Loading…
A Case Study on the「Influencer」Art Exhibition
With the continuous development of economic activities of influencer(people with social influence). Because of 'Influencers' bring huge economic benefits, all walks of life are creating their own 'influencers'. In the art exhibition industry, the 'influencer' art exhibi...
Saved in:
Published in: | 디지털융복합연구, 18(9) 2020, 18(9), , pp.373-378 |
---|---|
Main Authors: | , |
Format: | Article |
Language: | English |
Subjects: | |
Online Access: | Get full text |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
cited_by | |
---|---|
cites | |
container_end_page | 378 |
container_issue | |
container_start_page | 373 |
container_title | 디지털융복합연구, 18(9) |
container_volume | |
creator | 스위 정진헌 |
description | With the continuous development of economic activities of influencer(people with social influence). Because of 'Influencers' bring huge economic benefits, all walks of life are creating their own 'influencers'. In the art exhibition industry, the 'influencer' art exhibition pays more attention to experiencing the audience. Although it reduces the professionalism of art exhibitions, it also lets more non-professional visitors to see and experience art exhibitions. In this paper, the write takes the 'influencer' art exhibition as the research object and divides into 'emotional immersion' and 'technological immersion', and analyzes the development status of 'influencer' art exhibition.
It is a commercial marketing method to call art exhibition 'influencer'. But with the increasing demand of the public for art and culture consumption. the 'influencer' art exhibition, which can bring immersive cultural experience to the audience. It just meets the cultural consumption demand of the public. So that it has become one of the main forms of art exhibition. In the future, immersive 'influencer' art exhibition will become the main form of art exhibition. With continuous innovation and creativity, art professionalism and commercial marketing, the 'influencer' art exhibition will continue to develop. KCI Citation Count: 0 |
doi_str_mv | 10.14400/JDC.2020.18.9.373 |
format | article |
fullrecord | <record><control><sourceid>nrf</sourceid><recordid>TN_cdi_nrf_kci_oai_kci_go_kr_ARTI_9577201</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><sourcerecordid>oai_kci_go_kr_ARTI_9577201</sourcerecordid><originalsourceid>FETCH-nrf_kci_oai_kci_go_kr_ARTI_95772013</originalsourceid><addsrcrecordid>eNpjYJAyNNAzNDExMND3cnHWMzIwAnIt9Cz1jM2NmRg4jcwNjXXNTEyMWOBsYxMOBt7i4swkAxMzc3MTA1NDTgZDRwXnxOJUheCS0pRKhfw8hZKM1McNPZ55aTmlqXnJqUWPG3odi0oUXCsyMpMySzLz83gYWNMSc4pTeaE0N4Omm2uIs4duXlFafHZyZnx-YiaYTs-Pzy6KdwwK8Yy3NDU3NzIwNCZFLQC1IUB6</addsrcrecordid><sourcetype>Open Website</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype></control><display><type>article</type><title>A Case Study on the「Influencer」Art Exhibition</title><source>EBSCOhost Business Source Ultimate</source><creator>스위 ; 정진헌</creator><creatorcontrib>스위 ; 정진헌</creatorcontrib><description>With the continuous development of economic activities of influencer(people with social influence). Because of 'Influencers' bring huge economic benefits, all walks of life are creating their own 'influencers'. In the art exhibition industry, the 'influencer' art exhibition pays more attention to experiencing the audience. Although it reduces the professionalism of art exhibitions, it also lets more non-professional visitors to see and experience art exhibitions. In this paper, the write takes the 'influencer' art exhibition as the research object and divides into 'emotional immersion' and 'technological immersion', and analyzes the development status of 'influencer' art exhibition.
It is a commercial marketing method to call art exhibition 'influencer'. But with the increasing demand of the public for art and culture consumption. the 'influencer' art exhibition, which can bring immersive cultural experience to the audience. It just meets the cultural consumption demand of the public. So that it has become one of the main forms of art exhibition. In the future, immersive 'influencer' art exhibition will become the main form of art exhibition. With continuous innovation and creativity, art professionalism and commercial marketing, the 'influencer' art exhibition will continue to develop. KCI Citation Count: 0</description><identifier>ISSN: 2713-6434</identifier><identifier>EISSN: 2713-6442</identifier><identifier>DOI: 10.14400/JDC.2020.18.9.373</identifier><language>eng</language><publisher>한국디지털정책학회</publisher><subject>과학기술학</subject><ispartof>디지털융복합연구, 2020, 18(9), , pp.373-378</ispartof><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>314,776,780,27901,27902</link.rule.ids><backlink>$$Uhttps://www.kci.go.kr/kciportal/ci/sereArticleSearch/ciSereArtiView.kci?sereArticleSearchBean.artiId=ART002627254$$DAccess content in National Research Foundation of Korea (NRF)$$Hfree_for_read</backlink></links><search><creatorcontrib>스위</creatorcontrib><creatorcontrib>정진헌</creatorcontrib><title>A Case Study on the「Influencer」Art Exhibition</title><title>디지털융복합연구, 18(9)</title><description>With the continuous development of economic activities of influencer(people with social influence). Because of 'Influencers' bring huge economic benefits, all walks of life are creating their own 'influencers'. In the art exhibition industry, the 'influencer' art exhibition pays more attention to experiencing the audience. Although it reduces the professionalism of art exhibitions, it also lets more non-professional visitors to see and experience art exhibitions. In this paper, the write takes the 'influencer' art exhibition as the research object and divides into 'emotional immersion' and 'technological immersion', and analyzes the development status of 'influencer' art exhibition.
