Loading…
Not All Hula Songs Are Created Equal: Reading the Historical Nature of Repertoire in Polynesia
Discusses the history of modern Hawaiian hula songs in light of the dialectical process between the hula song repertoire and the social actions underlying the creation and performance of the songs. Examines changes in the poetic themes, melodic composition, choreography and musical performance pract...
Saved in:
Published in: | Yearbook for traditional music 1995-01, Vol.27, p.1-12 |
---|---|
Main Author: | |
Format: | Article |
Language: | English |
Subjects: | |
Online Access: | Get full text |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
cited_by | |
---|---|
cites | |
container_end_page | 12 |
container_issue | |
container_start_page | 1 |
container_title | Yearbook for traditional music |
container_volume | 27 |
creator | STILLMAN, A. K |
description | Discusses the history of modern Hawaiian hula songs in light of the dialectical process between the hula song repertoire and the social actions underlying the creation and performance of the songs. Examines changes in the poetic themes, melodic composition, choreography and musical performance practices in the genre from the late 1800s to recent times. Includes 37 references. |
doi_str_mv | 10.2307/768099 |
format | article |
fullrecord | <record><control><sourceid>jstor_proqu</sourceid><recordid>TN_cdi_proquest_journals_1375765</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><jstor_id>768099</jstor_id><sourcerecordid>768099</sourcerecordid><originalsourceid>FETCH-LOGICAL-c226t-4e1c1a7d16050b468c0873b1604b39db64046668f6e885f806936de99a088e5b3</originalsourceid><addsrcrecordid>eNp1kEtLAzEUhYMoWKv-hoDibvRm8hx3pVQrSBUfW4fMTKamjJOaZBb996a06MrV5cDHOZcPoXMC1zkFeSOFgqI4QKOUWEYVl4doBJJBRjhXx-gkhBVAngvCR-hj4SKedB2eD53Gr65fBjzxBk-90dE0ePY96O4Wvxjd2H6J46fBcxui87bWHV7oOCTYtQlYGx-dTcn2-Nl1m94Eq0_RUau7YM72d4ze72Zv03n2-HT_MJ08ZnX6I2bMkJpo2RABHComVA1K0ipFVtGiqQQDJoRQrTBK8VaBKKhoTFFoUMrwio4R3vWuvfseTIjlyg2-T5MloZJLwRNy8T8CQlGWM5Goqx1VexeCN2259vZL-01JoNzqLXd6E3i5r9MhqWi97msbfmmaF4zk-d_qaivtv7IfIIWArQ</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>1306834246</pqid></control><display><type>article</type><title>Not All Hula Songs Are Created Equal: Reading the Historical Nature of Repertoire in Polynesia</title><source>JSTOR Archival Journals and Primary Sources Collection</source><creator>STILLMAN, A. K</creator><creatorcontrib>STILLMAN, A. K</creatorcontrib><description>Discusses the history of modern Hawaiian hula songs in light of the dialectical process between the hula song repertoire and the social actions underlying the creation and performance of the songs. Examines changes in the poetic themes, melodic composition, choreography and musical performance practices in the genre from the late 1800s to recent times. Includes 37 references.</description><identifier>ISSN: 0740-1558</identifier><identifier>EISSN: 2304-3857</identifier><identifier>DOI: 10.2307/768099</identifier><language>eng</language><publisher>New York, NY: International Council for Traditional Music</publisher><subject>20th century ; Art songs ; Choreography ; Cognitive problems, arts and sciences, folk traditions, folklore ; Dance ; Dance Music ; Ethnology ; Ethnomusicology ; Folksongs ; Hawaiian Music ; History ; Hula Songs ; Innovations ; Lyrics ; Music ; Music composition ; Music practice ; Musical Influences ; Musical performance ; Performing Styles ; Playing Styles ; Poetry ; Polynesian studies ; Songs ; Songs, folk songs ; Temporality</subject><ispartof>Yearbook for traditional music, 1995-01, Vol.27, p.1-12</ispartof><rights>Copyright 1995 International Council for Traditional Music</rights><rights>1996 INIST-CNRS</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.jstor.org/stable/pdf/768099$$EPDF$$P50$$Gjstor$$H</linktopdf><linktohtml>$$Uhttps://www.jstor.org/stable/768099$$EHTML$$P50$$Gjstor$$H</linktohtml><link.rule.ids>314,780,784,4024,27923,27924,27925,58238,58471</link.rule.ids><backlink>$$Uhttp://pascal-francis.inist.fr/vibad/index.php?action=getRecordDetail&idt=3294122$$DView record in Pascal Francis$$Hfree_for_read</backlink></links><search><creatorcontrib>STILLMAN, A. K</creatorcontrib><title>Not All Hula Songs Are Created Equal: Reading the Historical Nature of Repertoire in Polynesia</title><title>Yearbook for traditional music</title><description>Discusses the history of modern Hawaiian hula songs in light of the dialectical process between the hula song repertoire and the social actions underlying the creation and performance of the songs. Examines changes in the poetic themes, melodic composition, choreography and musical performance practices in the genre from the late 1800s to recent times. Includes 37 references.