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Live electronics or…live music? Towards a critique of interaction

An analysis of interactive sound systems is presented that focuses on space and sound projection, interpretation of electronic sounds, and the relationship between performance and technology. The study begins with the most frequent objections against non-interactive music to show how objections are...

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Bibliographic Details
Published in:Contemporary music review 1999-01, Vol.18 (3), p.41-77
Main Author: Stroppa, Marco
Format: Article
Language:English
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Summary:An analysis of interactive sound systems is presented that focuses on space and sound projection, interpretation of electronic sounds, and the relationship between performance and technology. The study begins with the most frequent objections against non-interactive music to show how objections are devoid of fundamental reason.
ISSN:0749-4467
1477-2256
DOI:10.1080/07494469900640341