The King Is Dead. Long Live the King! Post-Revolutionary and Stalinist Shakespeare

Saved in:
Bibliographic Details
Published in:History Workshop 1991-10 (32), p.1-18
Main Authors: Aydin Dzhebrailov, Porter, Cathy
Format: Article
Language:English
Subjects:
Avant garde
British literature
Literary criticism
Musical aesthetics
Political revolutions
Russian culture
Russian literature
Stalinism
Theater
Theater criticism
Online Access:Get full text
Tags: Add Tag
No Tags, Be the first to tag this record!
cited_by
cites
container_end_page 18
container_issue 32
container_start_page 1
container_title History Workshop
container_volume
creator Aydin Dzhebrailov
Porter, Cathy
description
format article
fullrecord <record><control><sourceid>jstor_proqu</sourceid><recordid>TN_cdi_proquest_journals_1297987683</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><jstor_id>4289098</jstor_id><sourcerecordid>4289098</sourcerecordid><originalsourceid>FETCH-LOGICAL-j493-aab7a9fbf0c5fdf14ee706c026597ae7fb49dae03ba06c290a955f4857c4d76e3</originalsourceid><addsrcrecordid>eNotTslOwzAU9AEkSuEPOBhxDnJjJ7aPqGwVkUBt7tFL8kwdQhxspxJ_30jtaTSLZuaCLBhnOkm1ElfkOoSOMa74SizIttwj_bDDN90E-ozQPtLCzaywB6Tx7N3TLxdissWD66do3QD-n8LQ0l2E3g42RLrbww-GEcHjDbk00Ae8PeOSlK8v5fo9KT7fNuunIumE5glALUGb2rAmM61ZCUTJ8oaleaYloDS10C0g4zXMcqoZ6CwzQmWyEa3MkS_Jw6l29O5vwhCrzk1-mBerVaqlVjJXfE7dnVJdiM5Xo7e_8_lKpEozrfgRblZTeA</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>1297987683</pqid></control><display><type>article</type><title>The King Is Dead. Long Live the King! Post-Revolutionary and Stalinist Shakespeare</title><source>JSTOR Archival Journals and Primary Sources Collection</source><source>Oxford University Press Archive</source><creator>Aydin Dzhebrailov ; Porter, Cathy</creator><creatorcontrib>Aydin Dzhebrailov ; Porter, Cathy</creatorcontrib><identifier>ISSN: 0309-2984</identifier><identifier>ISSN: 1363-3554</identifier><language>eng</language><publisher>Oxford: Oxford University Press</publisher><subject>Avant garde ; British literature ; Literary criticism ; Musical aesthetics ; Political revolutions ; Russian culture ; Russian literature ; Stalinism ; Theater ; Theater criticism</subject><ispartof>History Workshop, 1991-10 (32), p.1-18</ispartof><rights>Copyright 1991 History Workshop Journal</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.jstor.org/stable/pdf/4289098$$EPDF$$P50$$Gjstor$$H</linktopdf><linktohtml>$$Uhttps://www.jstor.org/stable/4289098$$EHTML$$P50$$Gjstor$$H</linktohtml><link.rule.ids>314,780,784,58238,58471</link.rule.ids></links><search><creatorcontrib>Aydin Dzhebrailov</creatorcontrib><creatorcontrib>Porter, Cathy</creatorcontrib><title>The King Is Dead. Long Live the King! Post-Revolutionary and Stalinist Shakespeare</title><title>History Workshop</title><subject>Avant garde</subject><subject>British literature</subject><subject>Literary criticism</subject><subject>Musical aesthetics</subject><subject>Political revolutions</subject><subject>Russian culture</subject><subject>Russian literature</subject><subject>Stalinism</subject><subject>Theater</subject><subject>Theater criticism</subject><issn>0309-2984</issn><issn>1363-3554</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>1991</creationdate><recordtype>article</recordtype><recordid>eNotTslOwzAU9AEkSuEPOBhxDnJjJ7aPqGwVkUBt7tFL8kwdQhxspxJ_30jtaTSLZuaCLBhnOkm1ElfkOoSOMa74SizIttwj_bDDN90E-ozQPtLCzaywB6Tx7N3TLxdissWD66do3QD-n8LQ0l2E3g42RLrbww-GEcHjDbk00Ae8PeOSlK8v5fo9KT7fNuunIumE5glALUGb2rAmM61ZCUTJ8oaleaYloDS10C0g4zXMcqoZ6CwzQmWyEa3MkS_Jw6l29O5vwhCrzk1-mBerVaqlVjJXfE7dnVJdiM5Xo7e_8_lKpEozrfgRblZTeA</recordid><startdate>19911001</startdate><enddate>19911001</enddate><creator>Aydin Dzhebrailov</creator><creator>Porter, Cathy</creator><general>Oxford University Press</general><scope>EGZRM</scope><scope>HAGHG</scope><scope>HVZBN</scope><scope>K30</scope><scope>PAAUG</scope><scope>PAWHS</scope><scope>PAWZZ</scope><scope>PAXOH</scope><scope>PBHAV</scope><scope>PBQSW</scope><scope>PBYQZ</scope><scope>PCIWU</scope><scope>PCMID</scope><scope>PCZJX</scope><scope>PDGRG</scope><scope>PDWWI</scope><scope>PETMR</scope><scope>PFVGT</scope><scope>PGXDX</scope><scope>PIHIL</scope><scope>PISVA</scope><scope>PJCTQ</scope><scope>PJTMS</scope><scope>PLCHJ</scope><scope>PMHAD</scope><scope>PNQDJ</scope><scope>POUND</scope><scope>PPLAD</scope><scope>PQAPC</scope><scope>PQCAN</scope><scope>PQCMW</scope><scope>PQEME</scope><scope>PQHKH</scope><scope>PQMID</scope><scope>PQNCT</scope><scope>PQNET</scope><scope>PQSCT</scope><scope>PQSET</scope><scope>PSVJG</scope><scope>PVMQY</scope><scope>PZGFC</scope><scope>~OX</scope><scope>~OY</scope><scope>~P0</scope></search><sort><creationdate>19911001</creationdate><title>The King Is Dead. Long Live the King! Post-Revolutionary and Stalinist Shakespeare</title><author>Aydin Dzhebrailov ; Porter, Cathy</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-j493-aab7a9fbf0c5fdf14ee706c026597ae7fb49dae03ba06c290a955f4857c4d76e3</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>1991</creationdate><topic>Avant garde</topic><topic>British literature</topic><topic>Literary criticism</topic><topic>Musical aesthetics</topic><topic>Political