Hybrid theatrics and intangible elements in Tennessee Williams' this property is condemned/Teatralidades híbridas y elementos inmateriales en Esta propiedad esta condenada de Tennessee Williams/Teatralidades hibridas e elementos imateriais em esta propiedade esta condenada de Tennessee Williams

• Published in: Cuadernos de música, artes visuales y artes escénicas artes visuales y artes escénicas, 2015-01, p.153
• Main Authors: de Oliveira, Erico Jose Souza, Lirio, Vinicius da Silva
• Format: Article
• Language: Spanish
• Subjects: Williams, Tennesse
• ISSN: 1794-6670
• DOI: 10.11144/Javeriana.mavae10-1.thei

This paper, written by PhD Professor Erico Jose Souza de Oliveira, from Theatre School and Postgraduate Program in Perfomance Arts of Federal University of Bahia, and PhD Professor Vinicius da Silva Lirio, from Performance Arts School of State University of Mato Grosso do Sul, comes from a research and a reflection about a process of artistic research from a theoretical and practical approach in the context of G-PEC (Group for Research on Contemporary Performance Arts). From experimenting with a play created from the text This property is condemned, written by the American author Ten nessee Williams, it is discussed important questions for the universe of contemporary theater in Brazil, specifically in Salvador--Bahia. Authors as Lehmann, Picon-Vallin, Pareyson, Ryngaert, among others, which demonstrate the trends of contemporary theater, to support discussions. So, this paper uses concepts such as hybrid theatricalities and intangible elements, which were guiding a process of scenic research for the play Condemned Property, by Companhia de Teatro da Universidade Federal da Bahia.