It is a commercial marketing method to call art exhibition 'influencer'. But with the increasing demand of the public for art and culture consumption. the 'influencer' art exhibition, which can bring immersive cultural experience to the audience. It just meets the cultural consumption demand of the public. So that it has become one of the main forms of art exhibition. In the future, immersive 'influencer' art exhibition will become the main form of art exhibition. With continuous innovation and creativity, art professionalism and commercial marketing, the 'influencer' art exhibition will continue to develop. KCI Citation Count: 0</description><subject>과학기술학</subject><issn>2713-6434</issn><issn>2713-6442</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2020</creationdate><recordtype>article</recordtype><recordid>eNpjYJAyNNAzNDExMND3cnHWMzIwAnIt9Cz1jM2NmRg4jcwNjXXNTEyMWOBsYxMOBt7i4swkAxMzc3MTA1NDTgZDRwXnxOJUheCS0pRKhfw8hZKM1McNPZ55aTmlqXnJqUWPG3odi0oUXCsyMpMySzLz83gYWNMSc4pTeaE0N4Omm2uIs4duXlFafHZyZnx-YiaYTs-Pzy6KdwwK8Yy3NDU3NzIwNCZFLQC1IUB6</recordid><startdate>202009</startdate><enddate>202009</enddate><creator>스위</creator><creator>정진헌</creator><general>한국디지털정책학회</general><scope>ACYCR</scope></search><sort><creationdate>202009</creationdate><title>A Case Study on the「Influencer」Art Exhibition</title><author>스위 ; 정진헌</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-nrf_kci_oai_kci_go_kr_ARTI_95772013</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2020</creationdate><topic>과학기술학</topic><toplevel>online_resources</toplevel><creatorcontrib>스위</creatorcontrib><creatorcontrib>정진헌</creatorcontrib><collection>Korean Citation Index</collection><jtitle>디지털융복합연구, 18(9)</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>스위</au><au>정진헌</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>A Case Study on the「Influencer」Art Exhibition</atitle><jtitle>디지털융복합연구, 18(9)</jtitle><date>2020-09</date><risdate>2020</risdate><spage>373</spage><epage>378</epage><pages>373-378</pages><issn>2713-6434</issn><eissn>2713-6442</eissn><abstract>With the continuous development of economic activities of influencer(people with social influence). Because of 'Influencers' bring huge economic benefits, all walks of life are creating their own 'influencers'. In the art exhibition industry, the 'influencer' art exhibition pays more attention to experiencing the audience. Although it reduces the professionalism of art exhibitions, it also lets more non-professional visitors to see and experience art exhibitions. In this paper, the write takes the 'influencer' art exhibition as the research object and divides into 'emotional immersion' and 'technological immersion', and analyzes the development status of 'influencer' art exhibition.
It is a commercial marketing method to call art exhibition 'influencer'. But with the increasing demand of the public for art and culture consumption. the 'influencer' art exhibition, which can bring immersive cultural experience to the audience. It just meets the cultural consumption demand of the public. So that it has become one of the main forms of art exhibition. In the future, immersive 'influencer' art exhibition will become the main form of art exhibition. With continuous innovation and creativity, art professionalism and commercial marketing, the 'influencer' art exhibition will continue to develop. KCI Citation Count: 0</abstract><pub>한국디지털정책학회</pub><doi>10.14400/JDC.2020.18.9.373</doi></addata></record> |
fulltext | fulltext |
identifier | ISSN: 2713-6434 |
ispartof | 디지털융복합연구, 2020, 18(9), , pp.373-378 |
issn | 2713-6434 2713-6442 |
language | eng |
recordid | cdi_nrf_kci_oai_kci_go_kr_ARTI_9577201 |
source | EBSCOhost Business Source Ultimate |
subjects | 과학기술학 |
title | A Case Study on the「Influencer」Art Exhibition |
url | http://sfxeu10.hosted.exlibrisgroup.com/loughborough?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-02-10T02%3A32%3A19IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-nrf&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=A%20Case%20Study%20on%20the%E3%80%8CInfluencer%E3%80%8DArt%20Exhibition&rft.jtitle=%EB%94%94%EC%A7%80%ED%84%B8%EC%9C%B5%EB%B3%B5%ED%95%A9%EC%97%B0%EA%B5%AC,%2018(9)&rft.au=%EC%8A%A4%EC%9C%84&rft.date=2020-09&rft.spage=373&rft.epage=378&rft.pages=373-378&rft.issn=2713-6434&rft.eissn=2713-6442&rft_id=info:doi/10.14400/JDC.2020.18.9.373&rft_dat=%3Cnrf%3Eoai_kci_go_kr_ARTI_9577201%3C/nrf%3E%3Cgrp_id%3Ecdi_FETCH-nrf_kci_oai_kci_go_kr_ARTI_95772013%3C/grp_id%3E%3Coa%3E%3C/oa%3E%3Curl%3E%3C/url%3E&rft_id=info:oai/&rft_id=info:pmid/&rfr_iscdi=true |