revolutions</topic><topic>Russian culture</topic><topic>Russian literature</topic><topic>Stalinism</topic><topic>Theater</topic><topic>Theater criticism</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Aydin Dzhebrailov</creatorcontrib><creatorcontrib>Porter, Cathy</creatorcontrib><collection>Periodicals Archive Online Collection 3.1</collection><collection>Periodicals Index Online Segment 12</collection><collection>Periodicals Index Online Segment 24</collection><collection>Periodicals Index Online</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - West</collection><collection>Primary Sources Access (Plan D) - International</collection><collection>Primary Sources Access &amp; Build (Plan A) - MEA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Midwest</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Northeast</collection><collection>Primary Sources Access (Plan D) - Southeast</collection><collection>Primary Sources Access (Plan D) - North Central</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Southeast</collection><collection>Primary Sources Access (Plan D) - South Central</collection><collection>Primary Sources Access &amp; Build (Plan A) - UK / I</collection><collection>Primary Sources Access (Plan D) - Canada</collection><collection>Primary Sources Access (Plan D) - EMEALA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - North Central</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - South Central</collection><collection>Primary Sources Access &amp; Build (Plan A) - International</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - International</collection><collection>Primary Sources Access (Plan D) - West</collection><collection>Periodicals Index Online Segments 1-50</collection><collection>Primary Sources Access (Plan D) - APAC</collection><collection>Primary Sources Access (Plan D) - Midwest</collection><collection>Primary Sources Access (Plan D) - MEA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Canada</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - UK / I</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - EMEALA</collection><collection>Primary Sources Access &amp; Build (Plan A) - APAC</collection><collection>Primary Sources Access &amp; Build (Plan A) - Canada</collection><collection>Primary Sources Access &amp; Build (Plan A) - West</collection><collection>Primary Sources Access &amp; Build (Plan A) - EMEALA</collection><collection>Primary Sources Access (Plan D) - Northeast</collection><collection>Primary Sources Access &amp; Build (Plan A) - Midwest</collection><collection>Primary Sources Access &amp; Build (Plan A) - North Central</collection><collection>Primary Sources Access &amp; Build (Plan A) - Northeast</collection><collection>Primary Sources Access &amp; Build (Plan A) - South Central</collection><collection>Primary Sources Access &amp; Build (Plan A) - Southeast</collection><collection>Primary Sources Access (Plan D) - UK / I</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - APAC</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - MEA</collection><collection>PAO Collection 3 (purchase pre Aug/2005)</collection><collection>Periodicals Archive Online Collection 3.4</collection><collection>PAO Collection 3 (purchase pre Aug/2005+extra titles)</collection><jtitle>History Workshop</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Aydin Dzhebrailov</au><au>Porter, Cathy</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>The King Is Dead. Long Live the King! Post-Revolutionary and Stalinist Shakespeare</atitle><jtitle>History Workshop</jtitle><date>1991-10-01</date><risdate>1991</risdate><issue>32</issue><spage>1</spage><epage>18</epage><pages>1-18</pages><issn>0309-2984</issn><issn>1363-3554</issn><cop>Oxford</cop><pub>Oxford University Press</pub><tpages>18</tpages></addata></record>
fulltext fulltext
identifier ISSN: 0309-2984
ispartof History Workshop, 1991-10 (32), p.1-18
issn 0309-2984
1363-3554
language eng
recordid cdi_proquest_journals_1297987683
source JSTOR Archival Journals and Primary Sources Collection; Oxford University Press Archive
subjects Avant garde
British literature
Literary criticism
Musical aesthetics
Political revolutions
Russian culture
Russian literature
Stalinism
Theater
Theater criticism
title The King Is Dead. Long Live the King! Post-Revolutionary and Stalinist Shakespeare
url http://sfxeu10.hosted.exlibrisgroup.com/loughborough?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2024-12-27T19%3A57%3A35IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-jstor_proqu&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=The%20King%20Is%20Dead.%20Long%20Live%20the%20King!%20Post-Revolutionary%20and%20Stalinist%20Shakespeare&rft.jtitle=History%20Workshop&rft.au=Aydin%20Dzhebrailov&rft.date=1991-10-01&rft.issue=32&rft.spage=1&rft.epage=18&rft.pages=1-18&rft.issn=0309-2984&rft_id=info:doi/&rft_dat=%3Cjstor_proqu%3E4289098%3C/jstor_proqu%3E%3Cgrp_id%3Ecdi_FETCH-LOGICAL-j493-aab7a9fbf0c5fdf14ee706c026597ae7fb49dae03ba06c290a955f4857c4d76e3%3C/grp_id%3E%3Coa%3E%3C/oa%3E%3Curl%3E%3C/url%3E&rft_id=info:oai/&rft_pqid=1297987683&rft_id=info:pmid/&rft_jstor_id=4289098&rfr_iscdi=true