Loading…

Multi-loudspeaker Rendering of Musical Ensemble: Role of Timbre in Source Width Perception

A study of rendering natural instrument sounds and vocals as an ensemble is presented. Using a single channel musical recording, a multi-channel signal is created by introducing delays and rendered in spatially distributed loudspeaker array. Three listeners participate in a listening experiment. We...

Full description

Saved in:
Bibliographic Details
Main Authors: Arthi, S, Sreenivas, T V
Format: Conference Proceeding
Language:English
Subjects:
Online Access:Request full text
Tags: Add Tag
No Tags, Be the first to tag this record!
cited_by
cites
container_end_page 1323
container_issue
container_start_page 1319
container_title
container_volume
creator Arthi, S
Sreenivas, T V
description A study of rendering natural instrument sounds and vocals as an ensemble is presented. Using a single channel musical recording, a multi-channel signal is created by introducing delays and rendered in spatially distributed loudspeaker array. Three listeners participate in a listening experiment. We observed that the perceived width of the ensemble varies with the signal timbre. We find that spectro-temporal properties of the musical instruments play a significant role in the perception of source width. On an average, sustained sounds (like vocal) create wider percept than transients like percussion. Also, low pitched sounds (like male bass voice, saxophone, tuba) create wider percept than high pitched signals.
doi_str_mv 10.1109/TENCON.2019.8929725
format conference_proceeding
fullrecord <record><control><sourceid>ieee_CHZPO</sourceid><recordid>TN_cdi_ieee_primary_8929725</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><ieee_id>8929725</ieee_id><sourcerecordid>8929725</sourcerecordid><originalsourceid>FETCH-LOGICAL-i203t-1343052c1d1ade3aff07555a1c12722b4dad7269883e8c74ce8652a1378dac753</originalsourceid><addsrcrecordid>eNotkM1KAzEUhaMgWOo8QTd5gam5N5NJ4k5K1UJ_pI4Ibkqa3NHodKbMz8K3t2LP5nxw4FscxiYgpgDC3hbz9WyznqIAOzUWrUZ1wRKrDWg0AMaq_JKNEJRNZabENUu67kuckgsURo_Y-2qo-phWzRC6I7lvavmW6kBtrD94U_LV0EXvKj6vOzrsK7rj26aiv6WIh31LPNb8pRlaT_wthv6TP9OJj31s6ht2Vbqqo-TcY_b6MC9mT-ly87iY3S_TiEL2KchMCoUeArhA0pWl0EopBx5QI-6z4ILG3BojyXideTK5QgdSm-C8VnLMJv_eSES7YxsPrv3Znd-QvzVPU3Y</addsrcrecordid><sourcetype>Publisher</sourcetype><iscdi>true</iscdi><recordtype>conference_proceeding</recordtype></control><display><type>conference_proceeding</type><title>Multi-loudspeaker Rendering of Musical Ensemble: Role of Timbre in Source Width Perception</title><source>IEEE Xplore All Conference Series</source><creator>Arthi, S ; Sreenivas, T V</creator><creatorcontrib>Arthi, S ; Sreenivas, T V</creatorcontrib><description>A study of rendering natural instrument sounds and vocals as an ensemble is presented. Using a single channel musical recording, a multi-channel signal is created by introducing delays and rendered in spatially distributed loudspeaker array. Three listeners participate in a listening experiment. We observed that the perceived width of the ensemble varies with the signal timbre. We find that spectro-temporal properties of the musical instruments play a significant role in the perception of source width. On an average, sustained sounds (like vocal) create wider percept than transients like percussion. Also, low pitched sounds (like male bass voice, saxophone, tuba) create wider percept than high pitched signals.