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Writing Poetry Against the Grain: Or, What Can Be Seen in "Les Yeux des pauvres"
[...]here, as in texts such as "Assommons les pauvres," "La Fausse monnaie," or "Un plaisant," where the sphere of the social emerges in disfigured guises out of a blind-spot in the narrative which we might call "idiocy" (or, being radically self-absorbed), Ba...
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Published in: | French forum 2014, Vol.39 (1), p.49-63 |
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description | [...]here, as in texts such as "Assommons les pauvres," "La Fausse monnaie," or "Un plaisant," where the sphere of the social emerges in disfigured guises out of a blind-spot in the narrative which we might call "idiocy" (or, being radically self-absorbed), Baudelaire's prose poem operates as the site of what we propose to conceptualize as a form of ideological dispossession: that is, a discursive practice foregrounding the material dispossession of the poor in Haussmanns Paris, and complicating a form of subjectivity we might call "literary" (that is, the posture of a subject apt to passively, if somewhat philanthropic ally, consume the misery engendered by the process of production). |
doi_str_mv | 10.1353/frf.2014.0007 |
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subjects | Foregrounding History Humans Ideology Literary criticism Mythology Narrative poetry Narrators Poetry Poverty Prose Prose poetry Reading Rubble Spleen Subjectivity Violence Writing |
title | Writing Poetry Against the Grain: Or, What Can Be Seen in "Les Yeux des pauvres" |
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