Loading…

Not All Hula Songs Are Created Equal: Reading the Historical Nature of Repertoire in Polynesia

Discusses the history of modern Hawaiian hula songs in light of the dialectical process between the hula song repertoire and the social actions underlying the creation and performance of the songs. Examines changes in the poetic themes, melodic composition, choreography and musical performance pract...

Full description

Saved in:
Bibliographic Details
Published in:Yearbook for traditional music 1995-01, Vol.27, p.1-12
Main Author: STILLMAN, A. K
Format: Article
Language:English
Subjects:
Online Access:Get full text
Tags: Add Tag
No Tags, Be the first to tag this record!
cited_by
cites
container_end_page 12
container_issue
container_start_page 1
container_title Yearbook for traditional music
container_volume 27
creator STILLMAN, A. K
description Discusses the history of modern Hawaiian hula songs in light of the dialectical process between the hula song repertoire and the social actions underlying the creation and performance of the songs. Examines changes in the poetic themes, melodic composition, choreography and musical performance practices in the genre from the late 1800s to recent times. Includes 37 references.
doi_str_mv 10.2307/768099
format article
fullrecord <record><control><sourceid>jstor_proqu</sourceid><recordid>TN_cdi_proquest_journals_1375765</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><jstor_id>768099</jstor_id><sourcerecordid>768099</sourcerecordid><originalsourceid>FETCH-LOGICAL-c226t-4e1c1a7d16050b468c0873b1604b39db64046668f6e885f806936de99a088e5b3</originalsourceid><addsrcrecordid>eNp1kEtLAzEUhYMoWKv-hoDibvRm8hx3pVQrSBUfW4fMTKamjJOaZBb996a06MrV5cDHOZcPoXMC1zkFeSOFgqI4QKOUWEYVl4doBJJBRjhXx-gkhBVAngvCR-hj4SKedB2eD53Gr65fBjzxBk-90dE0ePY96O4Wvxjd2H6J46fBcxui87bWHV7oOCTYtQlYGx-dTcn2-Nl1m94Eq0_RUau7YM72d4ze72Zv03n2-HT_MJ08ZnX6I2bMkJpo2RABHComVA1K0ipFVtGiqQQDJoRQrTBK8VaBKKhoTFFoUMrwio4R3vWuvfseTIjlyg2-T5MloZJLwRNy8T8CQlGWM5Goqx1VexeCN2259vZL-01JoNzqLXd6E3i5r9MhqWi97msbfmmaF4zk-d_qaivtv7IfIIWArQ</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>1306834246</pqid></control><display><type>article</type><title>Not All Hula Songs Are Created Equal: Reading the Historical Nature of Repertoire in Polynesia</title><source>JSTOR Archival Journals and Primary Sources Collection</source><creator>STILLMAN, A. K</creator><creatorcontrib>STILLMAN, A. K</creatorcontrib><description>Discusses the history of modern Hawaiian hula songs in light of the dialectical process between the hula song repertoire and the social actions underlying the creation and performance of the songs. Examines changes in the poetic themes, melodic composition, choreography and musical performance practices in the genre from the late 1800s to recent times. Includes 37 references.</description><identifier>ISSN: 0740-1558</identifier><identifier>EISSN: 2304-3857</identifier><identifier>DOI: 10.2307/768099</identifier><language>eng</language><publisher>New York, NY: International Council for Traditional Music</publisher><subject>20th century ; Art songs ; Choreography ; Cognitive problems, arts and sciences, folk traditions, folklore ; Dance ; Dance Music ; Ethnology ; Ethnomusicology ; Folksongs ; Hawaiian Music ; History ; Hula Songs ; Innovations ; Lyrics ; Music ; Music composition ; Music practice ; Musical Influences ; Musical performance ; Performing Styles ; Playing Styles ; Poetry ; Polynesian studies ; Songs ; Songs, folk songs ; Temporality</subject><ispartof>Yearbook for traditional music, 1995-01, Vol.27, p.1-12</ispartof><rights>Copyright 1995 International Council for Traditional Music</rights><rights>1996 INIST-CNRS</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.jstor.org/stable/pdf/768099$$EPDF$$P50$$Gjstor$$H</linktopdf><linktohtml>$$Uhttps://www.jstor.org/stable/768099$$EHTML$$P50$$Gjstor$$H</linktohtml><link.rule.ids>314,780,784,4024,27923,27924,27925,58238,58471</link.rule.ids><backlink>$$Uhttp://pascal-francis.inist.fr/vibad/index.php?action=getRecordDetail&amp;idt=3294122$$DView record in Pascal Francis$$Hfree_for_read</backlink></links><search><creatorcontrib>STILLMAN, A. K</creatorcontrib><title>Not All Hula Songs Are Created Equal: Reading the Historical Nature of Repertoire in Polynesia</title><title>Yearbook for traditional music</title><description>Discusses the history of modern Hawaiian hula songs in light of the dialectical process between the hula song repertoire and the social actions underlying the creation and performance of the songs. Examines changes in the poetic themes, melodic composition, choreography and musical performance practices in the genre from the late 1800s to recent times. Includes 37 references.