Loading…
About James Tenney, Composer, Performer, and Theorist
Saved in:
Published in: | Perspectives of new music 1987-12, Vol.25 (1/2), p.549-561 |
---|---|
Main Author: | |
Format: | Article |
Language: | English |
Subjects: | |
Online Access: | Get full text |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
cited_by | |
---|---|
cites | |
container_end_page | 561 |
container_issue | 1/2 |
container_start_page | 549 |
container_title | Perspectives of new music |
container_volume | 25 |
creator | Risset, Jean-Claude |
description | |
format | article |
fullrecord | <record><control><sourceid>jstor_proqu</sourceid><recordid>TN_cdi_proquest_journals_1298104607</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><jstor_id>833133</jstor_id><sourcerecordid>833133</sourcerecordid><originalsourceid>FETCH-LOGICAL-j487-beab5dce95580ace7c90f5f403d9e830da83b5fd92c25c5bb2d38d54613a16be3</originalsourceid><addsrcrecordid>eNotjc1KxDAURoMoWEefwE3B7RRucnvbdDkUf0YGdNF9SZpbnGKbmrSLeXtHxtX5FofvXIlEoaKslBquRQKAMitAFrfiLsYBAGSZUyJoZ_26pO9m5Jg2PE182qa1H2cfOWzTTw69D-PfNJNLmy_24RiXe3HTm-_ID__ciObluanfssPH677eHbIh12Vm2VhyHVdEGkzHZVdBT30O6CrWCM5otNS7SnWKOrJWOdSO8kKikYVl3Iiny-0c_M_KcWkHv4bpXGylqrSEvIDybD1erCEuPrRzOI4mnFqNKBHxF_krSrw</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>1298104607</pqid></control><display><type>article</type><title>About James Tenney, Composer, Performer, and Theorist</title><source>JSTOR Archival Journals and Primary Sources Collection</source><creator>Risset, Jean-Claude</creator><creatorcontrib>Risset, Jean-Claude</creatorcontrib><identifier>ISSN: 0031-6016</identifier><identifier>EISSN: 2325-7180</identifier><language>eng</language><publisher>Annandale-on-Hudson, N.Y., etc: Perspectives of New Music, Inc</publisher><subject>A Tribute to James Tenney ; Auditory perception ; Avant garde music ; Composers ; Computer music ; Demodulation ; Music ; Music theory ; Musical modulation ; Sound ; Sound pitch</subject><ispartof>Perspectives of new music, 1987-12, Vol.25 (1/2), p.549-561</ispartof><rights>Copyright 1987 Perspectives of New Music, Inc.</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.jstor.org/stable/pdf/833133$$EPDF$$P50$$Gjstor$$H</linktopdf><linktohtml>$$Uhttps://www.jstor.org/stable/833133$$EHTML$$P50$$Gjstor$$H</linktohtml><link.rule.ids>314,780,784,58238,58471</link.rule.ids></links><search><creatorcontrib>Risset, Jean-Claude</creatorcontrib><title>About James Tenney, Composer, Performer, and Theorist</title><title>Perspectives of new music</title><subject>A Tribute to James Tenney</subject><subject>Auditory perception</subject><subject>Avant garde music</subject><subject>Composers</subject><subject>Computer music</subject><subject>Demodulation</subject><subject>Music</subject><subject>Music theory</subject><subject>Musical modulation</subject><subject>Sound</subject><subject>Sound pitch</subject><issn>0031-6016</issn><issn>2325-7180</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>1987</creationdate><recordtype>article</recordtype><recordid>eNotjc1KxDAURoMoWEefwE3B7RRucnvbdDkUf0YGdNF9SZpbnGKbmrSLeXtHxtX5FofvXIlEoaKslBquRQKAMitAFrfiLsYBAGSZUyJoZ_26pO9m5Jg2PE182qa1H2cfOWzTTw69D-PfNJNLmy_24RiXe3HTm-_ID__ciObluanfssPH677eHbIh12Vm2VhyHVdEGkzHZVdBT30O6CrWCM5otNS7SnWKOrJWOdSO8kKikYVl3Iiny-0c_M_KcWkHv4bpXGylqrSEvIDybD1erCEuPrRzOI4mnFqNKBHxF_krSrw</recordid><startdate>19871201</startdate><enddate>19871201</enddate><creator>Risset, Jean-Claude</creator><general>Perspectives of New Music, Inc</general><general>Perspectives of New Music, Inc., etc</general><scope>0R3</scope><scope>ABKTN</scope><scope>HAGHG</scope><scope>HYQOX</scope><scope>HZAIM</scope><scope>JSICY</scope><scope>K30</scope><scope>PAAUG</scope><scope>PAWHS</scope><scope>PAWZZ</scope><scope>PAXOH</scope><scope>PBHAV</scope><scope>PBQSW</scope><scope>PBYQZ</scope><scope>PCIWU</scope><scope>PCMID</scope><scope>PCZJX</scope><scope>PDGRG</scope><scope>PDWWI</scope><scope>PETMR</scope><scope>PFVGT</scope><scope>PGXDX</scope><scope>PIHIL</scope><scope>PISVA</scope><scope>PJCTQ</scope><scope>PJTMS</scope><scope>PLCHJ</scope><scope>PMHAD</scope><scope>PNQDJ</scope><scope>POUND</scope><scope>PPLAD</scope><scope>PQAPC</scope><scope>PQCAN</scope><scope>PQCMW</scope><scope>PQEME</scope><scope>PQHKH</scope><scope>PQMID</scope><scope>PQNCT</scope><scope>PQNET</scope><scope>PQSCT</scope><scope>PQSET</scope><scope>PSVJG</scope><scope>PVMQY</scope><scope>PZGFC</scope><scope>~OB</scope><scope>~OC</scope><scope>~OG</scope></search><sort><creationdate>19871201</creationdate><title>About James Tenney, Composer, Performer, and Theorist</title><author>Risset, Jean-Claude</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-j487-beab5dce95580ace7c90f5f403d9e830da83b5fd92c25c5bb2d38d54613a16be3</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>1987</creationdate><topic>A Tribute to James Tenney</topic><topic>Auditory perception</topic><topic>Avant garde music</topic><topic>Composers</topic><topic>Computer music</topic><topic>Demodulation</topic><topic>Music</topic><topic>Music theory</topic><topic>Musical modulation</topic><topic>Sound</topic><topic>Sound