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Dancing into the Twilight
Many of these dancers studied in prestigious institutions (as, in the case of Early, the Royal Ballet School) or performed with established companies (as, in the case of Paxton, the Merce Cunningham Dance Company). Readers learn that the Indian dancer, passing through three phases (nritta, nrittya,...
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Published in: | Dance Chronicle 2013, Vol.36 (2), p.275-279 |
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Main Author: | |
Format: | Review |
Language: | English |
Subjects: | |
Online Access: | Get full text |
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Summary: | Many of these dancers studied in prestigious institutions (as, in the case of Early, the Royal Ballet School) or performed with established companies (as, in the case of Paxton, the Merce Cunningham Dance Company). Readers learn that the Indian dancer, passing through three phases (nritta, nrittya, and natya), does not enter the full "expressive storytelling mode" of her performance career until natya (p. 170). [...]dancing truly begins for a performer after the age of forty. |
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ISSN: | 0147-2526 1532-4257 |
DOI: | 10.1080/01472526.2013.792374 |