</description><subject>20th century</subject><subject>Art songs</subject><subject>Choreography</subject><subject>Cognitive problems, arts and sciences, folk traditions, folklore</subject><subject>Dance</subject><subject>Dance Music</subject><subject>Ethnology</subject><subject>Ethnomusicology</subject><subject>Folksongs</subject><subject>Hawaiian Music</subject><subject>History</subject><subject>Hula Songs</subject><subject>Innovations</subject><subject>Lyrics</subject><subject>Music</subject><subject>Music composition</subject><subject>Music practice</subject><subject>Musical Influences</subject><subject>Musical performance</subject><subject>Performing Styles</subject><subject>Playing Styles</subject><subject>Poetry</subject><subject>Polynesian studies</subject><subject>Songs</subject><subject>Songs, folk songs</subject><subject>Temporality</subject><issn>0740-1558</issn><issn>2304-3857</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>1995</creationdate><recordtype>article</recordtype><recordid>eNp1kEtLAzEUhYMoWKv-hoDibvRm8hx3pVQrSBUfW4fMTKamjJOaZBb996a06MrV5cDHOZcPoXMC1zkFeSOFgqI4QKOUWEYVl4doBJJBRjhXx-gkhBVAngvCR-hj4SKedB2eD53Gr65fBjzxBk-90dE0ePY96O4Wvxjd2H6J46fBcxui87bWHV7oOCTYtQlYGx-dTcn2-Nl1m94Eq0_RUau7YM72d4ze72Zv03n2-HT_MJ08ZnX6I2bMkJpo2RABHComVA1K0ipFVtGiqQQDJoRQrTBK8VaBKKhoTFFoUMrwio4R3vWuvfseTIjlyg2-T5MloZJLwRNy8T8CQlGWM5Goqx1VexeCN2259vZL-01JoNzqLXd6E3i5r9MhqWi97msbfmmaF4zk-d_qaivtv7IfIIWArQ</recordid><startdate>19950101</startdate><enddate>19950101</enddate><creator>STILLMAN, A. K</creator><general>International Council for Traditional Music</general><general>Cambridge University Press</general><scope>IQODW</scope><scope>AAYXX</scope><scope>CITATION</scope><scope>HNUUZ</scope><scope>K30</scope><scope>PAAUG</scope><scope>PAWHS</scope><scope>PAWZZ</scope><scope>PAXOH</scope><scope>PBHAV</scope><scope>PBQSW</scope><scope>PBYQZ</scope><scope>PCIWU</scope><scope>PCMID</scope><scope>PCZJX</scope><scope>PDGRG</scope><scope>PDWWI</scope><scope>PETMR</scope><scope>PFVGT</scope><scope>PGXDX</scope><scope>PIHIL</scope><scope>PISVA</scope><scope>PJCTQ</scope><scope>PJTMS</scope><scope>PLCHJ</scope><scope>PMHAD</scope><scope>PNQDJ</scope><scope>POUND</scope><scope>PPLAD</scope><scope>PQAPC</scope><scope>PQCAN</scope><scope>PQCMW</scope><scope>PQEME</scope><scope>PQHKH</scope><scope>PQMID</scope><scope>PQNCT</scope><scope>PQNET</scope><scope>PQSCT</scope><scope>PQSET</scope><scope>PSVJG</scope><scope>PVMQY</scope><scope>PZGFC</scope><scope>4T-</scope><scope>4U-</scope></search><sort><creationdate>19950101</creationdate><title>Not All Hula Songs Are Created Equal: Reading the Historical Nature of Repertoire in Polynesia</title><author>STILLMAN, A. K</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c226t-4e1c1a7d16050b468c0873b1604b39db64046668f6e885f806936de99a088e5b3</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>1995</creationdate><topic>20th century</topic><topic>Art songs</topic><topic>Choreography</topic><topic>Cognitive problems, arts and sciences, folk traditions, folklore</topic><topic>Dance</topic><topic>Dance Music</topic><topic>Ethnology</topic><topic>Ethnomusicology</topic><topic>Folksongs</topic><topic>Hawaiian Music</topic><topic>History</topic><topic>Hula Songs</topic><topic>Innovations</topic><topic>Lyrics</topic><topic>Music</topic><topic>Music composition</topic><topic>Music practice</topic><topic>Musical Influences</topic><topic>Musical performance</topic><topic>Performing Styles</topic><topic>Playing Styles</topic><topic>Poetry</topic><topic>Polynesian studies</topic><topic>Songs</topic><topic>Songs, folk songs</topic><topic>Temporality</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>STILLMAN, A. K</creatorcontrib><collection>Pascal-Francis</collection><collection>CrossRef</collection><collection>Periodicals Index Online Segment 21</collection><collection>Periodicals Index Online</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - West</collection><collection>Primary Sources Access (Plan D) - International</collection><collection>Primary Sources Access &amp; Build (Plan A) - MEA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Midwest</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Northeast</collection><collection>Primary Sources Access (Plan D) - Southeast</collection><collection>Primary Sources Access (Plan D) - North Central</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Southeast</collection><collection>Primary Sources Access (Plan D) - South Central</collection><collection>Primary Sources Access &amp; Build (Plan A) - UK / I</collection><collection>Primary Sources Access (Plan D) - Canada</collection><collection>Primary Sources Access (Plan D) - EMEALA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - North Central</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - South Central</collection><collection>Primary Sources Access &amp; Build (Plan A) - International</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - International</collection><collection>Primary Sources Access (Plan D) - West</collection><collection>Periodicals Index Online Segments 1-50</collection><collection>Primary Sources Access (Plan D) - APAC</collection><collection>Primary Sources Access (Plan D) - Midwest</collection><collection>Primary Sources Access (Plan D) - MEA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Canada</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - UK / I</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - EMEALA</collection><collection>Primary Sources Access &amp; Build (Plan A) - APAC</collection><collection>Primary Sources Access &amp; Build (Plan A) - Canada</collection><collection>Primary Sources Access &amp; Build (Plan A) - West</collection><collection>Primary Sources Access &amp; Build (Plan A) - EMEALA</collection><collection>Primary Sources Access (Plan D) - Northeast</collection><collection>Primary Sources Access &amp; Build (Plan A) - Midwest</collection><collection>Primary Sources Access &amp; Build (Plan A) - North Central</collection><collection>Primary Sources Access &amp; Build (Plan A) - Northeast</collection><collection>Primary Sources Access &amp; Build (Plan A) - South Central</collection><collection>Primary Sources Access &amp; Build (Plan A) - Southeast</collection><collection>Primary Sources Access (Plan D) - UK / I</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - APAC</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - MEA</collection><collection>Docstoc</collection><collection>University Readers</collection><jtitle>Yearbook for traditional music</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>STILLMAN, A. K</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Not All Hula Songs Are Created Equal: Reading the Historical Nature of Repertoire in Polynesia</atitle><jtitle>Yearbook for traditional music</jtitle><date>1995-01-01</date><risdate>1995</risdate><volume>27</volume><spage>1</spage><epage>12</epage><pages>1-12</pages><issn>0740-1558</issn><eissn>2304-3857</eissn><abstract>Discusses the history of modern Hawaiian hula songs in light of the dialectical process between the hula song repertoire and the social actions underlying the creation and performance of the songs. Examines changes in the poetic themes, melodic composition, choreography and musical performance practices in the genre from the late 1800s to recent times. Includes 37 references.</abstract><cop>New York, NY</cop><pub>International Council for Traditional Music</pub><doi>10.2307/768099</doi><tpages>12</tpages></addata></record>
fulltext fulltext
identifier ISSN: 0740-1558
ispartof Yearbook for traditional music, 1995-01, Vol.27, p.1-12
issn 0740-1558
2304-3857
language eng
recordid cdi_proquest_journals_1375765
source JSTOR Archival Journals and Primary Sources Collection
subjects 20th century
Art songs
Choreography
Cognitive problems, arts and sciences, folk traditions, folklore
Dance
Dance Music
Ethnology
Ethnomusicology
Folksongs
Hawaiian Music
History
Hula Songs
Innovations
Lyrics
Music
Music composition
Music practice
Musical Influences
Musical performance
Performing Styles
Playing Styles
Poetry
Polynesian studies
Songs
Songs, folk songs
Temporality
title Not All Hula Songs Are Created Equal: Reading the Historical Nature of Repertoire in Polynesia
url http://sfxeu10.hosted.exlibrisgroup.com/loughborough?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2024-12-30T22%3A34%3A44IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-jstor_proqu&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Not%20All%20Hula%20Songs%20Are%20Created%20Equal:%20Reading%20the%20Historical%20Nature%20of%20Repertoire%20in%20Polynesia&rft.jtitle=Yearbook%20for%20traditional%20music&rft.au=STILLMAN,%20A.%20K&rft.date=1995-01-01&rft.volume=27&rft.spage=1&rft.epage=12&rft.pages=1-12&rft.issn=0740-1558&rft.eissn=2304-3857&rft_id=info:doi/10.2307/768099&rft_dat=%3Cjstor_proqu%3E768099%3C/jstor_proqu%3E%3Cgrp_id%3Ecdi_FETCH-LOGICAL-c226t-4e1c1a7d16050b468c0873b1604b39db64046668f6e885f806936de99a088e5b3%3C/grp_id%3E%3Coa%3E%3C/oa%3E%3Curl%3E%3C/url%3E&rft_id=info:oai/&rft_pqid=1306834246&rft_id=info:pmid/&rft_jstor_id=768099&rfr_iscdi=true