</description><subject>20th century</subject><subject>Art songs</subject><subject>Choreography</subject><subject>Cognitive problems, arts and sciences, folk traditions, folklore</subject><subject>Dance</subject><subject>Dance Music</subject><subject>Ethnology</subject><subject>Ethnomusicology</subject><subject>Folksongs</subject><subject>Hawaiian Music</subject><subject>History</subject><subject>Hula Songs</subject><subject>Innovations</subject><subject>Lyrics</subject><subject>Music</subject><subject>Music composition</subject><subject>Music practice</subject><subject>Musical Influences</subject><subject>Musical performance</subject><subject>Performing Styles</subject><subject>Playing Styles</subject><subject>Poetry</subject><subject>Polynesian studies</subject><subject>Songs</subject><subject>Songs, folk songs</subject><subject>Temporality</subject><issn>0740-1558</issn><issn>2304-3857</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>1995</creationdate><recordtype>article</recordtype><recordid>eNp1kEtLAzEUhYMoWKv-hoDibvRm8hx3pVQrSBUfW4fMTKamjJOaZBb996a06MrV5cDHOZcPoXMC1zkFeSOFgqI4QKOUWEYVl4doBJJBRjhXx-gkhBVAngvCR-hj4SKedB2eD53Gr65fBjzxBk-90dE0ePY96O4Wvxjd2H6J46fBcxui87bWHV7oOCTYtQlYGx-dTcn2-Nl1m94Eq0_RUau7YM72d4ze72Zv03n2-HT_MJ08ZnX6I2bMkJpo2RABHComVA1K0ipFVtGiqQQDJoRQrTBK8VaBKKhoTFFoUMrwio4R3vWuvfseTIjlyg2-T5MloZJLwRNy8T8CQlGWM5Goqx1VexeCN2259vZL-01JoNzqLXd6E3i5r9MhqWi97msbfmmaF4zk-d_qaivtv7IfIIWArQ</recordid><startdate>19950101</startdate><enddate>19950101</enddate><creator>STILLMAN, A. K</creator><general>International Council for Traditional Music</general><general>Cambridge University Press</general><scope>IQODW</scope><scope>AAYXX</scope><scope>CITATION</scope><scope>HNUUZ</scope><scope>K30</scope><scope>PAAUG</scope><scope>PAWHS</scope><scope>PAWZZ</scope><scope>PAXOH</scope><scope>PBHAV</scope><scope>PBQSW</scope><scope>PBYQZ</scope><scope>PCIWU</scope><scope>PCMID</scope><scope>PCZJX</scope><scope>PDGRG</scope><scope>PDWWI</scope><scope>PETMR</scope><scope>PFVGT</scope><scope>PGXDX</scope><scope>PIHIL</scope><scope>PISVA</scope><scope>PJCTQ</scope><scope>PJTMS</scope><scope>PLCHJ</scope><scope>PMHAD</scope><scope>PNQDJ</scope><scope>POUND</scope><scope>PPLAD</scope><scope>PQAPC</scope><scope>PQCAN</scope><scope>PQCMW</scope><scope>PQEME</scope><scope>PQHKH</scope><scope>PQMID</scope><scope>PQNCT</scope><scope>PQNET</scope><scope>PQSCT</scope><scope>PQSET</scope><scope>PSVJG</scope><scope>PVMQY</scope><scope>PZGFC</scope><scope>4T-</scope><scope>4U-</scope></search><sort><creationdate>19950101</creationdate><title>Not All Hula Songs Are Created Equal: Reading the Historical Nature of Repertoire in Polynesia</title><author>STILLMAN, A. K</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c226t-4e1c1a7d16050b468c0873b1604b39db64046668f6e885f806936de99a088e5b3</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>1995</creationdate><topic>20th century</topic><topic>Art songs</topic><topic>Choreography</topic><topic>Cognitive problems, arts and sciences, folk traditions, folklore</topic><topic>Dance</topic><topic>Dance Music</topic><topic>Ethnology</topic><topic>Ethnomusicology</topic><topic>Folksongs</topic><topic>Hawaiian Music</topic><topic>History</topic><topic>Hula Songs</topic><topic>Innovations</topic><topic>Lyrics</topic><topic>Music</topic><topic>Music composition</topic><topic>Music practice</topic><topic>Musical Influences</topic><topic>Musical performance</topic><topic>Performing Styles</topic><topic>Playing Styles</topic><topic>Poetry</topic><topic>Polynesian studies</topic><topic>Songs</topic><topic>Songs, folk songs</topic><topic>Temporality</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>STILLMAN, A. K</creatorcontrib><collection>Pascal-Francis</collection><collection>CrossRef</collection><collection>Periodicals Index Online Segment 21</collection><collection>Periodicals Index Online</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - West</collection><collection>Primary Sources Access (Plan D) - International</collection><collection>Primary Sources Access & Build (Plan A) - MEA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Midwest</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Northeast</collection><collection>Primary Sources Access (Plan D) - Southeast</collection><collection>Primary Sources Access (Plan D) - North Central</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Southeast</collection><collection>Primary Sources Access (Plan D) - South Central</collection><collection>Primary Sources