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FROM ROME TO PARIS TO ROME: REVERSING THE GRAND TOUR IN GOGOL'S "ROME"
Milkova talks about Nikolai Gogol's visual poetics which employed the effects of motion, distance, and change of place and perspective. Distance and change of place were vital to Gogol's creative process as well. The figure of the road not only organizes Gogol's artistic space as Yury...
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Published in: | Slavic and East European journal 2015-12, Vol.59 (4), p.493 |
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Main Author: | |
Format: | Article |
Language: | English |
Subjects: | |
Online Access: | Get full text |
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Summary: | Milkova talks about Nikolai Gogol's visual poetics which employed the effects of motion, distance, and change of place and perspective. Distance and change of place were vital to Gogol's creative process as well. The figure of the road not only organizes Gogol's artistic space as Yury Lotman has argued in his article Khudozhestveimoe prostranstvo v tvorchestve Gogolia, but being on the road also nourished and augmented Gogol's literary imagination. |
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ISSN: | 0037-6752 2325-7687 |