The Well-Wrought Broken Hammer: Object-Oriented Literary Criticism

This article sketches the outlines of an object-oriented literary criticism, contrasting it with several familiar critical schools. We begin with a summary of two new philosophical trends: speculative realism and object-oriented philosophy. The latter approach offers new arguments for the autonomy o...

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Bibliographic Details
Published in:New literary history 2012-03, Vol.43 (2), p.183-203
Main Author: Harman, Graham
Format: Article
Language:English
Subjects:
Astronomical objects
Concept of being
Criticism
Gender identity
Hammers
Harman, Graham (1968- )
Identity theory
Literary criticism
Literary theory
Meillassoux, Quentin
New historicism
Object-Oriented Literary Criticism
Philosophers
Philosophical object
Philosophical realism
Philosophy
Poetry
Speech acts
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Summary:This article sketches the outlines of an object-oriented literary criticism, contrasting it with several familiar critical schools. We begin with a summary of two new philosophical trends: speculative realism and object-oriented philosophy. The latter approach offers new arguments for the autonomy of objects from their relations, and allows us to consider whether various approaches to literature do justice to this autonomy. The New Criticism insists on the independence of the text, but only at the price of destroying the independence of its internal elements, due to its excessively holistic vision of the textual interior. New Historicism famously embeds the text in its cultural and material surroundings, thereby over-relationizing it, which is found to be philosophically untenable. Deconstruction leads to similar difficulties through its misinterpretation of identity as a form of presence, thereby disallowing any independence of things. In closing, some suggestions are offered for new methods of criticism capable of living up to the unity and autonomy of both the text and its internal elements.
ISSN:0028-6087
1080-661X
1080-661X
DOI:10.1353/nlh.2012.0016