Loading…

VISUAL LEGACIES OF SLAVERY AND EMANCIPATION

The 150th anniversary of the Emancipation Proclamation provides an occasion to reflect on the ways visual artists have responded to and envisioned the impact of that life-changing declaration on the experience of slavery and the meaning of freedom. Signed into law by President Abraham Lincoln in the...

Full description

Saved in:
Bibliographic Details
Published in:Callaloo 2014-09, Vol.37 (4), p.1023-1032
Main Author: Finley, Cheryl
Format: Article
Language:English
Subjects:
Online Access:Get full text
Tags: Add Tag
No Tags, Be the first to tag this record!
cited_by
cites
container_end_page 1032
container_issue 4
container_start_page 1023
container_title Callaloo
container_volume 37
creator Finley, Cheryl
description The 150th anniversary of the Emancipation Proclamation provides an occasion to reflect on the ways visual artists have responded to and envisioned the impact of that life-changing declaration on the experience of slavery and the meaning of freedom. Signed into law by President Abraham Lincoln in the midst of the Civil War on Jan 1, 1863, the Emancipation Proclamation declared, "All persons held as slaves are, and henceforward shall be free." Here, Finley describes We Hold These Truths, a visual legacy of slavery and emancipation.
doi_str_mv 10.1353/cal.2014.0136
format article
fullrecord <record><control><sourceid>jstor_proqu</sourceid><recordid>TN_cdi_proquest_journals_1617334287</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><jstor_id>24265081</jstor_id><sourcerecordid>24265081</sourcerecordid><originalsourceid>FETCH-LOGICAL-c288t-2ef9a46a2a53e46dd73e3fbd5ef2d45fc50609f98634b05b9b75d057e8e2c0253</originalsourceid><addsrcrecordid>eNpFkEtLw0AUhQdRsFaXLoWAS0m9c-eRyXKIaQ3EVkxbcDXkMQFDazSTLvz3JlTq3ZzNeXA_Qm4pzCgT7LHMdzMEymdAmTwjEwoKfCkonpMJUEl95CFekivnGhhOIp2Qh22SbXTqpfFCR0mceau5l6V6G7-9e3r55MUvehklr3qdrJbX5KLOd87e_OmUbObxOnr209UiiXTql6hU76Otw5zLHHPBLJdVFTDL6qIStsaKi7oUICGsQyUZL0AUYRGICkRglcUSULApuT_2fnXt98G63jTtofscJs3wRcAYRxUMLv_oKrvWuc7W5qv72Ofdj6FgRh5m4GFGHmbkMfj5qbWxZb8_OPtfLEQAyE02MhuRUc4BBI6xu2OscX3bnTaQoxSgKPsFwvNmug</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>1617334287</pqid></control><display><type>article</type><title>VISUAL LEGACIES OF SLAVERY AND EMANCIPATION</title><source>EBSCOhost MLA International Bibliography With Full Text</source><source>JSTOR Archival Journals and Primary Sources Collection【Remote access available】</source><source>Art, Design &amp; Architecture Collection (Proquest) (PQ_SDU_P3)</source><source>Project Muse:Jisc Collections:Project MUSE Journals Agreement 2024:Premium Collection</source><source>International Bibliography of Art (IBA)</source><source>ProQuest One Literature</source><creator>Finley, Cheryl</creator><creatorcontrib>Finley, Cheryl</creatorcontrib><description>The 150th anniversary of the Emancipation Proclamation provides an occasion to reflect on the ways visual artists have responded to and envisioned the impact of that life-changing declaration on the experience of slavery and the meaning of freedom. Signed into law by President Abraham Lincoln in the midst of the Civil War on Jan 1, 1863, the Emancipation Proclamation declared, "All persons held as slaves are, and henceforward shall be free." Here, Finley describes We Hold These Truths, a visual legacy of slavery and emancipation.</description><identifier>ISSN: 0161-2492</identifier><identifier>ISSN: 1080-6512</identifier><identifier>EISSN: 1080-6512</identifier><identifier>DOI: 10.1353/cal.2014.0136</identifier><language>eng</language><publisher>Baltimore: Johns Hopkins University Press</publisher><subject>African American culture ; African Americans ; African art ; Art exhibits ; Douglass, Frederick (1818-1895) ; Emancipation ; Emancipation of slaves ; Engraving ; Lincoln, Abraham (1809-1865) ; Nast, Thomas (1840-1902) ; Portrait photography ; Slave ships ; Slavery ; Slaves ; Symbolism ; Visual artists ; Ward, John Quincy Adams (1830-1910)</subject><ispartof>Callaloo, 2014-09, Vol.37 (4), p.1023-1032</ispartof><rights>Copyright © 2014 The Johns Hopkins University Press</rights><rights>Copyright © Charles H. Rowell.