Crash and Return: Choque, Allusion and Composite Structure in Alejandro González Iñárritu's Amores perros (2000)

Thakkar talks about Alejandro Gonzalez Inarritu's Amores perros. The proposition that choque and its multiple connotations are the key motif of the film runs counter to the more common notion that the most important symbolic connections between the diverse stories and characters of Amores are i...

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Bibliographic Details
Published in:Quarterly review of film and video 2014-01, Vol.31 (1), p.11-26
Main Author: Thakkar, Amit
Format: Article
Language:English
Subjects:
Inarritu, Alejandro Gonzalez
Love
Motion picture directors & producers
Motion pictures
Personality
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Summary:Thakkar talks about Alejandro Gonzalez Inarritu's Amores perros. The proposition that choque and its multiple connotations are the key motif of the film runs counter to the more common notion that the most important symbolic connections between the diverse stories and characters of Amores are in the title: love and dogs.
ISSN:1050-9208
1543-5326
DOI:10.1080/10509208.2011.585303