Loading…
Multi-loudspeaker Rendering of Musical Ensemble: Role of Timbre in Source Width Perception
A study of rendering natural instrument sounds and vocals as an ensemble is presented. Using a single channel musical recording, a multi-channel signal is created by introducing delays and rendered in spatially distributed loudspeaker array. Three listeners participate in a listening experiment. We...
Saved in:
Main Authors: | , |
---|---|
Format: | Conference Proceeding |
Language: | English |
Subjects: | |
Online Access: | Request full text |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
cited_by | |
---|---|
cites | |
container_end_page | 1323 |
container_issue | |
container_start_page | 1319 |
container_title | |
container_volume | |
creator | Arthi, S Sreenivas, T V |
description | A study of rendering natural instrument sounds and vocals as an ensemble is presented. Using a single channel musical recording, a multi-channel signal is created by introducing delays and rendered in spatially distributed loudspeaker array. Three listeners participate in a listening experiment. We observed that the perceived width of the ensemble varies with the signal timbre. We find that spectro-temporal properties of the musical instruments play a significant role in the perception of source width. On an average, sustained sounds (like vocal) create wider percept than transients like percussion. Also, low pitched sounds (like male bass voice, saxophone, tuba) create wider percept than high pitched signals. |
doi_str_mv | 10.1109/TENCON.2019.8929725 |
format | conference_proceeding |
fullrecord | <record><control><sourceid>ieee_CHZPO</sourceid><recordid>TN_cdi_ieee_primary_8929725</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><ieee_id>8929725</ieee_id><sourcerecordid>8929725</sourcerecordid><originalsourceid>FETCH-LOGICAL-i203t-1343052c1d1ade3aff07555a1c12722b4dad7269883e8c74ce8652a1378dac753</originalsourceid><addsrcrecordid>eNotkM1KAzEUhaMgWOo8QTd5gam5N5NJ4k5K1UJ_pI4Ibkqa3NHodKbMz8K3t2LP5nxw4FscxiYgpgDC3hbz9WyznqIAOzUWrUZ1wRKrDWg0AMaq_JKNEJRNZabENUu67kuckgsURo_Y-2qo-phWzRC6I7lvavmW6kBtrD94U_LV0EXvKj6vOzrsK7rj26aiv6WIh31LPNb8pRlaT_wthv6TP9OJj31s6ht2Vbqqo-TcY_b6MC9mT-ly87iY3S_TiEL2KchMCoUeArhA0pWl0EopBx5QI-6z4ILG3BojyXideTK5QgdSm-C8VnLMJv_eSES7YxsPrv3Znd-QvzVPU3Y</addsrcrecordid><sourcetype>Publisher</sourcetype><iscdi>true</iscdi><recordtype>conference_proceeding</recordtype></control><display><type>conference_proceeding</type><title>Multi-loudspeaker Rendering of Musical Ensemble: Role of Timbre in Source Width Perception</title><source>IEEE Xplore All Conference Series</source><creator>Arthi, S ; Sreenivas, T V</creator><creatorcontrib>Arthi, S ; Sreenivas, T V</creatorcontrib><description>A study of rendering natural instrument sounds and vocals as an ensemble is presented. Using a single channel musical recording, a multi-channel signal is created by introducing delays and rendered in spatially distributed loudspeaker array. Three listeners participate in a listening experiment. We observed that the perceived width of the ensemble varies with the signal timbre. We find that spectro-temporal properties of the musical instruments play a significant role in the perception of source width. On an average, sustained sounds (like vocal) create wider percept than transients like percussion. Also, low pitched sounds (like male bass voice, saxophone, tuba) create wider percept than high pitched signals.