</rights><rights>Copyright Johns Hopkins University Press Fall 2014</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.proquest.com/docview/1617334287/fulltextPDF?pq-origsite=primo$$EPDF$$P50$$Gproquest$$H</linktopdf><linktohtml>$$Uhttps://www.proquest.com/docview/1617334287?pq-origsite=primo$$EHTML$$P50$$Gproquest$$H</linktohtml><link.rule.ids>314,780,784,12146,12860,27923,27924,33460,34774,44199,58237,58470,62660,62661,62676,73967,74499</link.rule.ids></links><search><creatorcontrib>Finley, Cheryl</creatorcontrib><title>VISUAL LEGACIES OF SLAVERY AND EMANCIPATION</title><title>Callaloo</title><description>The 150th anniversary of the Emancipation Proclamation provides an occasion to reflect on the ways visual artists have responded to and envisioned the impact of that life-changing declaration on the experience of slavery and the meaning of freedom. Signed into law by President Abraham Lincoln in the midst of the Civil War on Jan 1, 1863, the Emancipation Proclamation declared, "All persons held as slaves are, and henceforward shall be free." Here, Finley describes We Hold These Truths, a visual legacy of slavery and emancipation.</description><subject>African American culture</subject><subject>African Americans</subject><subject>African art</subject><subject>Art exhibits</subject><subject>Douglass, Frederick (1818-1895)</subject><subject>Emancipation</subject><subject>Emancipation of slaves</subject><subject>Engraving</subject><subject>Lincoln, Abraham (1809-1865)</subject><subject>Nast, Thomas (1840-1902)</subject><subject>Portrait photography</subject><subject>Slave ships</subject><subject>Slavery</subject><subject>Slaves</subject><subject>Symbolism</subject><subject>Visual artists</subject><subject>Ward, John Quincy Adams (1830-1910)</subject><issn>0161-2492</issn><issn>1080-6512</issn><issn>1080-6512</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2014</creationdate><recordtype>article</recordtype><sourceid>8XN</sourceid><sourceid>AIMQZ</sourceid><sourceid>K50</sourceid><sourceid>M1D</sourceid><recordid>eNpFkEtLw0AUhQdRsFaXLoWAS0m9c-eRyXKIaQ3EVkxbcDXkMQFDazSTLvz3JlTq3ZzNeXA_Qm4pzCgT7LHMdzMEymdAmTwjEwoKfCkonpMJUEl95CFekivnGhhOIp2Qh22SbXTqpfFCR0mceau5l6V6G7-9e3r55MUvehklr3qdrJbX5KLOd87e_OmUbObxOnr209UiiXTql6hU76Otw5zLHHPBLJdVFTDL6qIStsaKi7oUICGsQyUZL0AUYRGICkRglcUSULApuT_2fnXt98G63jTtofscJs3wRcAYRxUMLv_oKrvWuc7W5qv72Ofdj6FgRh5m4GFGHmbkMfj5qbWxZb8_OPtfLEQAyE02MhuRUc4BBI6xu2OscX3bnTaQoxSgKPsFwvNmug</recordid><startdate>20140901</startdate><enddate>20140901</enddate><creator>Finley, Cheryl</creator><general>Johns Hopkins University Press</general><scope>AAYXX</scope><scope>CITATION</scope><scope>7XB</scope><scope>8XN</scope><scope>ABUWG</scope><scope>AFKRA</scope><scope>AIMQZ</scope><scope>AVQMV</scope><scope>AZQEC</scope><scope>BEC</scope><scope>BENPR</scope><scope>BSCPQ</scope><scope>CCPQU</scope><scope>CLO</scope><scope>DWQXO</scope><scope>GNUQQ</scope><scope>GUQSH</scope><scope>K50</scope><scope>LD-</scope><scope>LD.</scope><scope>LIQON</scope><scope>M1D</scope><scope>M2O</scope><scope>MBDVC</scope><scope>PAF</scope><scope>PPXUT</scope><scope>PQEST</scope><scope>PQLNA</scope><scope>PQQKQ</scope><scope>PQUKI</scope><scope>PRINS</scope><scope>PROLI</scope><scope>Q9U</scope><scope>QXPDG</scope><scope>S0X</scope><scope>UXAQP</scope></search><sort><creationdate>20140901</creationdate><title>VISUAL LEGACIES OF SLAVERY AND EMANCIPATION</title><author>Finley, Cheryl</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c288t-2ef9a46a2a53e46dd73e3fbd5ef2d45fc50609f98634b05b9b75d057e8e2c0253</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2014</creationdate><topic>African American culture</topic><topic>African Americans</topic><topic>African art</topic><topic>Art exhibits</topic><topic>Douglass, Frederick (1818-1895)</topic><topic>Emancipation</topic><topic>Emancipation of slaves</topic><topic>Engraving</topic><topic>Lincoln, Abraham (1809-1865)</topic><topic>Nast, Thomas (1840-1902)</topic><topic>Portrait photography</topic><topic>Slave ships</topic><topic>Slavery</topic><topic>Slaves</topic><topic>Symbolism</topic><topic>Visual artists</topic><topic>Ward, John Quincy Adams (1830-1910)</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Finley, Cheryl</creatorcontrib><collection>CrossRef</collection><collection>ProQuest Central (purchase pre-March 2016)</collection><collection>International Bibliography of Art (IBA)</collection><collection>ProQuest Central (Alumni)</collection><collection>ProQuest Central</collection><collection>ProQuest One