Entre la oralidad y la escritura. La importancia de la música, danza y canto de los Andes coloniales como espacios de significación, poder y mestizajes en contextos de colonialidad

This article analyzes the development of processes of cultural "mestizaje" on the basis of the Andean musical expressions of the colonial period, from the sixteenth to the eighteenth centuries. It aims to introduce flexibility into the traditional dichotomy between written and oral express...

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Published in:Revista musical chilena 2014-07, Vol.68, p.35-57
Main Author: Palominos Mandiola, Simón
Format: Article
Language:Spanish
Subjects:
Andean music
Cultural relations
Musical Analysis
Musical Influences
Oral Tradition
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description This article analyzes the development of processes of cultural "mestizaje" on the basis of the Andean musical expressions of the colonial period, from the sixteenth to the eighteenth centuries. It aims to introduce flexibility into the traditional dichotomy between written and oral expression as representations of reality made by Europeans on the one hand and by Native Americans on the other. Thus the social groups belonging to the colonial social space are considered not as static elements, but as groups with a dynamic identity capable of bringing together diverse system of representation and registration. These embrace oral and written expressions along with visual representations as well as music, songs and dances. [PUBLICATION ABSTRACT]
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0717-6252
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subjects Andean music
Cultural relations
Musical Analysis
Musical Influences
Oral Tradition
title Entre la oralidad y la escritura. La importancia de la música, danza y canto de los Andes coloniales como espacios de significación, poder y mestizajes en contextos de colonialidad
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