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Native American Film outside the Margins of Filmmaking
Nonfiction productions did not stop being made; in fact, greater attention is being given to contemporary stories focused on community, such as Waterbuster (2006) by J. Carlos Pienado (Mandan- Hidatsa), who returns to his ancestral homeland in the upper Missouri River basin in North Dakota and docum...
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Published in: | Great plains quarterly 2014-10, Vol.34 (4), p.387-393 |
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Main Author: | |
Format: | Article |
Language: | English |
Subjects: | |
Citations: | Items that cite this one |
Online Access: | Get full text |
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Summary: | Nonfiction productions did not stop being made; in fact, greater attention is being given to contemporary stories focused on community, such as Waterbuster (2006) by J. Carlos Pienado (Mandan- Hidatsa), who returns to his ancestral homeland in the upper Missouri River basin in North Dakota and documents the devastating impact of the Garrison Dam project, constructed in the 1950s, that submerged 156,000 acres of fertile Mandan-Hidatsa land. [...]frybread is a foreign import into Indian Country by a federal government that wanted us to die. |
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ISSN: | 0275-7664 2333-5092 2333-5092 |
DOI: | 10.1353/gpq.2014.0082 |