Literature</collection><collection>Arts Premium Collection</collection><collection>ProQuest Central Essentials</collection><collection>eLibrary</collection><collection>ProQuest Central</collection><collection>Black Studies Center</collection><collection>ProQuest One Community College</collection><collection>Literature Online Core (LION Core) (legacy)</collection><collection>ProQuest Central</collection><collection>ProQuest Central Student</collection><collection>Research Library Prep</collection><collection>Art, Design &amp; Architecture Collection (Proquest) (PQ_SDU_P3)</collection><collection>Ethnic NewsWatch</collection><collection>Ethnic NewsWatch (Alumni)</collection><collection>One Literature (ProQuest)</collection><collection>Arts &amp; Humanities Database</collection><collection>ProQuest research library</collection><collection>Research Library (Corporate)</collection><collection>ProQuest Learning: Literature</collection><collection>Literature Online Premium (LION Premium) (legacy)</collection><collection>ProQuest One Academic Eastern Edition (DO NOT USE)</collection><collection>Literature Online (LION) - US Customers Only</collection><collection>ProQuest One Academic</collection><collection>ProQuest One Academic UKI Edition</collection><collection>ProQuest Central China</collection><collection>Literature Online</collection><collection>ProQuest Central Basic</collection><collection>Diversity Collection</collection><collection>SIRS Editorial</collection><collection>ProQuest Black Studies</collection><jtitle>Callaloo</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Finley, Cheryl</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>VISUAL LEGACIES OF SLAVERY AND EMANCIPATION</atitle><jtitle>Callaloo</jtitle><date>2014-09-01</date><risdate>2014</risdate><volume>37</volume><issue>4</issue><spage>1023</spage><epage>1032</epage><pages>1023-1032</pages><issn>0161-2492</issn><issn>1080-6512</issn><eissn>1080-6512</eissn><abstract>The 150th anniversary of the Emancipation Proclamation provides an occasion to reflect on the ways visual artists have responded to and envisioned the impact of that life-changing declaration on the experience of slavery and the meaning of freedom. Signed into law by President Abraham Lincoln in the midst of the Civil War on Jan 1, 1863, the Emancipation Proclamation declared, "All persons held as slaves are, and henceforward shall be free." Here, Finley describes We Hold These Truths, a visual legacy of slavery and emancipation.</abstract><cop>Baltimore</cop><pub>Johns Hopkins University Press</pub><doi>10.1353/cal.2014.0136</doi><tpages>10</tpages></addata></record>
fulltext fulltext
identifier ISSN: 0161-2492
ispartof Callaloo, 2014-09, Vol.37 (4), p.1023-1032
issn 0161-2492
1080-6512
1080-6512
language eng
recordid cdi_proquest_journals_1617334287
source EBSCOhost MLA International Bibliography With Full Text; JSTOR Archival Journals and Primary Sources Collection【Remote access available】; Art, Design & Architecture Collection (Proquest) (PQ_SDU_P3); Project Muse:Jisc Collections:Project MUSE Journals Agreement 2024:Premium Collection; International Bibliography of Art (IBA); ProQuest One Literature
subjects African American culture
African Americans
African art
Art exhibits
Douglass, Frederick (1818-1895)
Emancipation
Emancipation of slaves
Engraving
Lincoln, Abraham (1809-1865)
Nast, Thomas (1840-1902)
Portrait photography
Slave ships
Slavery
Slaves
Symbolism
Visual artists
Ward, John Quincy Adams (1830-1910)
title VISUAL LEGACIES OF SLAVERY AND EMANCIPATION
url http://sfxeu10.hosted.exlibrisgroup.com/loughborough?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-12T02%3A04%3A40IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-jstor_proqu&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=VISUAL%20LEGACIES%20OF%20SLAVERY%20AND%20EMANCIPATION&rft.jtitle=Callaloo&rft.au=Finley,%20Cheryl&rft.date=2014-09-01&rft.volume=37&rft.issue=4&rft.spage=1023&rft.epage=1032&rft.pages=1023-1032&rft.issn=0161-2492&rft.eissn=1080-6512&rft_id=info:doi/10.1353/cal.2014.0136&rft_dat=%3Cjstor_proqu%3E24265081%3C/jstor_proqu%3E%3Cgrp_id%3Ecdi_FETCH-LOGICAL-c288t-2ef9a46a2a53e46dd73e3fbd5ef2d45fc50609f98634b05b9b75d057e8e2c0253%3C/grp_id%3E%3Coa%3E%3C/oa%3E%3Curl%3E%3C/url%3E&rft_id=info:oai/&rft_pqid=1617334287&rft_id=info:pmid/&rft_jstor_id=24265081&rfr_iscdi=true