</description><identifier>EISSN: 2159-3450</identifier><identifier>EISBN: 9781728118956</identifier><identifier>EISBN: 1728118956</identifier><identifier>DOI: 10.1109/TENCON.2019.8929725</identifier><language>eng</language><publisher>IEEE</publisher><subject>ASW ; chorus ; Delays ; ensemble ; Instruments ; Loudspeakers ; orchestra ; Rendering (computer graphics) ; spatial rendering ; Timbre ; Transient analysis</subject><ispartof>TENCON 2019 - 2019 IEEE Region 10 Conference (TENCON), 2019, p.1319-1323</ispartof><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktohtml>$$Uhttps://ieeexplore.ieee.org/document/8929725$$EHTML$$P50$$Gieee$$H</linktohtml><link.rule.ids>309,310,780,784,789,790,27925,54555,54932</link.rule.ids><linktorsrc>$$Uhttps://ieeexplore.ieee.org/document/8929725$$EView_record_in_IEEE$$FView_record_in_$$GIEEE</linktorsrc></links><search><creatorcontrib>Arthi, S</creatorcontrib><creatorcontrib>Sreenivas, T V</creatorcontrib><title>Multi-loudspeaker Rendering of Musical Ensemble: Role of Timbre in Source Width Perception</title><title>TENCON 2019 - 2019 IEEE Region 10 Conference (TENCON)</title><addtitle>TENCON</addtitle><description>A study of rendering natural instrument sounds and vocals as an ensemble is presented. Using a single channel musical recording, a multi-channel signal is created by introducing delays and rendered in spatially distributed loudspeaker array. Three listeners participate in a listening experiment. We observed that the perceived width of the ensemble varies with the signal timbre. We find that spectro-temporal properties of the musical instruments play a significant role in the perception of source width. On an average, sustained sounds (like vocal) create wider percept than transients like percussion. Also, low pitched sounds (like male bass voice, saxophone, tuba) create wider percept than high pitched signals.</description><subject>ASW</subject><subject>chorus</subject><subject>Delays</subject><subject>ensemble</subject><subject>Instruments</subject><subject>Loudspeakers</subject><subject>orchestra</subject><subject>Rendering (computer graphics)</subject><subject>spatial rendering</subject><subject>Timbre</subject><subject>Transient analysis</subject><issn>2159-3450</issn><isbn>9781728118956</isbn><isbn>1728118956</isbn><fulltext>true</fulltext><rsrctype>conference_proceeding</rsrctype><creationdate>2019</creationdate><recordtype>conference_proceeding</recordtype><sourceid>6IE</sourceid><recordid>eNotkM1KAzEUhaMgWOo8QTd5gam5N5NJ4k5K1UJ_pI4Ibkqa3NHodKbMz8K3t2LP5nxw4FscxiYgpgDC3hbz9WyznqIAOzUWrUZ1wRKrDWg0AMaq_JKNEJRNZabENUu67kuckgsURo_Y-2qo-phWzRC6I7lvavmW6kBtrD94U_LV0EXvKj6vOzrsK7rj26aiv6WIh31LPNb8pRlaT_wthv6TP9OJj31s6ht2Vbqqo-TcY_b6MC9mT-ly87iY3S_TiEL2KchMCoUeArhA0pWl0EopBx5QI-6z4ILG3BojyXideTK5QgdSm-C8VnLMJv_eSES7YxsPrv3Znd-QvzVPU3Y</recordid><startdate>201910</startdate><enddate>201910</enddate><creator>Arthi, S</creator><creator>Sreenivas, T V</creator><general>IEEE</general><scope>6IE</scope><scope>6IH</scope><scope>CBEJK</scope><scope>RIE</scope><scope>RIO</scope></search><sort><creationdate>201910</creationdate><title>Multi-loudspeaker Rendering of Musical Ensemble: Role of Timbre in Source Width Perception</title><author>Arthi, S ; Sreenivas, T V</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-i203t-1343052c1d1ade3aff07555a1c12722b4dad7269883e8c74ce8652a1378dac753</frbrgroupid><rsrctype>conference_proceedings</rsrctype><prefilter>conference_proceedings</prefilter><language>eng</language><creationdate>2019</creationdate><topic>ASW</topic><topic>chorus</topic><topic>Delays</topic><topic>ensemble</topic><topic>Instruments</topic><topic>Loudspeakers</topic><topic>orchestra</topic><topic>Rendering (computer graphics)</topic><topic>spatial rendering</topic><topic>Timbre</topic><topic>Transient analysis</topic><toplevel>online_resources</toplevel><creatorcontrib>Arthi, S</creatorcontrib><creatorcontrib>Sreenivas, T V</creatorcontrib><collection>IEEE Electronic Library (IEL) Conference Proceedings</collection><collection>IEEE Proceedings Order Plan (POP) 1998-present by volume</collection><collection>IEEE Xplore All Conference Proceedings</collection><collection>IEEE Electronic Library Online</collection><collection>IEEE Proceedings Order Plans (POP) 1998-present</collection></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext_linktorsrc</fulltext></delivery><addata><au>Arthi, S</au><au>Sreenivas, T V</au><format>book</format><genre>proceeding</genre><ristype>CONF</ristype><atitle>Multi-loudspeaker Rendering of Musical Ensemble: Role of Timbre in Source Width Perception</atitle><btitle>TENCON 2019 - 2019 IEEE Region 10 Conference (TENCON)</btitle><stitle>TENCON</stitle><date>2019-10</date><risdate>2019</risdate><spage>1319</spage><epage>1323</epage><pages>1319-1323</pages><eissn>2159-3450</eissn><eisbn>9781728118956</eisbn><eisbn>1728118956</eisbn><abstract>A study of rendering natural instrument sounds and vocals as an ensemble is presented. Using a single channel musical recording, a multi-channel signal is created by introducing delays and rendered in spatially distributed loudspeaker array. Three listeners participate in a listening experiment. We observed that the perceived width of the ensemble varies with the signal timbre. We find that spectro-temporal properties of the musical instruments play a significant role in the perception of source width. On an average, sustained sounds (like vocal) create wider percept than transients like percussion. Also, low pitched sounds (like male bass voice, saxophone, tuba) create wider percept than high pitched signals.</abstract><pub>IEEE</pub><doi>10.1109/TENCON.2019.8929725</doi><tpages>5</tpages></addata></record>
fulltext fulltext_linktorsrc
identifier EISSN: 2159-3450
ispartof TENCON 2019 - 2019 IEEE Region 10 Conference (TENCON), 2019, p.1319-1323
issn 2159-3450
language eng
recordid cdi_ieee_primary_8929725
source IEEE Xplore All Conference Series
subjects ASW
chorus
Delays
ensemble
Instruments
Loudspeakers
orchestra
Rendering (computer graphics)
spatial rendering
Timbre
Transient analysis
title Multi-loudspeaker Rendering of Musical Ensemble: Role of Timbre in Source Width Perception
url http://sfxeu10.hosted.exlibrisgroup.com/loughborough?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-07T15%3A48%3A16IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-ieee_CHZPO&rft_val_fmt=info:ofi/fmt:kev:mtx:book&rft.genre=proceeding&rft.atitle=Multi-loudspeaker%20Rendering%20of%20Musical%20Ensemble:%20Role%20of%20Timbre%20in%20Source%20Width%20Perception&rft.btitle=TENCON%202019%20-%202019%20IEEE%20Region%2010%20Conference%20(TENCON)&rft.au=Arthi,%20S&rft.date=2019-10&rft.spage=1319&rft.epage=1323&rft.pages=1319-1323&rft.eissn=2159-3450&rft_id=info:doi/10.1109/TENCON.2019.8929725&rft.eisbn=9781728118956&rft.eisbn_list=1728118956&rft_dat=%3Cieee_CHZPO%3E8929725%3C/ieee_CHZPO%3E%3Cgrp_id%3Ecdi_FETCH-LOGICAL-i203t-1343052c1d1ade3aff07555a1c12722b4dad7269883e8c74ce8652a1378dac753%3C/grp_id%3E%3Coa%3E%3C/oa%3E%3Curl%3E%3C/url%3E&rft_id=info:oai/&rft_id=info:pmid/&rft_ieee_id=8929725&rfr_iscdi=true