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Bone at the press
Content Partner: Museum of New Zealand Te Papa Tongarewa. Francis Dodd (1874-1949), portrait painter, landscape artist and printmaker, was born in Holyhead in Wales, the son of a Wesleyan minister. He trained at the Glasgow School of Art alongside his better-known contemporary, also represented in T...
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Summary: | Content Partner: Museum of New Zealand Te Papa Tongarewa. Francis Dodd (1874-1949), portrait painter, landscape artist and printmaker, was born in Holyhead in Wales, the son of a Wesleyan minister. He trained at the Glasgow School of Art alongside his better-known contemporary, also represented in Te Papa's collection, Muirhead Bone, who married Dodd's sister. At Glasgow, Dodd won the Haldane Scholarship in 1893 and then travelled around France, Italy and later Spain. He returned to England in 1895 and settled in Manchester, becoming friends with the leading modern architet Charles Holden before moving to Blackheath in London in 1904.
During World War I in 1916, he was appointed an official war artist by Charles Masterman, the head of the War Propaganda Bureau. Serving on the Western Front, he produced more than 30 portraits of senior military figures, many of which are in Te Papa's collection in the form of postcards. However, he also earned a considerable peacetime reputation for the quality of his watercolours and portrait commissions. He was appointed a trustee of the Tate Gallery in 1929, a position he held for six years, and was elected as an Associate of the Royal Academy in 1927 and a full Member in 1935. From 1911 Dodd lived at Arundel House in Blackheath, South London, until he took his own life in 1949.
This drypoint is a vivid character study of Dodd's great friend and fellow student at the Glasgow School of Art, and later brother-in-law, Muirhead Bone, bearded and wearing a curly-brimmed hat. Bone leans over his etching press and appears to address the viewer. He holds a sheet, perhaps a recent print fresh off the press. In the foreground there is a folio and other prints are visible. Dodd has effectively seized a moment in time, and conveys the sense of Bone being utterly at home in his studio. Twenty years later, Dodd portrayed Muirhead Bone's son, Stephen, also with the tools of his trade (Te Papa 1958-0003-12). His abilities as a portraitist and printmaker remained undiminished.
See:
Wikipedia, 'Francis Dodd', https://en.wikipedia.org/wiki/Francis_Dodd_(artist)
Dr Mark Stocker Curator, Historical International Art April 2018 |
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