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Live electronics or…live music? Towards a critique of interaction
An analysis of interactive sound systems is presented that focuses on space and sound projection, interpretation of electronic sounds, and the relationship between performance and technology. The study begins with the most frequent objections against non-interactive music to show how objections are...
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Published in: | Contemporary music review 1999-01, Vol.18 (3), p.41-77 |
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Main Author: | |
Format: | Article |
Language: | English |
Subjects: | |
Citations: | Items that cite this one |
Online Access: | Get full text |
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Summary: | An analysis of interactive sound systems is presented that focuses on space and sound projection, interpretation of electronic sounds, and the relationship between performance and technology. The study begins with the most frequent objections against non-interactive music to show how objections are devoid of fundamental reason. |
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ISSN: | 0749-4467 1477-2256 |
DOI: | 10.1080/07494469900640341 |