Un diálogo binacional en el desierto de Sonora: El arte transfronterizo de "A sol pleno" de Inés Martínez de Castro y Mónica Luna

Tabuenca señala que esta estrategia retórica, que se utiliza frecuentemente para realizar una meta cultural y/o política por los grupos en los Estados Unidos y México, puede tener el efecto de mudar o borrar a los individuos que viven en la frontera "real" o material (Tabuenca, "Aprox...

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Published in:The Bilingual review 2012-01, Vol.31 (1), p.71-80
Main Author: Gordus, Andrew M.
Format: Article
Language:Spanish
Subjects:
Apartments
Building permits
Living conditions
Luna, Monica
Martinez de Castro, Ines
National identity
Research and Criticism / Investigaciones y Crítica
Video art
Video Technology
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description Tabuenca señala que esta estrategia retórica, que se utiliza frecuentemente para realizar una meta cultural y/o política por los grupos en los Estados Unidos y México, puede tener el efecto de mudar o borrar a los individuos que viven en la frontera "real" o material (Tabuenca, "Aproximaciones" 87). Aunque el texto es acompañado por imágenes que reproducen los espacios marginales o abyectos de la frontera (las zonas rojas, los prostíbulos, los bares, los barrios pobres), las escenas no son específicas a la geografía particular del norte del país.
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subjects Apartments
Building permits
Living conditions
Luna, Monica
Martinez de Castro, Ines
National identity
Research and Criticism / Investigaciones y Crítica
Video art
Video Technology
title Un diálogo binacional en el desierto de Sonora: El arte transfronterizo de "A sol pleno" de Inés Martínez de Castro y Mónica Luna
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