Access & Build (Plan A) - UK / I</collection><collection>Primary Sources Access (Plan D) - Canada</collection><collection>Primary Sources Access (Plan D) - EMEALA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - North Central</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - South Central</collection><collection>Primary Sources Access & Build (Plan A) - International</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - International</collection><collection>Primary Sources Access (Plan D) - West</collection><collection>Periodicals Index Online Segments 1-50</collection><collection>Primary Sources Access (Plan D) - APAC</collection><collection>Primary Sources Access (Plan D) - Midwest</collection><collection>Primary Sources Access (Plan D) - MEA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Canada</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - UK / I</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - EMEALA</collection><collection>Primary Sources Access & Build (Plan A) - APAC</collection><collection>Primary Sources Access & Build (Plan A) - Canada</collection><collection>Primary Sources Access & Build (Plan A) - West</collection><collection>Primary Sources Access & Build (Plan A) - EMEALA</collection><collection>Primary Sources Access (Plan D) - Northeast</collection><collection>Primary Sources Access & Build (Plan A) - Midwest</collection><collection>Primary Sources Access & Build (Plan A) - North Central</collection><collection>Primary Sources Access & Build (Plan A) - Northeast</collection><collection>Primary Sources Access & Build (Plan A) - South Central</collection><collection>Primary Sources Access & Build (Plan A) - Southeast</collection><collection>Primary Sources Access (Plan D) - UK / I</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - APAC</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - MEA</collection><collection>Docstoc</collection><collection>University Readers</collection><jtitle>Yearbook for traditional music</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>STILLMAN, A. K</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Not All Hula Songs Are Created Equal: Reading the Historical Nature of Repertoire in Polynesia</atitle><jtitle>Yearbook for traditional music</jtitle><date>1995-01-01</date><risdate>1995</risdate><volume>27</volume><spage>1</spage><epage>12</epage><pages>1-12</pages><issn>0740-1558</issn><eissn>2304-3857</eissn><abstract>Discusses the history of modern Hawaiian hula songs in light of the dialectical process between the hula song repertoire and the social actions underlying the creation and performance of the songs. Examines changes in the poetic themes, melodic composition, choreography and musical performance practices in the genre from the late 1800s to recent times. Includes 37 references.</abstract><cop>New York, NY</cop><pub>International Council for Traditional Music</pub><doi>10.2307/768099</doi><tpages>12</tpages></addata></record> |
fulltext | fulltext |
identifier | ISSN: 0740-1558 |
ispartof | Yearbook for traditional music, 1995-01, Vol.27, p.1-12 |
issn | 0740-1558 2304-3857 |
language | eng |
recordid | cdi_proquest_journals_1375765 |
source | JSTOR Archival Journals and Primary Sources Collection |
subjects | 20th century Art songs Choreography Cognitive problems, arts and sciences, folk traditions, folklore Dance Dance Music Ethnology Ethnomusicology Folksongs Hawaiian Music History Hula Songs Innovations Lyrics Music Music composition Music practice Musical Influences Musical performance Performing Styles Playing Styles Poetry Polynesian studies Songs Songs, folk songs Temporality |
title | Not All Hula Songs Are Created Equal: Reading the Historical Nature of Repertoire in Polynesia |
url | http://sfxeu10.hosted.exlibrisgroup.com/loughborough?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2024-12-30T22%3A34%3A44IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-jstor_proqu&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Not%20All%20Hula%20Songs%20Are%20Created%20Equal:%20Reading%20the%20Historical%20Nature%20of%20Repertoire%20in%20Polynesia&rft.jtitle=Yearbook%20for%20traditional%20music&rft.au=STILLMAN,%20A.%20K&rft.date=1995-01-01&rft.volume=27&rft.spage=1&rft.epage=12&rft.pages=1-12&rft.issn=0740-1558&rft.eissn=2304-3857&rft_id=info:doi/10.2307/768099&rft_dat=%3Cjstor_proqu%3E768099%3C/jstor_proqu%3E%3Cgrp_id%3Ecdi_FETCH-LOGICAL-c226t-4e1c1a7d16050b468c0873b1604b39db64046668f6e885f806936de99a088e5b3%3C/grp_id%3E%3Coa%3E%3C/oa%3E%3Curl%3E%3C/url%3E&rft_id=info:oai/&rft_pqid=1306834246&rft_id=info:pmid/&rft_jstor_id=768099&rfr_iscdi=true |