pitch</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Risset, Jean-Claude</creatorcontrib><collection>PAO Collection 1</collection><collection>Periodicals Archive Online JSTOR Titles</collection><collection>Periodicals Index Online Segment 12</collection><collection>ProQuest Historical Periodicals</collection><collection>Periodicals Index Online Segment 26</collection><collection>Periodicals Index Online Segment 36</collection><collection>Periodicals Index Online</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - West</collection><collection>Primary Sources Access (Plan D) - International</collection><collection>Primary Sources Access & Build (Plan A) - MEA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Midwest</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Northeast</collection><collection>Primary Sources Access (Plan D) - Southeast</collection><collection>Primary Sources Access (Plan D) - North Central</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Southeast</collection><collection>Primary Sources Access (Plan D) - South Central</collection><collection>Primary Sources Access & Build (Plan A) - UK / I</collection><collection>Primary Sources Access (Plan D) - Canada</collection><collection>Primary Sources Access (Plan D) - EMEALA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - North Central</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - South Central</collection><collection>Primary Sources Access & Build (Plan A) - International</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - International</collection><collection>Primary Sources Access (Plan D) - West</collection><collection>Periodicals Index Online Segments 1-50</collection><collection>Primary Sources Access (Plan D) - APAC</collection><collection>Primary Sources Access (Plan D) - Midwest</collection><collection>Primary Sources Access (Plan D) - MEA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Canada</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - UK / I</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - EMEALA</collection><collection>Primary Sources Access & Build (Plan A) - APAC</collection><collection>Primary Sources Access & Build (Plan A) - Canada</collection><collection>Primary Sources Access & Build (Plan A) - West</collection><collection>Primary Sources Access & Build (Plan A) - EMEALA</collection><collection>Primary Sources Access (Plan D) - Northeast</collection><collection>Primary Sources Access & Build (Plan A) - Midwest</collection><collection>Primary Sources Access & Build (Plan A) - North Central</collection><collection>Primary Sources Access & Build (Plan A) - Northeast</collection><collection>Primary Sources Access & Build (Plan A) - South Central</collection><collection>Primary Sources Access & Build (Plan A) - Southeast</collection><collection>Primary Sources Access (Plan D) - UK / I</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - APAC</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - MEA</collection><collection>PAO Collection 1</collection><collection>Periodicals Archive Online Collection 1</collection><collection>PAO Collection 1 (purchase pre Feb/2008)</collection><jtitle>Perspectives of new music</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Risset, Jean-Claude</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>About James Tenney, Composer, Performer, and Theorist</atitle><jtitle>Perspectives of new music</jtitle><date>1987-12-01</date><risdate>1987</risdate><volume>25</volume><issue>1/2</issue><spage>549</spage><epage>561</epage><pages>549-561</pages><issn>0031-6016</issn><eissn>2325-7180</eissn><cop>Annandale-on-Hudson, N.Y., etc</cop><pub>Perspectives of New Music, Inc</pub><tpages>13</tpages></addata></record> |
fulltext | fulltext |
identifier | ISSN: 0031-6016 |
ispartof | Perspectives of new music, 1987-12, Vol.25 (1/2), p.549-561 |
issn | 0031-6016 2325-7180 |
language | eng |
recordid | cdi_proquest_journals_1298104607 |
source | JSTOR Archival Journals and Primary Sources Collection |
subjects | A Tribute to James Tenney Auditory perception Avant garde music Composers Computer music Demodulation Music Music theory Musical modulation Sound Sound pitch |
title | About James Tenney, Composer, Performer, and Theorist |
url | http://sfxeu10.hosted.exlibrisgroup.com/loughborough?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2024-12-26T12%3A45%3A26IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-jstor_proqu&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=About%20James%20Tenney,%20Composer,%20Performer,%20and%20Theorist&rft.jtitle=Perspectives%20of%20new%20music&rft.au=Risset,%20Jean-Claude&rft.date=1987-12-01&rft.volume=25&rft.issue=1/2&rft.spage=549&rft.epage=561&rft.pages=549-561&rft.issn=0031-6016&rft.eissn=2325-7180&rft_id=info:doi/&rft_dat=%3Cjstor_proqu%3E833133%3C/jstor_proqu%3E%3Cgrp_id%3Ecdi_FETCH-LOGICAL-j487-beab5dce95580ace7c90f5f403d9e830da83b5fd92c25c5bb2d38d54613a16be3%3C/grp_id%3E%3Coa%3E%3C/oa%3E%3Curl%3E%3C/url%3E&rft_id=info:oai/&rft_pqid=1298104607&rft_id=info:pmid/&rft_jstor_id=833133&rfr_iscdi=true |