</description><identifier>EISSN: 2159-3450</identifier><identifier>EISBN: 9781728118956</identifier><identifier>EISBN: 1728118956</identifier><identifier>DOI: 10.1109/TENCON.2019.8929725</identifier><language>eng</language><publisher>IEEE</publisher><subject>ASW ; chorus ; Delays ; ensemble ; Instruments ; Loudspeakers ; orchestra ; Rendering (computer graphics) ; spatial rendering ; Timbre ; Transient analysis</subject><ispartof>TENCON 2019 - 2019 IEEE Region 10 Conference (TENCON), 2019, p.1319-1323</ispartof><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktohtml>$$Uhttps://ieeexplore.ieee.org/document/8929725$$EHTML$$P50$$Gieee$$H</linktohtml><link.rule.ids>309,310,780,784,789,790,27925,54555,54932</link.rule.ids><linktorsrc>$$Uhttps://ieeexplore.ieee.org/document/8929725$$EView_record_in_IEEE$$FView_record_in_$$GIEEE</linktorsrc></links><search><creatorcontrib>Arthi, S</creatorcontrib><creatorcontrib>Sreenivas, T V</creatorcontrib><title>Multi-loudspeaker Rendering of Musical Ensemble: Role of Timbre in Source Width Perception</title><title>TENCON 2019 - 2019 IEEE Region 10 Conference (TENCON)</title><addtitle>TENCON</addtitle><description>A study of rendering natural instrument sounds and vocals as an ensemble is presented. Using a single channel musical recording, a multi-channel signal is created by introducing delays and rendered in spatially distributed loudspeaker array. Three listeners participate in a listening experiment. We observed that the perceived width of the ensemble varies with the signal timbre. We find that spectro-temporal properties of the musical instruments play a significant role in the perception of source width. On an average, sustained sounds (like vocal) create wider percept than transients like percussion. Also, low pitched sounds (like male bass voice, saxophone, tuba) create wider percept than high pitched signals.</description><subject>ASW</subject><subject>chorus</subject><subject>Delays</subject><subject>ensemble</subject><subject>Instruments</subject><subject>Loudspeakers</subject><subject>orchestra</subject><subject>Rendering (computer graphics)</subject><subject>spatial rendering</subject><subject>Timbre</subject><subject>Transient analysis</subject><issn>2159-3450</issn><isbn>9781728118956</isbn><isbn>1728118956</isbn><fulltext>true</fulltext><rsrctype>conference_proceeding</rsrctype><creationdate>2019</creationdate><recordtype>conference_proceeding</recordtype><sourceid>6IE</sourceid><recordid>eNotkM1KAzEUhaMgWOo8QTd5gam5N5NJ4k5K1UJ_pI4Ibkqa3NHodKbMz8K3t2LP5nxw4FscxiYgpgDC3hbz9WyznqIAOzUWrUZ1wRKrDWg0AMaq_JKNEJRNZabENUu67kuckgsURo_Y-2qo-phWzRC6I7lvavmW6kBtrD94U_LV0EXvKj6vOzrsK7rj26aiv6WIh31LPNb8pRlaT_wthv6TP9OJj31s6ht2Vbqqo-TcY_b6MC9mT-ly87iY3S_TiEL2KchMCoUeArhA0pWl0EopBx5QI-6z4ILG3BojyXideTK5QgdSm-C8VnLMJv_eSES7YxsPrv3Znd-QvzVPU3Y</recordid><startdate>201910</startdate><enddate>201910</enddate><creator>Arthi, S</creator><creator>Sreenivas, T V</creator><general>IEEE</general><scope>6IE</scope><scope>6IH</scope><scope>CBEJK</scope><scope>RIE</scope><scope>RIO</scope></search><sort><creationdate>201910</creationdate><title>Multi-loudspeaker Rendering of Musical Ensemble: Role of Timbre in Source Width Perception</title><author>Arthi, S ; Sreenivas, T V</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-i203t-1343052c1d1ade3aff07555a1c12722b4dad7269883e8c74ce8652a1378dac753</frbrgroupid><rsrctype>conference_proceedings</rsrctype><prefilter>conference_proceedings</prefilter><language>eng</language><creationdate>2019</creationdate><topic>ASW</topic><topic>chorus</topic><topic>Delays</topic><topic>ensemble</topic><topic>Instruments</topic><topic>Loudspeakers</topic><topic>orchestra</topic><topic>Rendering (computer graphics)</topic><topic>spatial rendering</topic><topic>Timbre</topic><topic>Transient analysis</topic><toplevel>online_resources</toplevel><creatorcontrib>Arthi, S</creatorcontrib><creatorcontrib>Sreenivas, T V</creatorcontrib><collection>IEEE Electronic Library (IEL) Conference Proceedings</collection><collection>IEEE Proceedings Order Plan (POP) 1998-present by volume</collection><collection>IEEE Xplore All Conference Proceedings</collection><collection>IEEE Electronic Library Online</collection><collection>IEEE Proceedings Order Plans (POP) 1998-present</collection></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext_linktorsrc</fulltext></delivery><addata><au>Arthi, S</au><au>Sreenivas, T V</au><format>book</format><genre>proceeding</genre><ristype>CONF</ristype><atitle>Multi-loudspeaker Rendering of Musical Ensemble: Role of Timbre in Source Width Perception</atitle><btitle>TENCON 2019 - 2019 IEEE Region 10 Conference (TENCON)</btitle><stitle>TENCON</stitle><date>2019-10</date><risdate>2019</risdate><spage>1319</spage><epage>1323</epage><pages>1319-1323</pages><eissn>2159-3450</eissn><eisbn>9781728118956</eisbn><eisbn>1728118956</eisbn><abstract>A study of rendering natural instrument sounds and vocals as an ensemble is presented. Using a single channel musical recording, a multi-channel signal is created by introducing delays and rendered in spatially distributed loudspeaker array. Three listeners participate in a listening experiment. We observed that the perceived width of the ensemble varies with the signal timbre. We find that spectro-temporal properties of the musical instruments play a significant role in the perception of source width. On an average, sustained sounds (like vocal) create wider percept than transients like percussion. Also, low pitched sounds (like male bass voice, saxophone, tuba) create wider percept than high pitched signals.</abstract><pub>IEEE</pub><doi>10.1109/TENCON.2019.8929725</doi><tpages>5</tpages></addata></record> |
fulltext | fulltext_linktorsrc |
identifier | EISSN: 2159-3450 |
ispartof | TENCON 2019 - 2019 IEEE Region 10 Conference (TENCON), 2019, p.1319-1323 |
issn | 2159-3450 |
language | eng |
recordid | cdi_ieee_primary_8929725 |
source | IEEE Xplore All Conference Series |
subjects | ASW chorus Delays ensemble Instruments Loudspeakers orchestra Rendering (computer graphics) spatial rendering Timbre Transient analysis |
title | Multi-loudspeaker Rendering of Musical Ensemble: Role of Timbre in Source Width Perception |
url | http://sfxeu10.hosted.exlibrisgroup.com/loughborough?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-07T15%3A48%3A16IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-ieee_CHZPO&rft_val_fmt=info:ofi/fmt:kev:mtx:book&rft.genre=proceeding&rft.atitle=Multi-loudspeaker%20Rendering%20of%20Musical%20Ensemble:%20Role%20of%20Timbre%20in%20Source%20Width%20Perception&rft.btitle=TENCON%202019%20-%202019%20IEEE%20Region%2010%20Conference%20(TENCON)&rft.au=Arthi,%20S&rft.date=2019-10&rft.spage=1319&rft.epage=1323&rft.pages=1319-1323&rft.eissn=2159-3450&rft_id=info:doi/10.1109/TENCON.2019.8929725&rft.eisbn=9781728118956&rft.eisbn_list=1728118956&rft_dat=%3Cieee_CHZPO%3E8929725%3C/ieee_CHZPO%3E%3Cgrp_id%3Ecdi_FETCH-LOGICAL-i203t-1343052c1d1ade3aff07555a1c12722b4dad7269883e8c74ce8652a1378dac753%3C/grp_id%3E%3Coa%3E%3C/oa%3E%3Curl%3E%3C/url%3E&rft_id=info:oai/&rft_id=info:pmid/&rft_ieee_id=8929725&rfr_iscdi=true |