subject>Composers</subject><subject>Criticism and interpretation</subject><subject>Folk music</subject><subject>Kodály, Zoltan</subject><subject>Studies</subject><subject>Works</subject><issn>1788-6244</issn><issn>1789-2422</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2014</creationdate><recordtype>article</recordtype><recordid>eNp9kTtOAzEQhlcIJKJATYVkiQaKXfy2t4zCU0SiINSW47WDk806eL0Fx-AInIEjIO7FJkGUTDOj0ffPjP7JshMEC8QYv-QFhogWjBUkpwXZywZIyDLHFOP9bS1zjik9zI7bdgH7kJIIUQ4y_ZT03ALdVOAm1EswjbryyYcG-AakFwvGXZ26qGtw59sU4hsIbtt_-Pqoa-3B0qb0_d6C83Ho1rUFV7oxdgNtga_Pi6PswOm6tce_eZg931xPx3f55PH2fjya5IYgnHIkCC1LU1bIYVnNmDZaVnRmNDOaCsG5w8JKSGRlEUUcIjnD2GDiHJHYGUmG2dlu7jqG1862SS1CF5t-pUKiRJBwjNH_FO89ERKxnip21FzXVvnGhRT7g4yu7Mqb0Fjn-_6IMsEhlqTsBZc7gYmhbaN1ah39Ssc3haDafEhxtfmQYkwRRRXpFac7xWJj6x-OqSwlZIz8ALTgjHk</recordid><startdate>20140901</startdate><enddate>20140901</enddate><creator>Paksa, Katalin</creator><general>AKADÉMIAI KIADÓ</general><general>Akademiai Kiado</general><general>Akademiai Kiado Zrt</general><scope>AAYXX</scope><scope>CITATION</scope><scope>4T-</scope><scope>4U-</scope><scope>A3D</scope><scope>ABUWG</scope><scope>AFKRA</scope><scope>AVQMV</scope><scope>BENPR</scope><scope>BYOGL</scope><scope>CCPQU</scope><scope>DJMCT</scope><scope>PQEST</scope><scope>PQQKQ</scope><scope>PQUKI</scope><scope>PRINS</scope></search><sort><creationdate>20140901</creationdate><title>Stage and Folk Tradition in the Cultural History of the Kállai kettős (Couple Dance of Kálló)</title><author>Paksa, Katalin</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c312t-173499c9d1f28db5aca8d4bca5ca47766f27e8038de1416018b22c23ff382fc83</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2014</creationdate><topic>Composers</topic><topic>Criticism and interpretation</topic><topic>Folk music</topic><topic>Kodály, Zoltan</topic><topic>Studies</topic><topic>Works</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Paksa, Katalin</creatorcontrib><collection>CrossRef</collection><collection>Docstoc</collection><collection>University Readers</collection><collection>Music Periodicals Database</collection><collection>ProQuest Central (Alumni Edition)</collection><collection>ProQuest Central</collection><collection>Arts Premium Collection</collection><collection>AUTh Library subscriptions: ProQuest Central</collection><collection>East Europe, Central Europe Database</collection><collection>ProQuest One Community College</collection><collection>Music &amp; Performing Arts Collection</collection><collection>ProQuest One Academic Eastern Edition (DO NOT USE)</collection><collection>ProQuest One Academic</collection><collection>ProQuest One Academic UKI Edition</collection><collection>ProQuest Central China</collection><jtitle>Studia musicologica</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Paksa, Katalin</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Stage and Folk Tradition in the Cultural History of the Kállai kettős (Couple Dance of Kálló)</atitle><jtitle>Studia musicologica</jtitle><date>2014-09-01</date><risdate>2014</risdate><volume>55</volume><issue>3/4</issue><spage>295</spage><epage>320</epage><pages>295-320</pages><issn>1788-6244</issn><eissn>1789-2422</eissn><abstract>Zoltán Kodály's Kállai kettős [Couple Dance of Kálló] was premiered by the Hungarian State Folk Ensemble in Budapest in 1951. However, it was not in Kodály's work that the folk songs arranged in it were first presented to the cultured public. In the inter-change of folk tradition and high culture they have already cropped up in the past three hundred years, among others in stage productions. This paper examines the folkloristic sources of Kodály's work from a dual angle: how they were connected to the stage before Kodály's arrangement and how their variants were embedded in the folk tradition. Today Kállai kettős is living also a "double life": Kodály's work is part of the national canon, but it is also present in the traditional productions of the revivalists of Nagykálló.</abstract><cop>Budapest</cop><pub>AKADÉMIAI KIADÓ</pub><doi>10.1556/6.2014.55.3-4.3</doi><tpages>26</tpages></addata></record>
fulltext fulltext
identifier ISSN: 1788-6244
ispartof Studia musicologica, 2014-09, Vol.55 (3/4), p.295-320
issn 1788-6244
1789-2422
language eng
recordid cdi_gale_infotracacademiconefile_A457602839
source JSTOR Archival Journals and Primary Sources Collection
subjects Composers
Criticism and interpretation
Folk music
Kodály, Zoltan
Studies
Works
title Stage and Folk Tradition in the Cultural History of the Kállai kettős (Couple Dance of Kálló)
url http://sfxeu10.hosted.exlibrisgroup.com/loughborough?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-04T15%3A08%3A33IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-gale_proqu&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Stage%20and%20Folk%20Tradition%20in%20the%20Cultural%20History%20of%20the%20K%C3%A1llai%20kett%C5%91s%20(Couple%20Dance%20of%20K%C3%A1ll%C3%B3)&rft.jtitle=Studia%20musicologica&rft.au=Paksa,%20Katalin&rft.date=2014-09-01&rft.volume=55&rft.issue=3/4&rft.spage=295&rft.epage=320&rft.pages=295-320&rft.issn=1788-6244&rft.eissn=1789-2422&rft_id=info:doi/10.1556/6.2014.55.3-4.3&rft_dat=%3Cgale_proqu%3EA457602839%3C/gale_proqu%3E%3Cgrp_id%3Ecdi_FETCH-LOGICAL-c312t-173499c9d1f28db5aca8d4bca5ca47766f27e8038de1416018b22c23ff382fc83%3C/grp_id%3E%3Coa%3E%3C/oa%3E%3Curl%3E%3C/url%3E&rft_id=info:oai/&rft_pqid=1763777815&rft_id=info:pmid/&rft_galeid=A457602839&rft_jstor_id=24898055&rfr_iscdi=true